Shoore Aasheghaaneh
modes
- maqam: ~Nahawand C (in fact it's a dastgah, but approximately corresponding to Nahawand C!)
- iqa`: 4/4 (tonbak)
form
(on this piece, all percussionists sing, except for the tonbak)
- Tonbak solo, followed by period of silence (this is the cue that we'll soon start)
- Tonbak plays four bars of 4/4 as intro
- Instrumental version of first phrase (repeated)
- First phrase chorus (repeated)
- First phrase solo (repeated)
- Second phrase chorus, then solo
- Third phrase chorus
- Instrumental interlude
- Fourth phrase solo, then chorus
- Fifth phrase solo, then chorus (taking us to the bottom of page one of notation)
- Sixth phrase solo, ending in one bar rest (top of page 2)
- Seventh phrase chorus
- Eighth phrase solo, then chorus
- Ninth phrase solo
- Tenth phrase solo, echoed by chorus
- 11th phrase solo
- 12th phrase chorus, then solo (bottom of p. 2)
- 13th phrase (same as first phrase) repeated twice, chorus (slow to end)
