Difference between revisions of "Examples of Islamicate music"

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* [http://www.youtube.com/watch?v=PA0XofIlYZY Sabah Fakhri (b. 1933), the greatest modern exponent of the pre-mediated Islamicate Arab style of "tarab" in Syria]. Note tarab interactions - not unlike those of Shaykh Mustafa Ismaʿīl
 
* [http://www.youtube.com/watch?v=PA0XofIlYZY Sabah Fakhri (b. 1933), the greatest modern exponent of the pre-mediated Islamicate Arab style of "tarab" in Syria]. Note tarab interactions - not unlike those of Shaykh Mustafa Ismaʿīl
 
* [https://www.youtube.com/watch?v=4MsqBo0wJb4 Turkish Fasil][https://www.youtube.com/watch?v=icntdwGacpo Music of Selim III], 1761 – 1808, Sultan of the Ottoman Empire from 1789 to 1807.  
 
* [https://www.youtube.com/watch?v=4MsqBo0wJb4 Turkish Fasil][https://www.youtube.com/watch?v=icntdwGacpo Music of Selim III], 1761 – 1808, Sultan of the Ottoman Empire from 1789 to 1807.  
* [https://www.youtube.com/watch?v=FSJWd74Yzwc Khayal][https://www.youtube.com/watch?v=oACbmNkih0I] style of Hindustani classical music.
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* [https://www.youtube.com/watch?v=FSJWd74Yzwc Khayal][https://www.youtube.com/watch?v=oACbmNkih0I] style of Hindustani classical music. Compare to Qawwali.
 
* [https://www.youtube.com/watch?v=16_nS0nkWUs Javanese gamelan]
 
* [https://www.youtube.com/watch?v=16_nS0nkWUs Javanese gamelan]
 
* [https://www.youtube.com/watch?v=OAM-dSCfwYA Persian dastgah], performed on solo kemenche by Kayhan Kalhor
 
* [https://www.youtube.com/watch?v=OAM-dSCfwYA Persian dastgah], performed on solo kemenche by Kayhan Kalhor

Revision as of 13:05, 1 February 2024

These musical forms drew upon Islamic (especially Sufi) performance (vocal timbre, pronunciation, interactive performance dynamics) and meanings (love, unity), and were shaped by Islamic institutions (kuttab, legal rulings), but were also absorbed into Islamic language performance.

At times it is difficult to determine the boundaries of "Islamic" and "Islamicate" sounds. Always Islam provides the spiritual, ethical, legal, and societal underpinnings for a civilization hospitable to the development of particular forms (texts, themes, styles) of music and singing -- while condemning others. The Islamicate as a whole (values, institutions, social relations)--informed by Islam (including its sounds)--shapes music in these regions; that music in turn shapes the sounds of Islam.


Compare the above to Sufi performance from various places, and the category of Inshad Sufi.