Qur'anic recitation (tilawa)

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Young Iranian boy reciting in Shaykh `Abd al-Basit's style


recorded in Egypt, during the early part of this century. This is again the mujawwad style; note the pauses, repeats, slow delivery, melisma, melodic inventiveness. This style allows the performer to create maximal

emotional power.
Shaykh Muhammad Rif`at

reciter who passed away relatively recently (1927-1988). Note how each reciter has his style. This too is the

mujawwad style.
Shaykh `Abd al-Basit `Abd al-Samad

contrast with the previous two examples: here, recitation is rapid, narrower in melodic scope, little melisma, always moving forward without pauses. This style, called murattal, was traditionally used for study and private devotions. Recently it has become more popular for listening, probably due to Egyptian worker migration to Saudi Arabia, as well as increasing religious conservatism; the conservatives critics often condemn the older mujawwad style as “singing” the Qur’an. From a commercial recording.