Difference between revisions of "Musical features"
| Line 22: | Line 22: | ||
*** folk instruments | *** folk instruments | ||
| − | * [http://folkways.tapor.ualberta.ca/~michaelf/MENAME/Theory/ General theory] | + | * Theory |
| − | * [http://www.maqamworld.com Maqam] | + | ** [http://folkways.tapor.ualberta.ca/~michaelf/MENAME/Theory/ General theory] |
| − | * [http://folkways.tapor.ualberta.ca/~michaelf/MENAME/Repertoire%20(audio,lyrics,%20translations,%20%20transcriptions...)/ | + | ** [http://www.maqamworld.com Maqam] |
| + | * Practice | ||
| + | ** [http://folkways.tapor.ualberta.ca/~michaelf/MENAME/Repertoire%20(audio,lyrics,%20translations,%20%20transcriptions...)/ Arab-Persian] | ||
| + | ** Shajarian | ||
[http://folkways.tapor.ualberta.ca/~michaelf/MENAME/Maqamworld/] | [http://folkways.tapor.ualberta.ca/~michaelf/MENAME/Maqamworld/] | ||
Revision as of 23:57, 18 September 2006
- Unifying Traits of Music at core of Islamic world (Arab/Turkish/Persian)
- Centrality of language
- Centrality of melody
- Heterophony
- Ornament
- Microtonality
- Maqam
- Improvisation
- Rhythm
- Free rhythm forms
- Simple cycles
- Complex cycles
- Compound forms
- Fasil (Syria)
- Nawba (North Africa)
- Wasla (Egypt)
- Instruments
- qanun (a trapazoidal plucked zither)
- 'ud (a fretless plucked lute)
- nay (a reed flute)
- Western violin
- folk instruments
- Theory
- Practice
- Arab-Persian
- Shajarian
