Xinjiang

Czekanowska, Anna

(1982) 'Aspects of the Classical Music of Uighur People: Legend versus Reality', Asian Music 14/1, 94-110.

During, Jean & Sabine Trebinjac

(1991) Introduction au Muqam Ouigour. Bloomington, Indiana: Indiana University Research Institute for Inner Asian Studies.

Gladney, Dru C.

(1994) 'Representing nationality in China: refiguring majority/minority identities', Journal of Asian Studies, 53/1, 92-123.

Harris, Rachel

(2002, with Rahila Dawut) 'Mazar festivals of the Uyghurs: music, Islam and the Chinese state', British Journal of Ethnomusicology, 11/1, 101-118.

(2002) 'Cassettes, bazaars and saving the nation: the Uyghur music industry in Xinjiang, China', in T. Craig and R. King (eds.) Global Goes Local: Popular Culture in Asia. Vancouver: University of British Columbia Press, 265-283.

(2004) Singing the Village: Music, Memory, and Ritual amongst the Sibe of Xinjiang. Oxford & New York: Oxford University Press.

(2005) 'Reggae on the Silk Road: the Globalization of Uyghur Pop', The China Quarterly, 183, 627-643.

Khashimov, Abdulaziz

(1992) 'On Ikki Muqam and its Local Features (on the example of the structure of the Ili muqams)', in Jurgan Elsner (ed.) Regionale Maqam Traditionen in Geschichte und Gegenwart. ICTM, 312-344.

Mackerras, Colin (1985a) 'Uygur Performing Arts in Contemporary China', The China Quarterly, 101, 58-77.

(1985b) 'Traditional Uygur Performing Arts', Asian Music, 16/1, 29-58.

Roberts, Sean

(1998) 'Negotiating Locality, Islam, and National Culture in a Changing Borderlands: the revival of the Mashrap ritual among young Uighur men in the Ili valley', Central Asian Survey, 17/4, 672-700.

Trebinjac, Sabine

(2000) Le Pouvoir en Chantant: l'art de fabriquer une Musique Chinoise. Nanterre: Société d'ethnologie.