Funding

The Orlando Project has been generously supported by the Vice-President (Research), the Vice-President (Academic), the Director of Libraries, the Dean of Graduate Studies, the Dean of Arts, and the Department of English and Film Studies at the University of Alberta; and by the School of English and Theatre Studies, the Faculty of Arts, and the Vice-President Research at the University of Guelph.

The first phase in Orlando’s development – creation of the Project infrastructure, the DTDs, and extensive encoding – was funded by a Major Collaborative Research Initiatives Grant from the Social Sciences and Humanities Research Council of Canada, and the Council has since awarded Standard Research Grants to each of Dr. Brown, Dr. Clements, and Dr. Grundy for work on the Orlando narrative history.

The Canada Foundation for Innovation invested in the second phase of Orlando work, the development of the production system capable of exploiting the SGML markup for delivery on the Internet.

Inso Corporation provided the Orlando Project with an in-kind grant of software.

The Orlando Project Team is moved by, and grateful for, personal donations from Don Buchanan and Shirley and Christopher Head.

Reviews of Orlando

Alison Booth in Biography

[H]igh standard of biographical and historiographical interpretation and writing . . . an irrefutable confirmation that any one life (and life writing) is always a network of relations, locations, events, and categories (Booth 728).

Orlando isn’t just all about any woman writer who ever had anything to do with the British Isles, and some affiliated writers, or about the historical context for these longstanding traditions. It’s also all about markup. It’s about demystifying digital research for the scholar who might secretly still believe technology belongs to non-humanists or to nerdy men. On the contrary, markup is man-womanly in a Woolfian sense, some sort of cross-dressing of logic, poetry, sewing, and architecture. No longer romanticizing infinite possibilities, the digital community acknowledges that coding is interpretive (729).

Alison Booth. Biography 31: 4 (Fall 2008), 725-34.(Available from Project MUSE).
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    3-5 Humanities Centre,

    Department of English and Film Studies

    University of Alberta

    Edmonton, AB, Canada

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