Difference between revisions of "Qur'anic recitation (tilawa)"

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[[Image:180px-Great_Rifat.jpg|thumb|Shaykh Muhammad Rif`at]]
 
[[Image:180px-Great_Rifat.jpg|thumb|Shaykh Muhammad Rif`at]]
  
* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%207.mp3 Qur’anic recitation (mujawwad)]. Performed by Shaykh Muhammad Rif‘at ((May 9, 1882 - May 9, 1950), the earliest great reciter to be
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* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%207.mp3 Qur’anic recitation (mujawwad)]. Performed by Shaykh Muhammad Rif‘at ((May 9, 1882 - May 9, 1950), the earliest great reciter to be recorded in Egypt, during the early part of this century. This is again the mujawwad style; note the pauses, repeats, slow delivery, melisma, melodic inventiveness. This style allows the performer to maximize emotional power.  
recorded in Egypt, during the early part of this century. This is again the mujawwad style; note the pauses,
 
repeats, slow delivery, melisma, melodic inventiveness. This style allows the performer to create maximal
 
emotional power.  
 
  
 
* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%208.mp3 Qur’anic recitation (mujawwad)]. Performed by Shaykh ‘Abd al-Basit ‘Abd al-Samad. A great Egyptian
 
* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%208.mp3 Qur’anic recitation (mujawwad)]. Performed by Shaykh ‘Abd al-Basit ‘Abd al-Samad. A great Egyptian
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* [http://www.youtube.com/watch?v=ovylbsLYcwc Young Iranian boy reciting in Shaykh `Abd al-Basit's style]
 
* [http://www.youtube.com/watch?v=ovylbsLYcwc Young Iranian boy reciting in Shaykh `Abd al-Basit's style]
  
* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%209.mp3 Qur’anic recitation (murattal)]. Performed by Shaykh Ahmad al-‘Ajami, from Saudi Arabia. Note the contrast with the previous two examples: here, recitation is rapid, narrower in melodic scope, little melisma, always moving forward without pauses. This style, called murattal, was traditionally used for
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* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%209.mp3 Qur’anic recitation (murattal)]. Performed by Shaykh Ahmad al-‘Ajami, from Saudi Arabia. Note the contrast with the previous two examples: here, recitation is rapid, narrower in melodic scope, little melisma, always moving forward without pauses. This style, called murattal, was traditionally used for study and private devotions. Recently it has become more popular for listening, probably due to Egyptian worker migration to Saudi Arabia, as well as increasing religious conservatism; the conservatives critics often condemn the older mujawwad style as “singing” the Qur’an. From a commercial recording.  [http://www.youtube.com/watch?v=qUbGImJikuo Video: Surat Qiyama]
study and private devotions. Recently it has become more popular for listening, probably due to Egyptian
 
worker migration to Saudi Arabia, as well as increasing religious conservatism; the conservatives critics
 
often condemn the older mujawwad style as “singing” the Qur’an. From a commercial recording.  [http://www.youtube.com/watch?v=qUbGImJikuo Video: Surat Qiyama]
 
  
  
 
* [http://www.youtube.com/watch?v=riW4W66ptqI Quranic recitation:  Surat al-Rahman (video)]
 
* [http://www.youtube.com/watch?v=riW4W66ptqI Quranic recitation:  Surat al-Rahman (video)]

Revision as of 11:13, 27 September 2007

Shaykh Muhammad Rif`at
  • Qur’anic recitation (mujawwad). Performed by Shaykh Muhammad Rif‘at ((May 9, 1882 - May 9, 1950), the earliest great reciter to be recorded in Egypt, during the early part of this century. This is again the mujawwad style; note the pauses, repeats, slow delivery, melisma, melodic inventiveness. This style allows the performer to maximize emotional power.

reciter who passed away relatively recently (1927-1988). Note how each reciter has his style. This too is the

mujawwad style.
Shaykh `Abd al-Basit `Abd al-Samad
  • Qur’anic recitation (murattal). Performed by Shaykh Ahmad al-‘Ajami, from Saudi Arabia. Note the contrast with the previous two examples: here, recitation is rapid, narrower in melodic scope, little melisma, always moving forward without pauses. This style, called murattal, was traditionally used for study and private devotions. Recently it has become more popular for listening, probably due to Egyptian worker migration to Saudi Arabia, as well as increasing religious conservatism; the conservatives critics often condemn the older mujawwad style as “singing” the Qur’an. From a commercial recording. Video: Surat Qiyama