MENAME repertoire
Short link to this page: http://bit.ly/menamerep
MAP of key locations (Studio 27, Convocation Hall, etc.)
Find the following in Repertoire, or under YouTube videos, if links do not appear below.
Contents
- 1 Fall 2016
- 2 Winter 2016
- 3 2015-16
- 4 2014-15
- 5 2013-14
- 6 2012-13
- 7 2011-12
- 8 2010-11
- 9 2009-10
- 10 2008-09
- 11 Iqa`at (durub, usul)
- 12 Pieces by Maqam
Fall 2016
Program for final concert Nov 26
Waslat Bayyati on A
- Dulab Bayyati A with taqasim and ciftetelli beat (2 sets of taqasim: (a) Fadi, Donna, George, (b) Etelka, Corona, Subash & Shruti... then close)
- Mawwal Bayyati A (Jenny)
- Ah Ya Hilu Bayyati A (Samira)
Waslat Hijaz Kar A (Suzidil)
with dancers
- Samai Hijaz Kar (instrumental piece in 10 beat cycle) on A. Michael counts 8 9 10 and we start. Percussion leave end of first bar "hollow" (no fills).
- Murr al-Tajanni ("Bitterness of separation"; a classical Muwashshah, traditional) on A. Jenny leads everyone in. Percussion start with latter half of cycle: dum dum tek ....
- Lamma Bada Yatathanna ("When she began to sway"; Muwashshah, traditional) on D. Michael cues 3 counts, then leads with pizzicato pattern, then vocals enter.
- Taqsim Hijaz Kar (instrumental solo). Etelka violin. Nahawand D, to Rast D.
- Mawwal (vocal solo). Jenny Boutros, voice, starting with the same Rast (D), moving to Suzidil (Hijaz Kar A)
- Ya Mariya ("Oh Mariya", by Sayyid Darwish). Jenny leads in, and signals last repeat.
Syriana
- A hadir el bosta (Nahawand A)
- Bektob esmik ya bladi (Rast C) mijwiz sound
WASLAT RAST on C
- Dulab Rast (notation - slightly different version)
- Taqsim (Fadi)
- Sama`i Rast (incipit)
- Mawwal
- Ya Tira Tiri (Tony)
- Ya Mal al-Sham [1] (and here preceded by a mawwal). 3:00
Persian Wasla
featuring Hossein Hosseiniparvar (voice) (?), Mehdi (santur hammer dulcimer), Nasim (tonbak percussion)
- Improvisation on the santur (if Mehdi wishes). Mehdi can introduce the song.
- Migozaram Tahna, featuring Hossein Hosseiniparvar (voice), with Mehdi Rezania (santur) and Nasim Ahmadian (Tonbak).
WASLAT HIJAZ ON D
- Taqsim
- Dulab Hijaz with Kurdish lyrics by Parto Kermanshahi (begin with Wahda 4x frame drums, then 4x other percussion, then once through instrumentals only, then repeat with singers)
- Mawwal (Tony)
- Foug al-Nakhal
- al-Bulbul Nagha
- Qadduka al-Mayyas
Program for Tuesday Nov 15
Community Refugee Committee of St. Albert. St. Albert United Church, (780) 458-8355, 20 Green Grove Drive, St. Albert, 7:00-8:30 pm. MC: St. Albert Mayor Nolan Crouse. If you need a ride please contact me (michaelf@ualberta.ca); I can take 3 if you don't have bulky instruments, and others are driving too. It is possible reach by bus, but I'm not sure how easily. Without traffic it's a 20 min drive from UofA - head straight up Groat Road and keep going on Rt. 2; it's just past Anthony Henday on the left. By bus it may take more like an hour, and you'd have to change busses.
We will perform at 7:30. Please be there by 7 pm; same dress as before. If you want to wear a MENAME t-shirt please do!
PROGRAM: WASLAT RAST C (suite in the Rast mode on C)
- Taqsim Rast (instrumental solo - Fadi).
- Samai Rast (instrumental piece in 10 beat cycle). Taqsim player leads in, percussion follow. Note: repeat both first khana and taslim.
- Ya Shadi al-Alhan ("Oh singer of melodies", a classical poem, Muwashshah; melody by Sayyid Darwish, 1892-1923). Featuring Tony Abinader, voice. Tony leads in.
- Dulab Rast (instrumental "cycle" in maqam Rast). Michael starts it. Percussion solo: 4 parts to the percussion (straight, Rick, someone else (Usama?), cymbals/shakers)
- Mawwal Rast (vocal solo). Tony Abinader, voice.
- Ya Tira Tiri Ya Hamama (Qadd Halabi--a traditional poem from Aleppo; melody by Abu Khalil al-Qabbani, 1833 - 1903, Syrian playwright and composer). Tony Abinader, vocal solo. Tony leads in and decides when to transition - watch signals to slow down. There will be a slight pause before the next song.
- Ya Mal al-Sham (Qadd Halabi, by Abu Khalil al-Qabbani). Tony Abinader, voice. Tony leads in.
- (encore if time allows) Ya Banat Iskandariyya, in A ("Oh girls of Alexandria". This old melody is known throughout ex-Ottoman lands). Start with 4x maqsum from percussion, then instruments, then singers. Repeat a few times, then take instrumental break, then back to singers. Last repeat on signal. Anyone care to dance?
Program for Oct 14
MAP of key locations (Studio 27, Convocation Hall, etc.)
Full program in concert order:
- Michael: M4GHD: Introduction to MENAME as community builder and connector...
WASLAT RAST C (suite in the Rast mode on C)
- Taqsim Rast (instrumental solo). Featuring Dr. Ahmed Al-Badr, oud.
- Samai Rast (instrumental piece in 10 beat cycle). Dr. Ahmed leads in, percussion follow. Note: repeat both first khana and taslim.
- Ya Shadi al-Alhan ("Oh singer of melodies", a classical poem, Muwashshah; melody by Sayyid Darwish, 1892-1923). Featuring Tony Abinader, voice. Tony leads in.
- Dulab Rast (instrumental "cycle" in maqam Rast). Michael starts it. Percussion solos: 4 parts (straight, Rick, Usama, cymbals/shakers)
- Mawwal Rast (vocal solo). Tony Abinader, voice.
- Ya Tira Tiri Ya Hamama (Qadd Halabi--a traditional poem from Aleppo; melody by Abu Khalil al-Qabbani, 1833 - 1903, Syrian playwright and composer). Tony Abinader, vocal solo. Tony leads in and decides when to transition - watch signals to slow down. There will be a slight pause before the next song.
- Ya Mal al-Sham (Qadd Halabi, by Abu Khalil al-Qabbani). Tony Abinader, voice. Tony leads in.
SYRIANA (girls' group) - Jenny introduces
- Tel3et ya mahla nourha (in D). Cued by tek tek from bongos (Dr. Usama)
- Mawtini[2] (in Kurd A)
- Deggo el mahabij (in Sikah Ed)
IRANIAN WASLA G, featuring Hossein Hosseiniparvar (voice), Mehdi (santur hammer dulcimer), Nasim (tonbak percussion)
- Improvisation on the santur (if Mehdi wishes). Mehdi can introduce the song.
- Migozaram Tahna, featuring Hossein Hosseiniparvar (voice), with Mehdi Rezania (santur) and Nasim Ahmadian (Tonbak).
WASLAT HIJAZ KAR A (Suzidil)
- Samai Hijaz Kar (instrumental piece in 10 beat cycle) on A. Michael counts 8 9 10 and we start. Percussion leave end of first bar "hollow" (no fills).
- Murr al-Tajanni ("Bitterness of separation"; a classical Muwashshah, traditional) on A. Jenny leads everyone in. Percussion start with latter half of cycle: dum dum tek ....
- Lamma Bada Yatathanna ("When she began to sway"; Muwashshah, traditional) on D. Michael leads with pizzicato pattern, then instruments take one cycle, then vocals.
- Taqsim Hijaz Kar (instrumental solo). Dr. Ahmed Al-Badr, oud. Start on Nahawand D, move to Hijaz Kar A, but with Rast in upper jins (on D).
- Mawwal (vocal solo). Jenny Boutros, voice, starting with the same Rast (D).
- Ya Mariya ("Oh Mariya", by Sayyid Darwish). Jenny leads in, and signals last repeat.
WASLA in NAHAWAND AND NAWA ATHAR A
- Ya Mahla al-Fusha in A, ("What a beautiful walk", traditional song from the coastal city of Latakia, Syria), in A, featuring Layla Basilis (voice) with Jenny Boutros and Kamar Maghamez on backup vocals. Dr. Usama starts with "tek tek", then instruments.
- (encore) Ya Banat Iskandariyya, in A ("Oh girls of Alexandria". This old melody is known throughout ex-Ottoman lands). Start with 4x maqsum from percussion, then instruments, then singers. Repeat a few times, then take instrumental break, then back to singers. Last repeat on signal. Dancers: Chris Schneider, Cynthia Kares, Kamar Maghamez. Music 365 students - invited to the stage to join us!
(end)
Current repertoire
WASLAT RAST on C
- Dulab Rast (notation - slightly different version)
- Taqsim
- Sama`i Rast (incipit)
- Mawwal
- Ya Tira Tiri
- http://bit.ly/yatiratiri (Sabah Fakhri)
- http://bit.ly/yatiratiri3 (Sabah Fakhri, starting with mawwal (vocal improvisation) and segueing into Ya Mal al-Sham)
- http://bit.ly/yatiratiri2 (Rouwaida Attieh)
- http://bit.ly/yatiratiri (Sabah Fakhri)
- Ya Mal al-Sham [3] (and here preceded by a mawwal). 3:00
- taqsim
- Ya Shadi al-Alhan - Beirut Oriental Ensemble & notation (slightly different version), Sabah Fakhri version with preceding dulab 3:00
WASLAT HIJAZ KAR on A (suzidil)
- Dulab Hijaz Karscore
- Samai Hijaz Kar score(audio precedes Murr al-Tajanni below)
- muwashshah: Murr al-tajannion youtube (use the score and recording in A)
- Lamma bada [4](Arab turath). If we perform in D this will match the tonality and darb of Murr al-Tajanni
- Ya mariya[5]Fairouz version (lyrics coming)
WASLAT NAHAWAND ON A
WASLAT HIJAZ ON D
- Taqsim
- Dulab Hijaz
- Mawwal
- Foug al-Nakhal
- al-Bulbul Nagha
- Qadduka al-Mayyas
WASLAT BAYYATI ON D
- Taqsim
- Sama`i Bayyati
- Fika Kullu Ma Ara Hasan
- Dulab Bayyati with taqasim and ciftetelli beat
- Mawwal?
- Ah Ya Hilu
Possible new repertoire
OTHER AREAS OF MENA:
- Inas Inas original version (Moroccan)
- Migozaram Tahna (Iranian)
- Tunisian
Syrian Debke
Ya nas ana mutt fi hubbi
https://www.youtube.com/watch?v=aq7GZkDi4Q0
Muwashshah: Ahinnu shawqan https://www.youtube.com/watch?v=ZpuLDa2cq_M
Taqtuqa:
Ib`atli jawab
https://www.youtube.com/watch?v=KAElgXfQ7oo
winnabi yama
https://www.youtube.com/watch?v=wbGhqMedQjA
Malik ya hilw https://www.youtube.com/watch?v=1LrCbbnLdZc
Ya Dhal Qawwam https://www.youtube.com/watch?v=xHqKf5OVtQI
Qadduka al-Mayas https://www.youtube.com/watch?v=izg23U8nHjs
Ala al-Aqiq https://www.youtube.com/watch?v=pTaX1TRjKB8
Fouq al-nakhal https://www.youtube.com/watch?v=42Pd-3_DisY
Winter 2016
Program for Feb 28
Canadian Druze Centre. Meet at 4 pm if possible.
Waslat Hijaz D
- Taqsim Hijaz (Michael)
- Dulab Hijaz (Michael starts)
- Taqsim Hijaz (Hadi)
- Mawwal Hijaz (Tony)
- al-Hilwa Di, by Sayyid Darwish and Badi` Khayri (Hijaz) (Tony starts)
- Ah Ya Zayn (Tony starts): vocals2x + instrumental + vocals2x + instrumental + vocals2x
Waslat D Ajam and Nahawand
- Taqsim Nahawand D (Etelka)
- Wa Imani Wa Imani (Bomwanzani Wa Mahaba) (Ahmed starts with cue, then percussion, then instrumental)
- Taqasim: Ajam D and Saba Zemzem F# (Hadi, George, Deepak)
- Mawwal Ajam D (Tony)
- Ṭilʿit ya maḥla nurha (Tony starts)
Program for final concert (March 31) - 55 min
Final concert: Thursday, March 31 - 7:30 pm - Convocation Hall. Please be there by 7 pm at the latest. For those who can come earlier we'd like to have a short run through/sound check starting at 5 pm as per the following schedule:
- 17:00 - 17:30 stage setup for MENAME
- 17:30 - 18:20 MENAME sound check
Extra rehearsals: please do your best to come if at all possible!
- Tuesday, March 29 - 7 pm - Studio 27
- Wednesday, March 30 - 7 pm - Studio 27
Wasla in Rast (C) - 15 min
- Taqsim Rast - Abdelhadi 0:30
- Dulab Rast (notation - slightly different version) 1:00 (Michael cues)
- Mawwal - Tony 1:00
- Ya Tira Tiri
3:00- http://bit.ly/yatiratiri (Sabah Fakhri)
- http://bit.ly/yatiratiri3 (Sabah Fakhri, starting with mawwal (vocal improvisation) and segueing into Ya Mal al-Sham)
- http://bit.ly/yatiratiri2 (Rouwaida Attieh)
- http://bit.ly/yatiratiri (Sabah Fakhri)
- Ya Mal al-Sham [6] (and here preceded by a mawwal). 3:00
- Ya Shadi al-Alhan - Beirut Oriental Ensemble & notation (slightly different version), Sabah Fakhri version with preceding dulab 3:00
Wasla in Nahawand and Ajam (D) - 15 min
- Taqsim Nahawand - Etelka
- Wa Imani Wa Imani (Bomwanzani Wa Mahaba) (Bi Kidude). Ahmed cues with 4 teks, then 2 cycles of percussion, then instrumental melody 2x, then vocals 3:20
- Taqasim for harp (D) + flute (F#) + bouzouki + harp (D) + sitar (F#) + harp (D). (Ajam D and Saba Zemzem F#) 3:00
- Ya Hilwat al-Dar [7] Percussion start, continue until dancers are turned;then Michael will cue in ensemble with count of 4. (notation) 3:20
- Dulab Ajam D [8]. Cued by Corona (flute). Play it twice. 0:30
- Taqsim Ajam D - Abdelhadi
- Mawwal Ajam D - Tony 1:00
- Ṭilʿit ya maḥla nurha. Refrain 2x, verse, refrain, music, verse, refrain 2x 3:30
Wasla in Rahat al-Arwah (Bd) and Hijaz (D) 20 min
- Dawwari, sea rhythm of Kuwait, with taqasim and mawwal on Rahat al-Arwah, and clapping, then call/response: Ahmed plays call, response is 4 dums. Fade out to end. (See also [9]). 4:00
- Halat dimu` [10] (Saudi song - samri; composed and sung by Saudi's most famous singer, Mohamed Abdu). Maqam `Iraq (Sika on B half flat with bayyati in upper jins) and Rahat al-Arwah. End with fade out on R2 by instruments until dancers have exited. 7:00
- Dulab HIjaz 1:00
- Mawwal hijaz
- al-Hilwa Di, by Sayyid Darwish and Badi` Khayri (Hijaz). Tony cues. 3:30
- Foug al-Nakhal. Refrain 2x, music, verse, refrain, then Bulbul and Hali section to end. 3:30
Dabke with Yahya on Mijwiz (Bayyati on E half flat!!) 5 min
Note: Yahya plays on Ed (= E half flat!)
- al-Zeina Libsit Khulkhalha (Samir Yazbek)] feeturing Yahya El Mousally on mijwiz, with dabke.
- More dabke
2015-16
Fall 2015
We are reviving a bunch of music that we have performed in the distant past. The playlist, music notation, and lyrics for each of the pieces are included below.
playlist
- Ya Rayah (Rachid Taha) lyrics (arabic) lyrics (roman transliteration) notation G-minor version
- Longa Riyad notation chords
- Samai Nahawand (Ali Jihad Racy) notation
- A Vava Inouva (Idir) lyrics (arabic transliteration) lyrics (roman transliteration) notation
- Asia (Basel Rajoub) notation
- Ana Elli Alayki (Ziad Rahbani) lyrics (arabic) lyrics (roman transliteration) notation
- Samai Bayati notation
- Raqsat el Hawanim notation
- Enta Omri (Mohammed Abdel Wahab) notation lyrics (arabic with roman transliteration)
2014-15
Winter 2015
Insha'allah Dr George Sawa will visit us March 16-20, 2014. We'll have an extra rehearsal on Wed evening March 18 in Studio 27, followed by a concert on Thurs March 19 in Convocation Hall. George will also give a number of lectures and workshops during the days he spends with us.
George Sawa repertoire
(click above link for more on the following)
Vocal pieces:
- Lamma Bada
- Sallam Alay
- Badat min al-Khidri Sabah Fakhri[11]Ghada Shubeir[12][13]
Dance pieces:
- Dakhlet el-Awalem Dance;
- Raqsat Sayyed Mohammad (Sayyed Mohammad Dance) (note that the transcription was done and signed by George's beloved qanun teacher, Mr. Mostafa Kamel, who attended the 1932 congress and was part of Mohammad el-Aqqad ensemble and may have been his student. I did not realize back then how lucky I was to have him as a teacher);
- two Zeybekli dances
- A dance in Hijazkar (Sufi feel)
Music pieces:
- Peshrev Nihavent Darwish Mostafa (a magnificent prelude from 17th-century Istanbul. Notice that the nahawand in the key of G uses E natural and not E flat);
- Hasan ya Kholi eg-genena (music only);
- Sama'i kurdeyli hijazkar by the great Tateos Efendi [14]
Other
- Ana dini din Allah (Moroccan) Amina Alaoui Nabila Maan Emile Zrihan Orchestre Asri(flamenco?) lyrics notation
Rhythms for winter 2015 repertoire cheat sheet
Hossam Ramzy week: Oct 22 - 25
Hossam Ramzy repertoire (NB: extra rehearsal Wed Oct 22 in room 1-29 FAB; Concerts on Oct 24 and 25, Convocation Hall)
Pieces from our our standard repertoire
Opening the concert:
- Bilafrah (with Tony's mawwal inserted)
- al-Hilwa Di (flamenco version)
Other pieces we may add as encores (please review):
Definite encores:
- Foug al-Nakhal
- Mawwal (Jenny)
- Qadduka al-Mayyas
possible:
Hossam's repertoire - pieces to be performed by the full ensemble
- Ana FintizarakEnglish lyrics
- Sallam Allay (music, lyrics, notation) (lyrics)
- Ghannili Sheway (music, lyrics, notation)
- Zeina
- Aziza
- Bahlam BeekOriginal film cliptranslationtransliteration
- Diamond in the Rough
Other pieces may be performed also (only by those of us who already know them very, very well)
More info...
The following will be danced to a recording:
- Efrooh Bwadina (will be recorded)
Hossam tells me we should follow as much as possible the versions he's sent out.
Full Hossam Ramzy Program
MENAME – Middle Eastern and North African Music Ensemble
- Uss-Ess Wara Composers: Assi Rahbani and Mansur Rahbani. Arranged by Ziad Rahbani. Featuring a mawwal (vocal solo) by Tony Abinader. In Maqam Hijaz.
- Il Hilwa Di Composer: Sayyid Darwish. Adapted by MENAME. In Maqam Hijaz
Hossam Ramzy with featured musicans Mr. Emile & Mr. El Gamal, joined by MENAME.
- Ghannili Shewaya Composer: Zakareya Ahmed. Singer: Om Kolthoum. Arranged by Hossam Ramzy. In Maqam Rast on Do.
- Ana Fintizarak Composer: Zakareya Ahmed. Singer: Om Kolthoum. Arranged by Hossam Ramzy. In Maqam Hijaz on Re. Dancer: Serena Ramzy
- Bahlam Beek Composer: Kamal El Taweel. Singer: Abdul Halim Hafiz. Arranged by Hossam Ramzy. In Maqam Hijaz on Re.
- Sallam Allay Traditional Folklore. Arranged by Hossam Ramzy. In Maqam Bayati on Nawa- Sol. Dancers: Edmonton group, Al Khamseen
- Zeina Composer: Mohamed Abdul Wahab. Arranged by Hossam Ramzy. In Maqam Hijaz on Re
- Diamond in The Rough Composers: Hossam Ramzy and Ossama El Hendy. In Maqam Kord on Nawa-Sol. Dancer: Serena Ramzy
END OF FIRST HALF
SECOND HALF (mostly without MENAME)
- Hossam Ramzy Solo on Tabla - Hossam Ramzy Solo on Tabla with Audience Participation
- Efrooh B'Wadina Composer: Sheble Abdallah. Bedouin Song. Arranged by Hossam Ramzy. Dancers: Serena Ramzy and dancers from Bedouin Beats. (Recording).
- Enta Omri Pt. 1 Composer: Mohamed Abdul Wahab. Singer: Om Kolthoum. Arranged by Hossam Ramzy. In Maqam Kord on La.
- Aziza (with MENAME) Composer: Mohamed Abdul Wahab. Arranged by Hossam Ramzy and Aziza. In Maqam Nahawand on Re. Dancer: Serena Ramzy
- Ansak Da Kalam Composer: Baligh Hamdy. Singer: Om Kolthoum. Arranged by Hossam Ramzy. In Maqam Rast on Do.
- Enta Omri II Composer: Mohamed Abdul Wahab. Singer: Om Kolthoum. Arranged by Hossam Ramzy. In Maqam Kord on La.
- Enta Omri III Composer: Mohamed Abdul Wahab. Singer: Om Kolthoum. Arranged by Hossam Ramzy. In Maqam Kord on La. Dancer: Serena Ramzy
END OF SECOND HALF
Encore medley with MENAME: Ah Ya Zayn, Foug al-Nakhal, Ya Mal al-Sham...
2013-14
Fall 2013
Songs to practice for the World Music Sampler
- Mounyati 'Azza Istibari (Sayyed Darwish, Egyptian Muwashah), version with Jenny's teacher lyrics and notation alternate notation
- Ya Khlila (Hussein al Jasmi, Emirati interpretation of Tunisian song), original version by Saliha, Shabila Rashid version, Magda Rumi version ContempArabic Jazz Ensemble version lyrics chords and bassline guitar chords notation
Additional songs
- Turkish: Ussak Sarki Huzzam Sarki
- Greek: Manaki Mou Aman Katerina Mou
- Persian: Shekar-e Ahou
- Egyptian: Batwans Beek Harrem t Ahhebak
Winter/Spring 2014
Songs for the performance at Latitude 53 on 7 February
More repertoire
- El Eliyahu, a piyut (traditional poem) about Elijah the prophet. Iraqi/Jewish.
Coptic Music Repertoire to be performed with George Kyrillos
View and download Coptic Music Repertoire by clicking here.
Please practice the following for now (more to come!). If you don't read music, just listen - a lot!
- Ten O Osht
- Alli El Korban (Alleluya)
- Fai Pe Pi
- Ees O Panagios Pateer
George Kyrillos, director of the David Ensemble, will join us for our April 4 concert.
Songs for the Winspear performance on 4 April
April 4 Full Program Sequence and soundcheck schedule
SONGS we'll perform:
Songs for our final performance on 29 May (7 pm)
- Ya Khlila (Hussein al Jasmi, Emirati interpretation of Tunisian song), original version by Saliha, Shabila Rashid version, Magda Rumi version ContempArabic Jazz Ensemble version lyrics chords and bassline guitar chords notation
2012-13
For Fall 2012 repertoire, please turn to 2012 class schedule
2011-12
Elements
Maqamat (melodic modes): Hijaz, Shehnaz, Bayyati, Saba, Rast, Nahawand, Ajam
Iqa`at or durub (rhythmic cycles): Bamb, Maqsum, Masmudi, Sa`idi, Wahda, Masmudi Kabir, Ciftetelli, Sama`i thaqil, Mudawwar Masri
Songs to practice
We'll combine Sampler material with new material for our spring concert...
from fall concert...
- Fika kullu ma ara hasan (Arab turath)(Bayyati D)
- Habbaytak (Lebanese)(Bayyati D)
- Al Ghourba (Nubian)(F minor)
- Bote chin (Persian)(Esfahan C)
- Da Magri (Kurdish) (Bayyati A)
- Habibi Dyali (Moroccan)(Nahawand C)
- Ya Mal al-Sham[15] (Syrian)(Rast C)
new...
- Matadjem yinmixan (Tuareg song by Tinariwen, from Mali)
- Hanghanni (Egyptian; by Shaykh Imam and Ahmad Fu'ad Nigm) [16]
- Bilafrah (Kaskess Warak) (Lebanese) G Hijaz
- Sunset Oro (Macedonia)
- Bahaar e del nesheen (Iran)
- Ah ya zayn (Egyptian-Levantine)
- Lamma bada [17](Arab turath)
- Zeina[18][19](dance piece by Mohamed Abdel Wahhab)
- Asa ma yuhashak ghali[20] (Omani)
- Aghrabe Zolf (Iran - folk) [21]
Instrumental pieces to practice
- Dulab Nahawand
- Sama`i Bayyati
- Raqsat al-Atlas (Moroccan)
Other possible repertoire
- Oudak Rannan (Lebanon)
- Bomwanzani wa mahaba (Tanzania)
- Enta Omri introduction
- Zeina
- Sidi Mansur
- Foug al-Nakhal with new addition...
- Iranian folksongs (Iran)
- Ilahi Kurdilihicazkar (Turkish)
- Havasi (Turkish)
- Kara Uzum Habbesi (Turkish)
- Ala Hesb Wedad (Egyptian - Abdel Halim Hafez)
- Oudy (Ahmed Mounib - Nubian)
- Mahani Zein (Emil Zrihan), with lyrics in Arabic and Hebrew (Moroccan)
- Sidi Yasser (Moroccan)
- Gnawa song (Moroccan)
- Amin amin (Baly Othmani) (Tuareg/Berber)
- Mesh Far'a Ma`i (Fayrouz - Lebanese)
- Mevlevi bashraf or samai (Turkish)
- Callipyge (Toufic Farroukh)
- Ibaatli Jawab (Shadi Jamil - Syrian)
- Greek song
2010-11
Note: if no link is provided below, all pieces are here, in alphabetical order.
Elements:
Maqamat (melodic modes): Bayyati, Hijaz, Saba, Rast, Sika, Nahawand
Iqa`at (rhythmic cycles): Ciftetelli, Wahda, Maqsum, Masmudi, Sa`idi, Bamb, Malfuf, Ayyoub, Fox, Murabba`, Bitayhi, Habibi Dyali rhythm, Yuruk Samai
Repertoire:
Songs:
- Mizmor Laila (Israeli-Yemeni) Bb minor
- Ya Mahla al-Fusha (Syrian) C minor
- Takayee (Kurdish) G Hijaz
- Shenhaye saheli (Iranian) F minor
- Ta Smirneika Tragouthia (Greek) D Bayyati
- Ouloulu[22] (Egyptian) Bd Rahit al-Arwah
- Bilafrah (Lebanese) G Hijaz
- Getma getma gal (Azerbaijani)
- Hibbina[23](Egyptian-Syrian)
- Ramani (Egyptian)
- Shoore Aasheghaaneh (Persian)
- Jaan e Maryam (Persian)
- Ilham (Algerian)
- Uyan Ey Gözlerim Gafletten Uyan[24] (Turkish)
Instrumental pieces:
- Ibn al-Balad; also [25](Egyptian)
- Longa Kurdili Hijaz Kar(Turkish)
2009-10
Maqamat: Rast, Suznak, Nahawand, Nawa Athar, Hijaz, Bayati, Bayati Shuri, Sikah, Huzam, Ramal al-Maya, Hijaz Kar, Hijaz Kar kurd
Iqa`at: Wahda, Maqsum, Masmudi, Sa`idi, Ciftetelli, Sama`i Thaqil, Bamb, Malfuf, Quddam
Instrumentals: `Aziza, Sama`i Bayyati, Dulab Nahawand, Dulab Rast, Bilafrah, Dulab Bayyati (with taqasim)
Songs: Oshyoni bulbulon, Rinda Min, Kalabandi, Ya Shadi al-Alhan, Shu Hal Iyyam, Chamce el Achia, Hare’ layle’, Qoqaye setaregan, Zuruni, Lamma Bada, Shalom Lecha Dodi, Ya Dha al-Qawam, Habbina
- More Tajik songs
- Berber song
- Abdel Halim song
- Qadukka al-Mayyas
Possible wasla sequence
- Bilafrah (Hijaz, G)
- Taqsim
- Dulab Nahawand (Nahawand, C)
- Lamma Bada (Nahawand, C)
- Taqsim
- Dulab Rast (Rast, C)
- Taqsim
- Mawwal (Rast, C)
- Ya Shadi al-Alhan (Rast, C)
- Shu Hal Iyyam (Nahawand, D)
- Chamce el Achia (mawwal and song) (Ramal al-Maya, C)
- Sama`i Bayyati (D)
- Dulab and taqasim Bayyati (D)
- Taqsim
- Hare' layle' (Bayyati, D)
- Taqsim
- Qoqaye setaregan (Nahawand, A)
- Aziza (Farahfaza = Nahawand, G)
- Zuruni (Ajam, Eb)
2008-09
Ach'hal Ayit
Ah ya hilu
Ah ya zayn (form: perc 4 cycles, all instr, Arabic, violins, Turkish, ud/guitar/saz, Urdu, Arabic)
Ala shawatee Dijla mur
Allah ya moulana
al-Uzubiyya
Bilafrah ("signature")
Bint al-Balad
Chang-e Rudaki
Dulab Bayyati (with taqasim)
Dulab Nahawand
Fawq al-Nakhl
Ha'agas Street 1
Hilwa ya baladi
Il hilwa di
Kara uzum habbesi
Lamma bada
Leylim ley
Longa Riyad
Nassam alayna al-hawa
Shoore aasheghaaneh
Ya banat iskandariyya
(form: perc 4 cycles, all instr, Arabic, violins, Turkish, ud/guitar/saz, Urdu, Arabic)
Dulab Nahawand, Dulab Bayyati, Sama`i Bayyati, Bint al-Balad, Bayyati ostinato, Percussion pieces (try to compose your own percussion piece using the same notation), Raqs al-Hawanem, Dulab Huzam, Longa Riyad
Wahrane, Foug al-Nakhal,Amurr bismiki, Ahebbak law tekun hader, Sa'altak ya habibi, La Khabar, Bidad-e Zaman, Ya Shadi al-Alhan, Allah ya moulana, A vava inouva, Oudak Rannan
Iqa`at (durub, usul)
See theory links for explanations.
- Wahda
- Ciftetelli
- Maqsum
- Masmudi
- Bamb
- Malfuf
Pieces by Maqam
See theory links for explanations.
Maqam Nahawand:
- Foug al-Nakhal
- Haagas Street
- Takderakht
- Shoore Aasheghaaneh
- Ya Rayah
- Dulab Nahawand
- Ya Banat Iskandariyya
- Lamma Bada Traditional Arab heritage.
- Wahrane, a song performed by Khaled from Algeria
Maqam Bayyati:
- Sama`i Bayyati
- Ah Ya hilw
- Bint al-Balad
- Dulab and Taqasim bayyati
Maqam Hijaz:
- Bilafrah
- al-Hilwa Di
- Ah Ya Zayn