Difference between revisions of "Bayyati ostinato"
Line 1: | Line 1: | ||
Establish the following ostinato. Melody instruments can play the melodic portion heterophonically. One person (melodic or percussion) is designated as soloist, performing taqsim (or layali) "ala al-wahda", on the beat. | Establish the following ostinato. Melody instruments can play the melodic portion heterophonically. One person (melodic or percussion) is designated as soloist, performing taqsim (or layali) "ala al-wahda", on the beat. | ||
− | + | '''percussion''': (8 beats) | |
D.TT.TT.D.D.T... (tabla) <br> | D.TT.TT.D.D.T... (tabla) <br> | ||
Line 7: | Line 7: | ||
t.ttt.ttt.ttt.tt (shakers, jingles) <br> | t.ttt.ttt.ttt.tt (shakers, jingles) <br> | ||
− | melody: (8 beats) | + | '''melody''': (8 beats) |
2..32.1.7.6.7.1. 2.....5.4.3.3.2. | 2..32.1.7.6.7.1. 2.....5.4.3.3.2. |
Revision as of 11:56, 11 September 2008
Establish the following ostinato. Melody instruments can play the melodic portion heterophonically. One person (melodic or percussion) is designated as soloist, performing taqsim (or layali) "ala al-wahda", on the beat.
percussion: (8 beats)
D.TT.TT.D.D.T... (tabla)
D..T..T.D.T.T... (duff, riqq)
t.ttt.ttt.ttt.tt (shakers, jingles)
melody: (8 beats)
2..32.1.7.6.7.1. 2.....5.4.3.3.2.
Maqam Bayyati, where
6 = A3 (below middle C)
7 = B3d (B half flat, below middle C)
1 = C4 (middle C)
2 = D4 (tonic or qarar)
3 = Ed4 (E half flat)
4 = F4
5 = G4 (dominant or ghammaz)