Difference between revisions of "Week 3 - Sept 20: Mountain music of Tajikistan (and Northern Afghanistan): folk and popular traditions, contexts and meanings"
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12, 25, 30 (on reserve). | 12, 25, 30 (on reserve). | ||
| − | In the meanwhile, check out some additional recordings in our [http://folkways.tapor.ualberta.ca/~spinetti/MPW/Week%2003_Mountain%20music%201/ class media content]: Odina Hoshimov's falak is transcribed and discussed in Spinetti 2006: ch. 5; while Safar Mehdi is transcribed in Slobin 1976: 208. | + | In the meanwhile, check out some additional recordings in our [http://folkways.tapor.ualberta.ca/~spinetti/MPW/Week%2003_Mountain%20music%201/ class media content]: Odina Hoshimov's falak is transcribed and discussed in Spinetti 2006: ch. 5: 151-162; while Safar Mehdi is transcribed in Slobin 1976: 208. |
Revision as of 02:14, 10 September 2006
Reading assignment:
Read one of the following sets: Sakata (1983: 53-59, 92-100, 146-168) + (1989). Or Slobin (1970) + (1976: 21-26, 124-25, 204-211).
Plus, one of the following: Berg (2004: 22-44 + browse ch. 2 and 6). Spinetti (2006: ch. 4); (2006: ch. 5). All titles are included in Afghanistan, Tajikistan & Uzbekistan. Note that Slobin 1976 is now available online at http://learningobjects.wesleyan.edu/afghanistan/resources/index.html
Listening suggestions:
Of the CDs listed in Central Asia - discography: CDs 1, 2, 11, 15, 26, 28 (in my office); CDs 12, 25, 30 (on reserve).
In the meanwhile, check out some additional recordings in our class media content: Odina Hoshimov's falak is transcribed and discussed in Spinetti 2006: ch. 5: 151-162; while Safar Mehdi is transcribed in Slobin 1976: 208.
