Difference between revisions of "Examples of Islamicate music"
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These musical forms were often absorbed into Islamic (Sufi) performance, drew upon the latter, or exchanged materials. At times it is difficult to determine the boundaries of "Islamic" and "Islamicate" altogether. | These musical forms were often absorbed into Islamic (Sufi) performance, drew upon the latter, or exchanged materials. At times it is difficult to determine the boundaries of "Islamic" and "Islamicate" altogether. | ||
+ | * Egypt's [https://www.youtube.com/watch?v=pjziPpZG_cw Umm Kulthum] | ||
+ | * [http://www.youtube.com/watch?v=PA0XofIlYZY Sabah Fakhri (b. 1933), the greatest living exponent of the pre-mediated Islamicate Arab style of "tarab" in Syria] | ||
* [https://www.youtube.com/watch?v=4MsqBo0wJb4 Turkish Fasil][http://www.oud.gr/music_turkey.html] | * [https://www.youtube.com/watch?v=4MsqBo0wJb4 Turkish Fasil][http://www.oud.gr/music_turkey.html] | ||
− | |||
* [https://www.youtube.com/watch?v=OAM-dSCfwYA Persian dastgah], performed on solo kemenche by Kayhan Kalhor | * [https://www.youtube.com/watch?v=OAM-dSCfwYA Persian dastgah], performed on solo kemenche by Kayhan Kalhor | ||
* [https://www.youtube.com/watch?v=5OLawJHlAOQ Moroccan nawba] | * [https://www.youtube.com/watch?v=5OLawJHlAOQ Moroccan nawba] |
Revision as of 10:40, 13 October 2015
These musical forms were often absorbed into Islamic (Sufi) performance, drew upon the latter, or exchanged materials. At times it is difficult to determine the boundaries of "Islamic" and "Islamicate" altogether.
- Egypt's Umm Kulthum
- Sabah Fakhri (b. 1933), the greatest living exponent of the pre-mediated Islamicate Arab style of "tarab" in Syria
- Turkish Fasil[1]
- Persian dastgah, performed on solo kemenche by Kayhan Kalhor
- Moroccan nawba
- Hausa traditional music (northern Nigeria, near Zaria)
Compare to Sufi performance from various places, and the category of Inshad Sufi