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  1. Websites: Track 24
  2. Websites: Track 25
  3. Websites: Track 28
  4. Websites: Track 29
  5. Websites: Track 3
  6. Websites: Track 5
  7. Websites: Track 6
  8. Websites: Track 9
  9. Week 10
  10. Week 10 (March 8-12) - Popular music, nationhood and nationalism
  11. Week 10 - March 09: Fieldwork and ethnography: critical perspectives 2. Film and video: philosophy and representation
  12. Week 10 - March 10&12: presentation and discussion week
  13. Week 10 - March 11. Filming and photography: representation and philosophy
  14. Week 10 - March 9: Religion, popular music and media
  15. Week 10 - Nov 15, 17, 19 - Music, politics and resistance
  16. Week 10 - Nov 25, 2013: TECHNOLOGY
  17. Week 10 - Nov 28, 2011: Music technology and global issues
  18. Week 10 - Nov 3-7: Music in Identity Politics
  19. Week 10 - Nov 7 & 9, 2011 - Transnational migrations and diaspora musics
  20. Week 10 - Nov 8: Popular musics: globalization and local identity in Iran and Central Asia
  21. Week 10 - November 23: Historical Ethnomusicology and studies of cultural memory / musical change and the impact of of scholarship on musical cultures
  22. Week 10 - November 7: Music and technology
  23. Week 10 - November 9: Music & religious ideology 2: power & social regulation
  24. Week 10 - Popular musics: globalism and locality
  25. Week 10 Critical perspectives and theories of ethnography 2
  26. Week 10 – March 16: Music and Islam in Iran
  27. Week 10 – March 22 and 24: Fine lines II: Pontecorvo’s The Battle of Algiers and other stories
  28. Week 10 – Monday, March 21: Analysis and Writing
  29. Week 10 – Nov 5 and 7: Werner Herzog: experiments in music and documentary
  30. Week 11
  31. Week 11 (March 15-19) - Popular music, conflict and violence
  32. Week 11 - Dec 2, 2011: HISTORY / ADVOCACY
  33. Week 11 - Dec 5, 2011: Historical ethnomusicology...
  34. Week 11 - March 16: Analysis and Writing
  35. Week 11 - March 16: Music, religion and identity
  36. Week 11 - March 17&19: Popular musics and new technologies
  37. Week 11 - March 18. Critical perspectives and theories of ethnography 2: knowledge and politics
  38. Week 11 - Music and gender
  39. Week 11 - Nov 10-14
  40. Week 11 - Nov 14, 16 & 18, 2011 - Music, politics and resistance
  41. Week 11 - Nov 15: Music and gender in Central and Inner Asia
  42. Week 11 - Nov 22, 24, 26 - Music, conflict and violence
  43. Week 11 - November 14: Global issues and World Music
  44. Week 11 - November 16: Music, religion & identity
  45. Week 11 Knowledge and politics
  46. Week 11 – March 23: Music and Islam in Morocco
  47. Week 11 – March 29 and 31: Evaluation week & film screenings
  48. Week 11 – Monday, March 28: Ethics 2: Ownership, repatriation and dissemination of ethnographic materials.
  49. Week 11 – Nov 14 (no class on Nov 12): Fine lines II: Gillo Pontecorvo’s ‘The Battle of Algiers’
  50. Week 12
  51. Week 12 (March 22-26) - Popular music in film
  52. Week 12 - March 23: Ethics 2: Ownership, repatriation and dissemination of ethnographic materials
  53. Week 12 - March 23: Music and religious ideology 2: power & social regulation
  54. Week 12 - March 24&26: Women, music and Islam
  55. Week 12 - March 25. Analysis and writing
  56. Week 12 - Music and migration
  57. Week 12 - Nov 17-21: Music and the Politics of Ownership and Representation
  58. Week 12 - Nov 21, 23 & 25, 2011 - Music, conflict and violence
  59. Week 12 - Nov 29, Dec 1, 3 - Worlds of film music
  60. Week 12 - November 21: Gender and race: feminist and postcolonial approaches in ethnomusicology
  61. Week 12 - November 23: Religion and musical aesthetic paradigms and experiences
  62. Week 12 Analysis and writing
  63. Week 12 – April 5 and 7: Ethics in documentary filmmaking
  64. Week 12 – March 30: Music and Islam in South Asia
  65. Week 12 – Monday, April 4: Course review and open discussion
  66. Week 12 – Nov 19 and 21: Ethics in documentary filmmaking
  67. Week 13
  68. Week 13 (March 29-April 2) - Popular music and religion
  69. Week 13 - April 1. Ethics 2: Ownership, repatriation and dissemination of ethnographic documents. Production and music industry
  70. Week 13 - March 30: Course review and open discussion
  71. Week 13 - Nov 24-28
  72. Week 13 - Nov 28, 30 & Dec 2, 2011 - Worlds of film music
  73. Week 13 - November 28: Historical ethnomusicology; the study of cultural memory
  74. Week 13 - November 30: Religion, popular music & the media
  75. Week 13 - The voice, sung poetry and religion in Central and Inner Asia: aesthetics and ethics
  76. Week 13 Ethics 2: Ownership, repatriation and dissemination of ethnographic materials. Production and music industry
  77. Week 13 – April 12: Final discussion.
  78. Week 13 – Monday, April 11: Class presentations of fieldwork projects
  79. Week 13 – Nov 26 and 28: Presentations and recap discussion.
  80. Week 14
  81. Week 14 (April 5-9) - Course recap week
  82. Week 14 - Dec 1-5
  83. Week 14 - Dec 3: Final recap discussion
  84. Week 14 - Revision week
  85. Week 1 (Jan 4-8) - Introduction
  86. Week 1 - Introduction : Ethnomusicology and the musics of Inner and Central Asia
  87. Week 1 - Jan 9: Introduction to the course, ethnomusicology and music in Italy
  88. Week 1 - January 6&8: Introduction
  89. Week 1 - Sept 13, 15, 17 - Introduction to the course
  90. Week 1 - Sept 6: "The Persianate World": a viable concept? Introduction to the musics of Iran and Central Asia
  91. Week 1 - September 14: Introduction to the course: defining Ethnomusicology
  92. Week 1 - September 8: The Persianate world: introduction to Iran and Central Asia
  93. Week 1 – Jan 11 and 13: Introduction to the course: documentary film and music
  94. Week 1 – Jan 12: Introduction to Islam in history, society and culture
  95. Week 1 – Monday, January 10: Introduction to the course
  96. Week 2
  97. Week 2 (Jan 11-15) - Globalization and (g)locality in the popular musics of the world
  98. Week 2 - Jan 16: Italian Opera: national identity and music industry
  99. Week 2 - January 12: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives. Planning fieldwork
  100. Week 2 - January 12: Tracing boundaries and interconnections: "religion" and "music", "sacred" and "secular"
  101. Week 2 - January 13&15: Introduction 2
  102. Week 2 - January 15. Fieldwork and ethnography: an overview of approaches, methods and techniques. Planning fieldwork
  103. Week 2 - Music and society in Central Asia
  104. Week 2 - Sept 13: Music, politics and society in 20th century Central Asia
  105. Week 2 - Sept 14 & 16, 2011 - Key issues in the study of "world music"
  106. Week 2 - Sept 16, 2013: DISCIPLINE
  107. Week 2 - Sept 20, 22, 24 - Introduction to the anthropology of music
  108. Week 2 - Sept 26, 2011: Mapping Ethnomusicology - Ethnomusicological histories part 1
  109. Week 2 - Sept 8-12: Introduction to Music & Politics
  110. Week 2 - September 12: Ethnomusicological traditions and histories (1)
  111. Week 2 - September 14: Tracing boundaries & interconnections
  112. Week 2 - September 15: Music and society in 20th century Iran and Central Asia
  113. Week 2 - September 21: Mapping EM / Ethnomusicological histories
  114. Week 2 Fieldwork and ethnography: an overview of approaches. Planning fieldwork
  115. Week 2 assigned readings
  116. Week 2 – Jan 18 and 20: Sound in (documentary) film
  117. Week 2 – Jan 19: Muslim discourses on the legitimacy of music 1: the sama' controversy
  118. Week 2 – Monday, January 17: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives; Planning fieldwork
  119. Week 2 – Sept 10 and 12: Introduction to an analysis of documentary film
  120. Week 3
  121. Week 3 (Jan 18-22) - Audiovisual media: worldwide uses, and issues of ethnographic representation
  122. Week 3 - Jan 23: Music, politics and society 1900-1945: labor songs, the fascist regime and the 'Resistenza'
  123. Week 3 - January 19: Fieldnotes & participant observation
  124. Week 3 - January 19: Music and religious ideology 1: religious sonic practices in “emic” concepts and discourses
  125. Week 3 - January 20&22: Muslim discourses on the legitimacy of music
  126. Week 3 - January 22. Critical perspectives and theories of ethnography
  127. Week 3 - Music and society in Afghanistan
  128. Week 3 - Oct 3, 2011: Anthropological inroads, ethnography and reflexivity - Ethnomusicological histories part 2
  129. Week 3 - Sept 15-19: Music & Nationalism
  130. Week 3 - Sept 19, 21 & 23, 2011 - Introduction to ethnomusicology and the anthropology of music
  131. Week 3 - Sept 20: Mountain music of Tajikistan (and Northern Afghanistan): folk and popular traditions, contexts and meanings
  132. Week 3 - Sept 23, 2013: ETHNOGRAPHY
  133. Week 3 - Sept 27, 29, Oct 1 - Traditions and post-traditions: challenging authenticity
  134. Week 3 - September 19: Anthropological inroads: fieldwork, ethnography and reflexivity; histories (2)
  135. Week 3 - September 21: Music & religious ideology 1: sonic practices in "emic" concepts & discourses
  136. Week 3 - September 22: Mountain music of Tajikistan (and northern Afghanistan)
  137. Week 3 - September 28: Anthropological inroads / Ethnomusicological histories 2
  138. Week 3 Critical perspectives and theories of ethnography
  139. Week 3 assigned readings
  140. Week 3 – Jan 25 and 27: Fine lines I: fiction and documentary
  141. Week 3 – Jan 26: Muslim discourses on the legitimacy of music 2: ancient treatises and contemporary debates
  142. Week 3 – Monday, January 24: Fieldnotes; Participant observation.
  143. Week 3 – Sept 17 and 19: Sound in (documentary) film
  144. Week 4
  145. Week 4 (Jan 25-29) - Popular musics and cultural identity: hybridization, appropriation and indigenization
  146. Week 4 - Jan 30: From Naples to San Remo: the classic 'canzone italiana' and its transformations
  147. Week 4 - January 26: Ethics 1: Research with human participants. Emic / Etic issues in ethnographic research
  148. Week 4 - January 26: Sacred texts: recitation, cantillation and chant
  149. Week 4 - January 27&29: The history of music in the Islamic Middle East
  150. Week 4 - January 29. Fieldnotes and participant observation. The experience of fieldwork: the researcher's position
  151. Week 4 - Music and society in Iran
  152. Week 4 - Oct 17, 2011: Neo-comparativism, ethnoscience, theory of practice in Ethnomusicology
  153. Week 4 - Oct 4, 6, 8 - Globalization and locality in the popular musics of the world
  154. Week 4 - October 5: Neo-comparativism, ethnoscience, and theory of practice in Ethnomusicology
  155. Week 4 - Sept 22-26: Music & Class
  156. Week 4 - Sept 26, 28 & 30, 2011 - Traditions and post-traditions: challenging authenticity
  157. Week 4 - Sept 27: Tajik-Uzbek art music (Shashmaqom and related genres): repertoires, structures, history and contemporary practice
  158. Week 4 - Sept 30, 2013: THEORY AND PRACTICE
  159. Week 4 - September 26: Neo-comparativism, ethnotheory, hermeneutics and theory of practice in ethnomusicology
  160. Week 4 - September 28: Sacred texts: recitation, cantillation & chant
  161. Week 4 - September 29: Tajik-Uzbek art music: Shashmaqom and related genres
  162. Week 4 Fieldnotes and participant observation. The experience of fieldwork: the researcher's position
  163. Week 4 assigned readings
  164. Week 4 – Feb 1 and 3: Observational cinema and the moving image in Anthropology I
  165. Week 4 – Feb 2: The history of music in the Middle East: science of music, cosmology and musical affects
  166. Week 4 – Monday, January 31: Ethics 1: Research with human participants; Emic / Etic issues in ethnographic research.
  167. Week 4 – Sept 24 and 26: Fine lines I: fiction and documentary
  168. Week 5
  169. Week 5 (Feb 1-5) - Transnational migrations and diaspora musics
  170. Week 5 - Feb 6: Italian folk music: practice, scholarship and revival
  171. Week 5 - February 02: Interviewing
  172. Week 5 - February 2: Devotion and mysticism
  173. Week 5 - February 3&5: Mystical Islam and Sufism
  174. Week 5 - February 5. Ethics 1: Human participants. Emic / etic issues in ethnographic research
  175. Week 5 - Oct 13, 15 - Audiovisual and electronic media: worldwide uses and issues of representation
  176. Week 5 - Oct 24, 2011: “Of insiders and outsiders”: experience and representation, hermeneutics and phenomenology
  177. Week 5 - Oct 3, 5 & 7, 2011 - Globalization and (g)locality in the popular musics of the world
  178. Week 5 - Oct 4: Mountain music of Tajikistan (and Northern Afghanistan)(continued): ritual and poetry among the Ismailis of Badakhshan
  179. Week 5 - Oct 7, 2013: INTERPRETATION AND EXPERIENCE
  180. Week 5 - October 19: Semiotic, hermeneutic and phenomenological approaches
  181. Week 5 - October 3: Music & identity
  182. Week 5 - October 5: Devotion & mysticism
  183. Week 5 - October 6: The formation of musical canons: power, nationhood and cultural heritage
  184. Week 5 - Popular traditions of Central Asia: contexts and meanings
  185. Week 5 Ethics 1: human participants. Emic / etic issues in ethnographic research
  186. Week 5 – Feb 8 and 10: Observational cinema and the moving image in Anthropology II
  187. Week 5 – Feb 9: Mystical Islam and Sufism 1
  188. Week 5 – Monday, February 7: Interviewing.
  189. Week 5 – Oct 1 and 3: Observational cinema and audiovisual ethnography in Anthropology, I
  190. Week 6
  191. Week 6 (Feb 8-12) - Marketing authenticity: traditional music in the world music market
  192. Week 6 - Art musics of Central and Inner Asia: the Tajik-Uzbek Shashmaqom and related traditions
  193. Week 6 - Feb 13: Engaged singer-songwriters and art song: 'cantautori' and 'canzone d'autore'
  194. Week 6 - February 09: The uses of film and video in ethnomusicology
  195. Week 6 - February 12. Interviewing
  196. Week 6 - February 9-14: Afghan Music Week
  197. Week 6 - February 9: Religion, commodification and the music market
  198. Week 6 - Oct 11: The voice, sung poetry and religion in Central and Inner Asia: aesthetics and ethics
  199. Week 6 - Oct 12 & 14, 2011 - Audiovisual and electronic media: worldwide uses and issues of representation
  200. Week 6 - Oct 18, 20, 22 - Music, identity and nationhood
  201. Week 6 - Oct 21, 2013: MEANING
  202. Week 6 - Oct 31, 2011: Musical meaning, semiotics and cognition
  203. Week 6 - Oct 6-10: The Political Economy of Music
  204. Week 6 - October 10: Musical meaning
  205. Week 6 - October 12: Religious music, commodification & the market
  206. Week 6 - October 13: The voice, sung poetry and religion: aesthetics and ethics
  207. Week 6 - October 26: Power, politics and political economy
  208. Week 6 Interviewing
  209. Week 6 – Feb 15 and 17: The moving image in Ethnomusicology I
  210. Week 6 – Feb 16: Mystical Islam and Sufism 2. A case study of the Mevlevi Ayin
  211. Week 6 – Monday, February 14: Video and photography: equipment and editing software.
  212. Week 6 – Oct 8 and 10: Observational cinema and audiovisual ethnography in Anthropology, II
  213. Week 7
  214. Week 7 - Feb 20: Rock, experimentalism and political struggle in Italy
  215. Week 7 - Nov 7, 2011: “Of diversity and difference”: Identity, ethnicity, gender and the postcolonial in Ethnomusicology
  216. Week 7 - November 2: Gender, ethnicity, identity and the postcolonial in Ethnomusicology
  217. Week 7 - Oct 13-17: Power, Control & Resistance 1
  218. Week 7 - Oct 17, 19 & 21, 2011 - Music, identity and nationhood
  219. Week 7 - Oct 18: Music politics and society in 20th century Iran
  220. Week 7 - Oct 25, 27, 29 - Music, religion and ritual
  221. Week 7 - Oct 28, 2013: IDENTITY
  222. Week 7 - October 17: Hegemony, power & politics
  223. Week 7 - October 19: DUE: Handing in & oral presentation of mid-term assignments
  224. Week 7 - October 20: Introduction to Persian art music
  225. Week 7 – March 1 and 3: The moving image in Ethnomusicology II
  226. Week 7 – Monday, February 28: Audio recording: equipment and editing software.
  227. Week 7 – Oct 17 (no class on Oct 15): Audiovisual ethnography in Ethnomusicology, I
  228. Week 8
  229. Week 8 (Feb 22-26) - The international music industry and cross-cultural collaborations
  230. Week 8 - Feb 27: Rap and Roots: antagonism and multicultural trends in contemporary Italian music
  231. Week 8 - February 23: Film and video: equipment and editing software
  232. Week 8 - February 23: Music and ritual
  233. Week 8 - February 24&26: Qur'an recitation and other religious sonic practices
  234. Week 8 - February 26. Audio recording: equipment and editing software
  235. Week 8 - Mountain music of Tajikistan and Northern Afghanistan: ritual and poetry among the Ismailis of Badakhshan
  236. Week 8 - Nov 1, 3, 5 - Musics of the world in the World Music market
  237. Week 8 - Nov 14, 2011: Power, politics and political economy
  238. Week 8 - Nov 4, 2013: POWER
  239. Week 8 - November 9: Analysis and performance
  240. Week 8 - Oct 20-24: Power, Control & Resistance 2
  241. Week 8 - Oct 24, 26 & 28, 2011 - Music, religion and ritual
  242. Week 8 - Oct 25 : Introduction to Persian art music: repertoire and performance practice, tradition, spirituality and ideology
  243. Week 8 - October 24: Analytical approaches; performance theory; the study of musical improvisation
  244. Week 8 - October 26: Music & ritual
  245. Week 8 - October 27: Regional and popular traditions of Iran
  246. Week 8 Audio recording: equipment and editing softwares
  247. Week 8 – March 2: Qur'an recitation and other religious sonic practices
  248. Week 8 – March 8 and 10: Documentary film and performative action: rockumentary
  249. Week 8 – Monday, March 7: Fieldwork and ethnography: critical perspectives 2; Video and photography: philosophy and representation.
  250. Week 8 – Oct 22 and 24: Audiovisual ethnography in Ethnomusicology, II
  251. Week 9
  252. Week 9: November 16: Music technology and global issues
  253. Week 9 (March 1-5) - Popular music, politics and resistance
  254. Week 9 - Introduction to Persian art music
  255. Week 9 - March 2: Audio recording: equipment and editing software
  256. Week 9 - March 2: Music, trance and healing
  257. Week 9 - March 3&5: Diversity in the Muslim world: popular, syncretic and local traditions
  258. Week 9 - March 4. Filming and photography: cameras and editing software
  259. Week 9 - March 5: Final exam
  260. Week 9 - Nov 18, 2013: ANALYSIS
  261. Week 9 - Nov 1: Regional traditions of Iran: the music of Iranian Khorasan
  262. Week 9 - Nov 21, 2011: Analysis and performance
  263. Week 9 - Nov 8, 10 - Transnational migrations and diaspora musics
  264. Week 9 - November 2: Music, trance & healing
  265. Week 9 - November 3: Popular music and media: the global and the local in Iran and Central Asia
  266. Week 9 - Oct 27-30
  267. Week 9 - Oct 31, Nov 2 & 4, 2011 - Musics of the world in the World Music market
  268. Week 9 - October 31: Musical change; the impact of scholarship on musical cultures
  269. Week 9 Filming: equipment and editing softwares
  270. Week 9 – March 15 and 17: Werner Herzog, and other experiments with music and documentary
  271. Week 9 – March 9: Diversity in the Muslim World: popular, syncretic and local tradition
  272. Week 9 – Monday, March 14: Guest lecturer: Dr. Anne Rasmussen, Associate Professor of Ethnomusicology, College of William and Mary (VA).
  273. Week 9 – Oct 29 and 31: Documentary film and performative action: rockumentary
  274. Weekly CCE meetings
  275. West African Music Ensemble Group Two
  276. What You Need To Know About The Commercial Real Estate Market
  277. What is "music of the Islamic world"? Four possibilities
  278. What is music of the Arab world?
  279. Whitemud Crossing Branch, Edmonton Library, March 9, 2008
  280. Who is the audience?
  281. Wikipedia articles on Arab music
  282. Winspear World Music sampler 2012
  283. Winter 2008 Field Methods Projects
  284. With the Fireface 800
  285. With the MONA
  286. Women Performers
  287. Women Performers as Agents of Change: Perspectives from India, March 15-16 2010
  288. World Music Sampler 2011
  289. World music sampler: Saturday, November 15, 2008
  290. World music sampler: Sunday, Nov 21, 2010
  291. World music sampler: Sunday, Nov 22, 2009
  292. Writers
  293. Xinjiang
  294. Ya Rayah
  295. Ya Shadi al-Alhan
  296. Yahoo groups
  297. Yoruba identity in Nigeria
  298. Yoruba neo-traditional popular music
  299. You're Absolutely Not Late for Life Insurance Above 65 Years
  300. YouTube videos
  301. You Against The World - The Most Important Commercial Real Estate Tips Available
  302. Zeppelin

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