Difference between revisions of "Qur'anic recitation (tilawa)"

From CCE wiki archived
Jump to: navigation, search
Line 12: Line 12:
 
* [http://www.youtube.com/watch?v=ovylbsLYcwc Young Iranian boy reciting in Shaykh `Abd al-Basit's style]
 
* [http://www.youtube.com/watch?v=ovylbsLYcwc Young Iranian boy reciting in Shaykh `Abd al-Basit's style]
  
* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%209.mp3 Qur’anic recitation (murattal)]. Performed by Shaykh Ahmad al-‘Ajami, from Saudi Arabia. Note the
+
* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%209.mp3 Qur’anic recitation (murattal)]. Performed by Shaykh Ahmad al-‘Ajami, from Saudi Arabia. Note the contrast with the previous two examples: here, recitation is rapid, narrower in melodic scope, little melisma, always moving forward without pauses. This style, called murattal, was traditionally used for
contrast with the previous two examples: here, recitation is rapid, narrower in melodic scope, little
 
melisma, always moving forward without pauses. This style, called murattal, was traditionally used for
 
 
study and private devotions. Recently it has become more popular for listening, probably due to Egyptian
 
study and private devotions. Recently it has become more popular for listening, probably due to Egyptian
 
worker migration to Saudi Arabia, as well as increasing religious conservatism; the conservatives critics
 
worker migration to Saudi Arabia, as well as increasing religious conservatism; the conservatives critics

Revision as of 11:12, 27 September 2007

Shaykh Muhammad Rif`at

recorded in Egypt, during the early part of this century. This is again the mujawwad style; note the pauses, repeats, slow delivery, melisma, melodic inventiveness. This style allows the performer to create maximal emotional power.

reciter who passed away relatively recently (1927-1988). Note how each reciter has his style. This too is the

mujawwad style.
Shaykh `Abd al-Basit `Abd al-Samad
  • Qur’anic recitation (murattal). Performed by Shaykh Ahmad al-‘Ajami, from Saudi Arabia. Note the contrast with the previous two examples: here, recitation is rapid, narrower in melodic scope, little melisma, always moving forward without pauses. This style, called murattal, was traditionally used for

study and private devotions. Recently it has become more popular for listening, probably due to Egyptian worker migration to Saudi Arabia, as well as increasing religious conservatism; the conservatives critics often condemn the older mujawwad style as “singing” the Qur’an. From a commercial recording. Video: Surat Qiyama