M&I bibliography

al-Faruqi, Lois Ibsen

(1978) 'Accentuation in Quranic chant, a study in musical tawazun.' Yearbook of the International Folk Music Council, 10, 53-68.

(1979) 'The status of music in Muslim nations: evidence from the Arab world.' Asian Music, 12/1, 56-85.

(1985) 'Music, musicians and Muslim law.' Asian Music, 17/1, 13-36.

(1986b) 'Handasah al-sawt or the art of sound.' In al-Faruqi, I.R. And L:L: The Cultural Atlas of Islam. New York / London: Macmillan, 441-479.

(1987) 'The cantillation of the Qur'an.' Asian Music, 19/1, 2-25.

Asani, Ali

(1986) 'Music and dance in the work of Mawlana Jalal al-Din Rumi.’ Islamic Culture, 60/2, 41-55.

Baily, John

(1988) Music of Afghanistan: Professional Musicians in the City of Herat. Cambridge: Cambridge University Press.

(2001) Can you stop the birds singing? The censorship of music in Afghanistan. Copenhagen: Freemuse.

(2004) 'The censorship of music in Afghanistan before and after the Taliban.' In Korpe, Marie (ed.) Shoot the singer! Music censorship today. London: Zed Books, 19-28.

Barendregt, Bart and Wim van Zanten

(2002) 'Popular Music in Indonesia since 1998, in particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet.' Yearbook for Traditional Music, 34, 67-114.

Barnes, Robert John

(1992) 'The Dervish Orders in the Ottoman Empire.' In Lifchez, R. (ed.) The Dervish Lodge: Architecture, art and Sufism in Ottoman Turkey. Berkeley: University of California Press, 33-48.

Beeston, A.F.L. (ed. and trans.)

(1980) The Epistle on singing-girls by Jahiz. Warminster: Aris & Phillips.

Binbas, Ilker Evrim

(2001) 'Music and Sama' of the Mavlaviyya in the Fifteenth and sixteenth Centuries: Origins, Ritual and Formation.' In Hammarlund et al. (eds.) Sufism, Music and Society, 67-79.

Burnett, C.

(1993) 'European knowledge of Arabic texts referring to music: some new material.' Early Music History, 12, 1-17.

Catlin-Jairazbhoy, Amy

(2004) 'Sacred Songs of Khoja Muslims: Sounded and Embodied Liturgy and Devotion.' Ethnomusicology, 48/2, 251-270.

DeBano, Wendy S.

(2005) 'Enveloping Music in Gender, Nation, and Islam: Women's Music Festivals in Post-Revolutionary Iran.' Iranian Studies, 38/3, 441-62.

Doubleday, Veronica

(1999) 'The Frame Drum in the Middle East: Women, Musical Instruments and Power.' Ethnomusicology, 43/1, 101-134.

During, Jean

(1982) 'Revelation and spiritual audition in Islam.' The World of Music, 24/3, 68-82.

(1988) 'Emotion and Trance: Musical Exorcism in Baluchestan', in Caton, M. and Niel Siegel (eds.) Cultural Parameters of Iranian Musical Expression. Redondo Beach, California: Institute of Persian Performing Arts, 31-38.

(1992) 'The Organization of Rhythm in Baluchi Trance Music', in Baumann, M.P. (ed.) European Studies in Ethnomusicology: Historical Developments and Recent Trends. Wilhelmshaven: Florian Noetzel, 282-302.

(1997a) 'Hearing and understanding in the Islamic gnosis.' The World of Music, 39/2, 127-137.

(1997b) 'African Winds and Muslim Djinns: Trance, Healing, and Devotion in Baluchistan', Yearbook for Traditional Music, 29, 39-56.

(2002b) 'Music, Trance, and Therapy in Baluchistan.' In The Garland Encyclopedia of World Music, Vol. 6, The Middle East. NY/London: Routledge, 881-890.

Ernst, Carl W.

(1997) The Shambhala guide to Sufism. Boston, Mass.: Shambhala.

Euba, Akin

(1971) 'Islamic musical culture among the Yoruba: a preliminary survey.' In Wachsmann, Klaus P. (ed.) Essays on Music and History in Africa. Evanston: Northwestern University Press.

Farmer, Henry George

(1925-1926) 'The influence of music: from Arabic sources.' Proceedings of the Musical Association 52nd session, 89-114.

(1929, reprint 1973) A History of Arabian Music to the XIIIth century. London: Luzac.

(1929-1930) 'Greek theorists of music in Arabic translation.' Isis, 13, 325-33.

(1943-1944) 'The minstrels of the golden age of Islam.' Islamic Culture, 17, 1943, 273-281; 18, 1944, 53-61.

(1955-1956) 'Al-Kindi on the 'ethos' of rhythm, colour and perfume.' Transactions of the Glasgow University Oriental Society, 16, 29-38.

(1961-1962) 'The Arabian influence on European music.' Transactions of the Glasgow University Oriental Society, 19, 1-15.

Feldman, Walter

(1992) 'Musical genres and zikir of the Sunni tarikats of Istanbul.' In Lifchez, R. (ed.) The Dervish Lodge: Architecture, art and Sufism in Ottoman Turkey. Berkeley: University of California Press, 187-202.

(2001) 'Structure and Evolution of the Mevlevi Ayin: The Case of the Third Selam.' In Hammarlund et al. (eds.) Sufism, Music and Society, 49-65.

(2002) 'Manifestations of the Word: Poetry and Song in Turkish Sufism.' In The Garland Encyclopedia of World Music, Vol. 6: The Middle East. New York / London: Routledge, 189-198.

Friedlander, Shems and Nezih Uzel

(1992) The whirling dervishes being an account of the Sufi order known as the Mevlevis and its founder the poet and mystic Mevlana Jalalu'ddin Rumi. SUNY Series in Islam. Albany, NY: State University of New York Press.

Frishkopf, Michael

(2001b) 'Tarab (“Enchantment”) in the mystic Sufi chant f Egypt.' In Zuhur, Sherifa (ed.) Colors of Enchantment. Cairo / New York: AUC Press, 233-269.

Gribetz, Arthur

(1991) 'The sama' controversy: Sufi vs. legalist' Studia Islamica, 74, 43-62.

Hammarlund, Anders, Tord Olson and Elisabeth Özdalga (eds.)

(2001) Sufism, Music and Society in Turkey and the Middle East. Istanbul: Swedish Research Institute in Istanbul.

Haq, S. (1944) 'Sama' and Raqs of the Dervisshes.' Islamic Culture, 18, 111-130.

Harnish, David

(1988) 'Music and religion: syncretism, orthodox Islam and musical change in Lombok'. Selected Reports in Ethnomusicology, 7. UCLA: Los Angeles, 123-137.

Hegland, Mary Elaine

(1998) 'Flagellation and fundamentalism: (trans)forming meaning, identity, and gender through Pakistani women's rituals of mourning'. American Ethnologist, 25/2, 240-266.

Jalal al-Din Rumi and Coleman Barks

(1995) The Essential Rumi. San Francisco, CA: Harper.

Jankowsky, Richard C.

(2006) 'Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia.' Ethnomusicology, 50/3, 373-410.

Jenkins, Jean

(1976) Music and musical instruments in the world of Islam. London: World of Islam Festival Publishing Co..

Kartomi, Margaret

(1986) 'Muslim music in west Sumatran culture'. The World of Music, 28/3, 13-32.

Koen, Benjamin D.

(2003) 'The Spiritual Aesthetic in Badakhshani Devotional Music.' The World of Music, 45/3, 77-90.

(2005) 'Medical Ethnomusicology in the Pamir Mountains: Music and Prayer in Healing.' Ethnomusicology, 49/2, 287-311.

Langlois, Tony

(1996a) 'Local and Global in North African Popular Music.' Popular Music, 15/3 (1996), 259-273.

(1996b) 'Music and contending identities in the Maghreb.' In Schultze K.E., Stokes M.H. & Campbell C. (ed.) Nationalism, Minorities and Diasporas: Identities and Rights in the Middle East (London: Tauris), 203-216.

(1998) 'The Gnawa of Oujda: Music at the Margins in Morocco.' The World of Music, 40/1, 135-156.

Lausevic, Mirjana

(1996) 'The ilahiya as a symbol of Bosnian Muslim national identity.' In Slobin, Mark (ed.) Retuning Culture. Musical Changes in Central and Eastern Europe. Durham: Duke University Press.

Lewisohn, L.

(1997) 'The sacred music of Islam: Sama' in the Persian Sufi tradition.' British Journal of Ethnomusicology, 6, 1-33.

Lifchez, R. (ed.)

(1992) The Dervish Lodge: Architecture, art and Sufism in Ottoman Turkey. Berkeley: University of California Press.

Markoff, Irene

(1986) 'The role of expressive culture in the demystification of a secret sect of Islam: the case of the Alevis of Turkey'. The World of Music, 28/3, 42-54.

(2002) 'Alevi identity and expressive culture.' In The Garland Encyclopedia of World Music, Vol. 6: The Middle East. New York / London: Routledge, 793-800.

Macdonald, D.B.

(1901) + (1902) 'Emotional religion in Islam as affected by music and singing. Being a translation of a book of the Ihya' 'ulum al-din of 'Abu Hamid al-Ghazzali, with analysis, annotation and appendices.' Journal of the Royal Asiatic Society, 1901, 195-252 and 705-48; 1902, 1-28.

McLaughlin, Fiona

(1997) 'Islam and Popular Music in Senegal: the Emergence of a “New Tradition”. Africa, 67/4, 560-581.

Michon, J.L.

(1991) 'Sacred music and dance in Islam'. In Nasr, Seyyed Hosseyn (ed.) Islamic Spirituality II: Manifetations. New York: Crossroad, 469-505.

Nasr, Seyyed Hossein

(1987a) 'The Influence of Sufism on Traditional Persian Music.' In Nasr, S.H. (ed.) Islamic art and spirituality. Albany, NY: State University of New York Press, 163-174.

(1987b) 'Islam and Music: the Views of Ruzbahan Baqli, the Patron Saint of Shiraz.' In Nasr, S.H. (ed.) Islamic art and spirituality. Albany: State University of New York Press, 151-162.

(1997) 'Islam and music: the legal and spiritual dimensions.' In Sullivan, L.E. (ed.) Enchanting Powers. Music in the World's Religions. Cambridge, MA: Harvard University Press, 219-235.

Nelson, Kristina

(1985) The Art of Reciting the Qur'an. Austin: University of Texas Press.

Neubauer, Eckard and Veronica Doubleday

(2005) 'Islamic Religious Music', in Grove Music Online.

Pacholczyk, Jòsef M.

(1986) 'Music and Islam in Indonesia.' The World of Music, 28/3, 3-11.

Pennanen, Risto Pekka

(1994) ‘All-Comprehending, United and Divine. The Myth of ilahija Hymns in Sarajevo.’ The World of Music, 36/3, 49-67.

Pinault, David

(1999) 'Shia Lamentation Rituals and Reinterpretations of the Doctrine of Intercession: Two Cases from Modern India'. History of Religions, 38/3, 285-305.

Qureshi, Regula

(1972) 'Indo-Muslim Religious Music. An Overview.' Asian Music, 3/2, 15-22.

(1981) 'Islamic music in an Indian environment: the Shi'a Majlis'. Ethnomusicology, 25/1, 41-71.

(1992-1993) '”Muslim Devotional”: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony.' Asian Music, 24/1, 111-121.

(1997) 'Sounding the Word: Music in the Life of Islam.' In Sullivan, L.E. (ed.) Enchanting Powers. Music in the World's Religions. Cambridge, MA: Harvard University Press, 263-298.

Rahman, Fazlur

(1979) Islam. Chicago: Chicago University Press.

Randel, D.M.

(1976) 'Al-Farabi and the role of Arabic music theory in the Latin Middle Ages.' Journal of the American Musicological Society, 29/2, 173-88.

Rasmussen, Anne

(1997) “The Music of Arab Detroit.” In Lornell, Kip and Anne Rasmussen (eds.) Musics of Multicultural America. A Study of Twelve Musical Communities. New York/London: Schirmer Books.

Robson, James (ed. and trans.)

(1938) Tracts on Listening to Music: Being Dhamm al-malahi by ibn Abu'l Dunya and Bawariq al-ilmi‘ by Majd al-Din al-Tusi al-Ghazzali. London: Royal Asiatic Society).

Ruthven, Malise

(2000) Islam. A Very Short Introduction. Oxford / New York: Oxford University Press.

Sawa, George

(1983-84) 'Al-Farabi's theory of the iqa’: an empirically derived model of rhythmic analysis', Selected Reports in Ethnomusicology, 1/9, 1-32.

(1984) 'Musical humour in the Kitab al-Aghani (Book of Songs).' In Savory, R.M. & Agius, D. (ed.) Logos islamikos: Studia islamica in honorem Georgii Michaelis Wickens. Papers in Medieval Studies 6. Toronto: Pontifical Institute of Medieval Studies, 35-50.

(1985) The status and role of secular musicians in the Kitab al-Aghani.' Asian Music, 17/1, 69-82.

(1989) Music Performance Practice in the Early ‘Abbasid Era. Toronto: Pontifical Institute of Medieval Studies.

Schimmel, Annemarie

(1975) Mystical dimensions of Islam. Chapel Hill: University of North Carolina Press.

(1992) Islam: an introduction. Albany, NY: State University of New York Press.

Schuyler, P.D.

(1981) 'Music and meaning among the Gnawa religious brotherhood of Morocco'. The World of Music, 23/1, 3-10.

Sells, Michael Anthony

(1999) Approaching the Qur'an: the early revelations. Ashland, OR: White Cloud Press.

Shehadi, Fadlou

(1995) Philosophies of Music in Medieval Islam. Brill's Studies in Intellectual History, Vol. 67. Leiden / New York: Brill.

Shiloah, Amnon

(1976) 'Dimension of sound – Islamic music.' In Lewis, Bernard (ed.) The world of Islam: faith, people, culture. New York: Thames and Hudson, 161-180.

(1979) 'The status of traditional art music in Muslim nations.' Asian Music, 12/1, 40-55.

(1991) 'The meeting of Christian, Jewish and Muslim musical cultures on the Iberian peninsula (before 1492).' Acta Musicologica, 64/1, 14-20.

(1993) The dimension of music in Islamic and Jewish culture, Variorum Collected Studies Series CS939. Aldershot: Ashgate. Including:

'The epistle on music of the Ikhwan al-Safa' (1978), pp. 3-73.

'The 'ud and the origin of music' (1979), pp. 395-407.

‘Music in the Pre-Islamic Period as Reflected in Arabic Writings of the First Islamic Centuries’ (1986), 109–20.

'Techniques of scholarship in medieval Arabic treatises' (1990), 85-99.

'Musical modes and the medical dimension: the Arabic sources (c. 900-c.1600)' (1991), 147-59.

(1995) Music in the World of Islam. A Socio-cultural Study. Aldershot: Scholar Press.

(1997) 'Music and religion in Islam.' Acta Musicologica, 69/2, 143-55.

Solomon, Thomas

(2006) ‘Hardcore Muslims: Islamic Themes in Turkish Rap in Diaspora and in the Homeland.’ Yearbook for Traditional Music, 38, 59-78.

Stokes, Martin

(1992) 'Islam, the Turkish state and arabesk.' Popular Music, 11/2, 213-227.

(1996) 'Ritual, Identity and the State: an Alevi (Shi'a) Cem Ceremony.' in K. Schulze, M. Stokes and C. Campbell (eds.) Nationalism, Minorities and Diasporas: Identity and Rights in the Middle East.

Sultanova, Razia

(2008) “Female Celebrations in Uzbekistan and Afghanistan: the Power of Cosmology in Musical Rites.” Yearbook for Traditional Music, 40, 8-20.

Surty, Muhammad Ibrahim

(2000) A Course in the Science of Reciting the Qur'an. Leicester: The Islamic Foundation.

Swedenburg, Ted

(2002) 'Islamic hip-hop vs. Islamophobia: Aki Nawaz, Natacha Atlas, Akhenaton.' In Mitchell, Tony (ed.) Global Noise: rap and Hip-Hop outside the USA. Middletown: Wesleyan University Press.

Wright, Owen

(1978) The Modal System of Arab and Persian music: A.D. 1250-1300. London Oriental Series, 28. London: Oxford University Press.

(2005) 'Arab Music', in Music Grove Online.