Writers with Entries

Orlando: Women’s Writing in the British Isles from the Beginnings to the Present is an on-line cultural history generated from the lives and works of women writers. The 1305 writers listed below—as British women, men, and other women—have their own entries in Orlando. Women whose nationality shifted are listed twice. More than 31,000 people and 7,500 organizations are mentioned or discussed somewhere in the textbase (in others’ entries and in the thousands of free-standing events), and dozens of these are writers without dedicated entries. For more information on Orlando visit http://www.cambridge.org/online/orlandoonline

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British Women Writers

 


Other Women Writers

 


Male Writers

 


Summary of Content
1,305 entries (1,025 British women writers, 175 male writers, 166 other women writers—listed twice if their nationality shifted); 13,607 free-standing chronology entries; 26,278 bibliographical listings; 2,499,869 tags; 8,075,393 words (exclusive of tags).

Writers with Entries (Initial Release)

Writers with Entries (January 2007 Update)

Writers with Entries (July 2007 Update)

Writers with Entries (January 2008 Update)

Writers with Entries (July 2008 Update)

Writers with Entries (January 2009 Update)

Writers with Entries (July 2009 Update)

Writers with Entries (January 2010 Update)

Writers with Entries (July 2010 Update)

Writers with Entries (January 2011 Update)

Writers with Entries (July 2011 Update)

Writers with Entries (January 2012 Update)

Writers with Entries (July 2012 Update)

Writers with Entries (January 2013 Update)

Writers with Entries (July 2013 Update)

Reviews of Orlando

In Eighteenth-Century Fiction

… each Orlando Project entry serves the beginning student and advanced researcher alike; it provides an introductory survey of a particular author, but can also function as a source of the latest critical understandings of the author and an encouragement for further advanced research on the themes, influences, and cultural contexts radiating out from that author (377).

[...] Orlando‘s most innovative contribution to humanities scholarship is the modelling of more interpretive, open-ended, thematic database research. The database encourages what it terms “Tag Searches,” in which entries have been tagged to highlight key terms relating to topics unique to literary history; searches can return information relating to biographical details, literary production, literary reception, textual features, and essential or “core tag” details such as dates and names. Orlando allows searches for topics that are not part of a “typical” database search—such as editions, circulation, anthologization, and type of press—but are of keen interest to researchers of reading and writing culture. Orlando thus captures some of the most recent trends in history of the book and material culture studies and translates those interests into research queries that can be performed quickly and efficiently (377).

[...] Orlando enacts exciting new approaches to women’s history, literary history, and the history of the book by translating those approaches into an equally exciting database organization. The textbase features authoritative summaries of women’s lives and writing, new cultural and thematic topics for “tagged” investigations, and innovative processes for performing searches across disciplines and time periods. Perhaps most importantly, Orlando encourages the researcher to see new patterns, new connections, and new traditions—and thus to think in new ways. The transformative effect of women’s writing is keenly felt by the Orlando researcher. With its ability to encourage new thinking in both the entry-level student and the advanced researcher, Orlando deserves a prominent place in the electronic database collection of every research library (378).

Ros Ballaster et al. The Orlando Project (review).” Eighteenth Century Fiction 22:2 (2009): 371-379. (Available from Project MUSE).
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