Difference between revisions of "Bayyati ostinato"
| Line 3: | Line 3: | ||
Percussion: (8 beats) | Percussion: (8 beats) | ||
| − | D.TT.TT.D.D.T... (tabla) | + | D.TT.TT.D.D.T... (tabla) <br> |
| − | D..T..T.D.T.T... (duff, riqq) | + | D..T..T.D.T.T... (duff, riqq) <br> |
| − | t.ttt.ttt.ttt.tt (shakers, jingles) | + | t.ttt.ttt.ttt.tt (shakers, jingles) <br> |
melody: (8 beats) | melody: (8 beats) | ||
| Line 13: | Line 13: | ||
Maqam Bayyati, where | Maqam Bayyati, where | ||
| − | 6 = A3 (below middle C) | + | 6 = A3 (below middle C) <br> |
| − | 7 = B3d (B half flat, below middle C) | + | 7 = B3d (B half flat, below middle C) <br> |
| − | 1 = C4 (middle C) | + | 1 = C4 (middle C) <br> |
| − | 2 = D4 (tonic or qarar) | + | 2 = D4 (tonic or qarar) <br> |
| − | 3 = Ed4 (E half flat) | + | 3 = Ed4 (E half flat) <br> |
| − | 4 = F4 | + | 4 = F4 <br> |
| − | 5 = G4 (dominant or ghammaz) | + | 5 = G4 (dominant or ghammaz) <br> |
Revision as of 11:56, 11 September 2008
Establish the following ostinato. Melody instruments can play the melodic portion heterophonically. One person (melodic or percussion) is designated as soloist, performing taqsim (or layali) "ala al-wahda", on the beat.
Percussion: (8 beats)
D.TT.TT.D.D.T... (tabla)
D..T..T.D.T.T... (duff, riqq)
t.ttt.ttt.ttt.tt (shakers, jingles)
melody: (8 beats)
2..32.1.7.6.7.1. 2.....5.4.3.3.2.
Maqam Bayyati, where
6 = A3 (below middle C)
7 = B3d (B half flat, below middle C)
1 = C4 (middle C)
2 = D4 (tonic or qarar)
3 = Ed4 (E half flat)
4 = F4
5 = G4 (dominant or ghammaz)
