Difference between revisions of "Musical features"
| Line 4: | Line 4: | ||
*** Heterophony | *** Heterophony | ||
*** Ornament | *** Ornament | ||
| − | ** Modality ([ | + | ** Modality ([https://maqamworld.com/en/maqam.php maqam]) |
*** Microtonality | *** Microtonality | ||
*** Improvisation | *** Improvisation | ||
| − | ** [ | + | ** [https://maqamworld.com/en/iqaa.php Rhythm and cycles] |
*** Free rhythm forms | *** Free rhythm forms | ||
*** Simple cycles | *** Simple cycles | ||
*** Complex cycles | *** Complex cycles | ||
| − | ** Compound and other [ | + | ** Compound and other [https://maqamworld.com/en/forms.php forms] |
*** Fasil (Syria, Turkey) | *** Fasil (Syria, Turkey) | ||
*** Nawba (North Africa) | *** Nawba (North Africa) | ||
*** Wasla (Egypt) | *** Wasla (Egypt) | ||
*** Dastgah (Iran) | *** Dastgah (Iran) | ||
| − | ** [ | + | ** [https://maqamworld.com/en/instr.php Instruments], arranged in small heterogenous ensembles (e.g. takht) |
*** qanun (a trapazoidal plucked zither) | *** qanun (a trapazoidal plucked zither) | ||
*** 'ud (a fretless plucked lute) | *** 'ud (a fretless plucked lute) | ||
| Line 22: | Line 22: | ||
*** Western violin | *** Western violin | ||
*** folk instruments | *** folk instruments | ||
| + | *** electric and electronic instruments | ||
* Theory | * Theory | ||
Revision as of 11:00, 30 January 2024
- Unifying Traits of Music at core of Islamic world (Arab/Turkish/Persian worlds)
- Centrality of language
- Centrality of melody
- Heterophony
- Ornament
- Modality (maqam)
- Microtonality
- Improvisation
- Rhythm and cycles
- Free rhythm forms
- Simple cycles
- Complex cycles
- Compound and other forms
- Fasil (Syria, Turkey)
- Nawba (North Africa)
- Wasla (Egypt)
- Dastgah (Iran)
- Instruments, arranged in small heterogenous ensembles (e.g. takht)
- qanun (a trapazoidal plucked zither)
- 'ud (a fretless plucked lute)
- nay (a reed flute)
- Western violin
- folk instruments
- electric and electronic instruments
- Theory
- History of theory in Islamicate philosophy (al-Kindi, al-Farabi, ibn Sina...)
- Acoustical and musical theory
- Cosmological (macro and micro) theory: ethos, therapy
- General theory
- Maqam
- History of theory in Islamicate philosophy (al-Kindi, al-Farabi, ibn Sina...)
- Practice
- Arab-Persian
- Shajarian
