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Showing below up to 114 results in range #751 to #864.

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  1. Week 2 - Jan 16: Italian Opera: national identity and music industry
  2. Week 2 - January 12: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives. Planning fieldwork
  3. Week 2 - January 15. Fieldwork and ethnography: an overview of approaches, methods and techniques. Planning fieldwork
  4. Week 2 - Sept 14 & 16, 2011 - Key issues in the study of "world music"
  5. Week 2 - Sept 16, 2013: DISCIPLINE
  6. Week 2 - September 21: Mapping EM / Ethnomusicological histories
  7. Week 2 Fieldwork and ethnography: an overview of approaches. Planning fieldwork
  8. Week 2 assigned readings
  9. Week 2 – Jan 18 and 20: Sound in (documentary) film
  10. Week 2 – Jan 19: Muslim discourses on the legitimacy of music 1: the sama' controversy
  11. Week 2 – Monday, January 17: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives; Planning fieldwork
  12. Week 2 – Sept 10 and 12: Introduction to an analysis of documentary film
  13. Week 3
  14. Week 3 (Jan 18-22) - Audiovisual media: worldwide uses, and issues of ethnographic representation
  15. Week 3 - Jan 23: Music, politics and society 1900-1945: labor songs, the fascist regime and the 'Resistenza'
  16. Week 3 - January 19: Fieldnotes & participant observation
  17. Week 3 - Sept 23, 2013: ETHNOGRAPHY
  18. Week 3 Critical perspectives and theories of ethnography
  19. Week 3 assigned readings
  20. Week 3 – Jan 25 and 27: Fine lines I: fiction and documentary
  21. Week 3 – Jan 26: Muslim discourses on the legitimacy of music 2: ancient treatises and contemporary debates
  22. Week 3 – Monday, January 24: Fieldnotes; Participant observation.
  23. Week 3 – Sept 17 and 19: Sound in (documentary) film
  24. Week 4
  25. Week 4 (Jan 25-29) - Popular musics and cultural identity: hybridization, appropriation and indigenization
  26. Week 4 - Jan 30: From Naples to San Remo: the classic 'canzone italiana' and its transformations
  27. Week 4 - January 26: Ethics 1: Research with human participants. Emic / Etic issues in ethnographic research
  28. Week 4 - Oct 17, 2011: Neo-comparativism, ethnoscience, theory of practice in Ethnomusicology
  29. Week 4 - Sept 30, 2013: THEORY AND PRACTICE
  30. Week 4 Fieldnotes and participant observation. The experience of fieldwork: the researcher's position
  31. Week 4 assigned readings
  32. Week 4 – Feb 1 and 3: Observational cinema and the moving image in Anthropology I
  33. Week 4 – Feb 2: The history of music in the Middle East: science of music, cosmology and musical affects
  34. Week 4 – Monday, January 31: Ethics 1: Research with human participants; Emic / Etic issues in ethnographic research.
  35. Week 4 – Sept 24 and 26: Fine lines I: fiction and documentary
  36. Week 5
  37. Week 5 (Feb 1-5) - Transnational migrations and diaspora musics
  38. Week 5 - Feb 6: Italian folk music: practice, scholarship and revival
  39. Week 5 - February 02: Interviewing
  40. Week 5 - Oct 7, 2013: INTERPRETATION AND EXPERIENCE
  41. Week 5 - October 5: Devotion & mysticism
  42. Week 5 Ethics 1: human participants. Emic / etic issues in ethnographic research
  43. Week 5 – Feb 8 and 10: Observational cinema and the moving image in Anthropology II
  44. Week 5 – Feb 9: Mystical Islam and Sufism 1
  45. Week 5 – Monday, February 7: Interviewing.
  46. Week 5 – Oct 1 and 3: Observational cinema and audiovisual ethnography in Anthropology, I
  47. Week 6
  48. Week 6 (Feb 8-12) - Marketing authenticity: traditional music in the world music market
  49. Week 6 - Feb 13: Engaged singer-songwriters and art song: 'cantautori' and 'canzone d'autore'
  50. Week 6 - Oct 21, 2013: MEANING
  51. Week 6 - Oct 31, 2011: Musical meaning, semiotics and cognition
  52. Week 6 - October 26: Power, politics and political economy
  53. Week 6 Interviewing
  54. Week 6 – Feb 15 and 17: The moving image in Ethnomusicology I
  55. Week 6 – Feb 16: Mystical Islam and Sufism 2. A case study of the Mevlevi Ayin
  56. Week 6 – Monday, February 14: Video and photography: equipment and editing software.
  57. Week 6 – Oct 8 and 10: Observational cinema and audiovisual ethnography in Anthropology, II
  58. Week 7
  59. Week 7 - Feb 20: Rock, experimentalism and political struggle in Italy
  60. Week 7 - Nov 7, 2011: “Of diversity and difference”: Identity, ethnicity, gender and the postcolonial in Ethnomusicology
  61. Week 7 - Oct 18: Music politics and society in 20th century Iran
  62. Week 7 - Oct 28, 2013: IDENTITY
  63. Week 7 - October 19: DUE: Handing in & oral presentation of mid-term assignments
  64. Week 7 – March 1 and 3: The moving image in Ethnomusicology II
  65. Week 7 – Monday, February 28: Audio recording: equipment and editing software.
  66. Week 7 – Oct 17 (no class on Oct 15): Audiovisual ethnography in Ethnomusicology, I
  67. Week 8
  68. Week 8 (Feb 22-26) - The international music industry and cross-cultural collaborations
  69. Week 8 - Feb 27: Rap and Roots: antagonism and multicultural trends in contemporary Italian music
  70. Week 8 - February 23: Film and video: equipment and editing software
  71. Week 8 - Nov 14, 2011: Power, politics and political economy
  72. Week 8 - Nov 4, 2013: POWER
  73. Week 8 - Oct 25 : Introduction to Persian art music: repertoire and performance practice, tradition, spirituality and ideology
  74. Week 8 Audio recording: equipment and editing softwares
  75. Week 8 – March 2: Qur'an recitation and other religious sonic practices
  76. Week 8 – March 8 and 10: Documentary film and performative action: rockumentary
  77. Week 8 – Monday, March 7: Fieldwork and ethnography: critical perspectives 2; Video and photography: philosophy and representation.
  78. Week 8 – Oct 22 and 24: Audiovisual ethnography in Ethnomusicology, II
  79. Week 9 (March 1-5) - Popular music, politics and resistance
  80. Week 9 - March 2: Audio recording: equipment and editing software
  81. Week 9 - March 5: Final exam
  82. Week 9 - Nov 18, 2013: ANALYSIS
  83. Week 9 - Nov 21, 2011: Analysis and performance
  84. Week 9 - November 3: Popular music and media: the global and the local in Iran and Central Asia
  85. Week 9 - Oct 27-30
  86. Week 9 Filming: equipment and editing softwares
  87. Week 9 – March 15 and 17: Werner Herzog, and other experiments with music and documentary
  88. Week 9 – March 9: Diversity in the Muslim World: popular, syncretic and local tradition
  89. Week 9 – Monday, March 14: Guest lecturer: Dr. Anne Rasmussen, Associate Professor of Ethnomusicology, College of William and Mary (VA).
  90. Week 9 – Oct 29 and 31: Documentary film and performative action: rockumentary
  91. West African Music Ensemble Group Two
  92. What You Need To Know About The Commercial Real Estate Market
  93. What is "music of the Islamic world"? Four possibilities
  94. What is music of the Arab world?
  95. Who is the audience?
  96. Winspear World Music sampler 2012
  97. Winter 2008 Field Methods Projects
  98. With the MONA
  99. Women Performers
  100. Women Performers as Agents of Change: Perspectives from India, March 15-16 2010
  101. World Music Sampler 2011
  102. World music sampler: Saturday, November 15, 2008
  103. World music sampler: Sunday, Nov 21, 2010
  104. World music sampler: Sunday, Nov 22, 2009
  105. Writers
  106. Xinjiang
  107. Ya Rayah
  108. Ya Shadi al-Alhan
  109. Yahoo groups
  110. Yoruba neo-traditional popular music
  111. You're Absolutely Not Late for Life Insurance Above 65 Years
  112. YouTube videos
  113. You Against The World - The Most Important Commercial Real Estate Tips Available
  114. Zeppelin

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