Difference between revisions of "Week 4 - Sept 27: Tajik-Uzbek art music (Shashmaqom and related genres): repertoires, structures, history and contemporary practice"
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− | Reading assignment | + | Reading assignment: |
Browse: Elsner (1989); (1992); (1997) and choose any one relevant article that interests you. | Browse: Elsner (1989); (1992); (1997) and choose any one relevant article that interests you. | ||
− | + | Browse the relevant sections under "Tajikistan" and "Uzbekistan" in the The New Grove Dictionary. | |
− | Plus, read Levin ( | + | Plus, read Levin (1984: ch. 1 and either ch. 2 - for those of you who are more context-oriented - or ch. 4 - for those of you who are keen on musical details) and one of the following: Levin (1996: 98-130). Levin & Sultanova (2002) |
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+ | Listening suggestions: | ||
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+ | From [[Central Asia - discography]]: CDs 3, 5, 10, 13, 16, 18, 19, 20, 21, 22, 27, 30. | ||
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+ | Also, check out a few samples from my field recordings, taken in Dushanbe, Tajikistan, summer 2006 [http://folkways.tapor.ualberta.ca/~spinetti/MPW/Week%2004_Tajik-Uzbek%20Shashmaqom/ Class media content] |
Latest revision as of 19:31, 18 September 2006
Reading assignment:
Browse: Elsner (1989); (1992); (1997) and choose any one relevant article that interests you.
Browse the relevant sections under "Tajikistan" and "Uzbekistan" in the The New Grove Dictionary.
Plus, read Levin (1984: ch. 1 and either ch. 2 - for those of you who are more context-oriented - or ch. 4 - for those of you who are keen on musical details) and one of the following: Levin (1996: 98-130). Levin & Sultanova (2002)
Listening suggestions:
From Central Asia - discography: CDs 3, 5, 10, 13, 16, 18, 19, 20, 21, 22, 27, 30.
Also, check out a few samples from my field recordings, taken in Dushanbe, Tajikistan, summer 2006 Class media content