Difference between revisions of "Musical features"
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− | + | * Unifying Traits of Music at core of Islamic world (Arab/Turkish/Persian worlds) | |
− | * Unifying Traits of Arab | + | ** Centrality of language |
− | ** | ||
** Centrality of melody | ** Centrality of melody | ||
*** Heterophony | *** Heterophony | ||
*** Ornament | *** Ornament | ||
+ | ** Modality ([https://maqamworld.com/en/maqam.php maqam]) | ||
*** Microtonality | *** Microtonality | ||
− | |||
*** Improvisation | *** Improvisation | ||
− | ** Rhythm | + | ** [https://maqamworld.com/en/iqaa.php Rhythm and cycles] |
*** Free rhythm forms | *** Free rhythm forms | ||
*** Simple cycles | *** Simple cycles | ||
*** Complex cycles | *** Complex cycles | ||
− | ** Compound forms | + | ** Compound and other [https://maqamworld.com/en/forms.php forms] |
− | *** Fasil (Syria) | + | *** Fasil (Syria, Turkey) |
*** Nawba (North Africa) | *** Nawba (North Africa) | ||
*** Wasla (Egypt) | *** Wasla (Egypt) | ||
− | ** Instruments | + | *** Dastgah (Iran) |
+ | ** [https://maqamworld.com/en/instr.php Instruments], arranged in small heterogenous ensembles (e.g. takht) | ||
*** qanun (a trapazoidal plucked zither) | *** qanun (a trapazoidal plucked zither) | ||
*** 'ud (a fretless plucked lute) | *** 'ud (a fretless plucked lute) | ||
Line 22: | Line 22: | ||
*** Western violin | *** Western violin | ||
*** folk instruments | *** folk instruments | ||
+ | *** electric and electronic instruments | ||
− | * [http:// | + | * Theory |
− | + | ** History of theory in Islamicate philosophy (al-Kindi, al-Farabi, ibn Sina...) | |
− | [http:// | + | *** Acoustical and musical theory |
+ | *** Cosmological (macro and micro) theory: ethos, therapy | ||
+ | ** [http://www.fwalive.ualberta.ca/~michaelf/MENAME/Theory/ General theory] | ||
+ | ** [http://www.maqamworld.com Maqam] | ||
+ | * Practice | ||
+ | ** [http://www.fwalive.ualberta.ca/~michaelf/MENAME/Repertoire%20(audio,lyrics,%20translations,%20%20transcriptions...)/ Arab-Persian] | ||
+ | ** Shajarian |
Latest revision as of 11:01, 30 January 2024
- Unifying Traits of Music at core of Islamic world (Arab/Turkish/Persian worlds)
- Centrality of language
- Centrality of melody
- Heterophony
- Ornament
- Modality (maqam)
- Microtonality
- Improvisation
- Rhythm and cycles
- Free rhythm forms
- Simple cycles
- Complex cycles
- Compound and other forms
- Fasil (Syria, Turkey)
- Nawba (North Africa)
- Wasla (Egypt)
- Dastgah (Iran)
- Instruments, arranged in small heterogenous ensembles (e.g. takht)
- qanun (a trapazoidal plucked zither)
- 'ud (a fretless plucked lute)
- nay (a reed flute)
- Western violin
- folk instruments
- electric and electronic instruments
- Theory
- History of theory in Islamicate philosophy (al-Kindi, al-Farabi, ibn Sina...)
- Acoustical and musical theory
- Cosmological (macro and micro) theory: ethos, therapy
- General theory
- Maqam
- History of theory in Islamicate philosophy (al-Kindi, al-Farabi, ibn Sina...)
- Practice
- Arab-Persian
- Shajarian