Difference between revisions of "Theory for Ethnomusicology"

From CCE wiki archived
Jump to: navigation, search
Line 1: Line 1:
−
 
 
== ch 1. Inquiry in Ethnomusicology ==
 
== ch 1. Inquiry in Ethnomusicology ==
  
Line 278: Line 277:
 
     * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/3519832
 
     * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/3519832
  
−
== Multimedia applied ethnomusicology ==
+
== Multimedia and applied ethnomusicology ==
  
 
Most ethnomusicological research is published in silent form.  But these days it's increasingly easy to publish in multimedia formats, including audio (CD or web) and video.  Often these forms are more powerful ways to convey a message, and to effect social change, especially useful in applied work.
 
Most ethnomusicological research is published in silent form.  But these days it's increasingly easy to publish in multimedia formats, including audio (CD or web) and video.  Often these forms are more powerful ways to convey a message, and to effect social change, especially useful in applied work.
Line 284: Line 283:
 
Film:  Gnawa
 
Film:  Gnawa
  
−
The Buduburam CD Project.
+
The Buduburam CD Project.  
 +
 
 +
Smithsonian Folkways Records, and folkwaysAlive!
  
 
== MF approaches ==
 
== MF approaches ==

Revision as of 12:44, 22 August 2008

ch 1. Inquiry in Ethnomusicology

Theory

http://www.des.emory.edu/mfp/Kuhnsnap.html 


   * Concept and Theory Formation in the Social Sciences
   * Author(s): Alfred Schutz
   * Source: The Journal of Philosophy, Vol. 51, No. 9 (Apr. 29, 1954), pp. 257-273
   * Publisher: Journal of Philosophy, Inc.
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2021812

   *  Can Social Theory Escape from History? Views of History in Social Science
   * Author(s): Peter Knapp
   * Source: History and Theory, Vol. 23, No. 1 (Feb., 1984), pp. 34-52
   * Publisher: Blackwell Publishing for Wesleyan University
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2504970

Application

ch 2. Cultural Evolutionism and Diffusionism in Comparative Musicology

Theory

Application

Richard Wallaschek 

   *  The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs
   * Author(s): E. M. Von Hornbostel
   * Source: Africa: Journal of the International African Institute, Vol. 6, No. 2 (Apr., 1933), pp. 129-157
   * Publisher: Edinburgh University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1155180

   *  Indonesia and Africa: The Xylophone as a Culture-Indicator
   * Author(s): A. M. Jones
   * Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 89, No. 2 (Jul. - Dec., 1959), pp. 155-168
   * Publisher: Royal Anthropological Institute of Great Britain and Ireland
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267

ch. 3. Structural-Functional Approaches

   *  On the Concept of Function in Social Science
   * Author(s): A. R. Radcliffe-Brown
   * Source: American Anthropologist, New Series, Vol. 37, No. 3, Part 1 (Jul. - Sep., 1935), pp. 394-402
   * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/661962



   *  The Group and the Individual in Functional Analysis
   * Author(s): Bronislaw Malinowski
   * Source: The American Journal of Sociology, Vol. 44, No. 6 (May, 1939), pp. 938-964
   * Publisher: The University of Chicago Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2769422


Merriam, Anthropology of Music, Ch. XI

Daniel Neuman, The Life of Music in North India, ch. 4 

   *  The Value of Music in Human Experience
   * Author(s): John Blacking
   * Source: Yearbook of the International Folk Music Council, Vol. 1, (1969), pp. 33-71
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634

ch. 4. Linguistic Approaches

   *  'Are'are Classification of Musical Types and Instruments
   * Author(s): Hugo Zemp
   * Source: Ethnomusicology, Vol. 22, No. 1 (Jan., 1978), pp. 37-67
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851365



   * Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music
   * Author(s): Thomas Turino
   * Source: Ethnomusicology, Vol. 43, No. 2 (Spring - Summer, 1999), pp. 221-255
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734

   *  Processes of Musical Semiosis
   * Author(s): Charles L. Boiles
   * Source: Yearbook for Traditional Music, Vol. 14, (1982), pp. 24-44
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768069

   *  Linguistic Models in Ethnomusicology
   * Author(s): Steven Feld
   * Source: Ethnomusicology, Vol. 18, No. 2 (May, 1974), pp. 197-217
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850579

ch. 5. Paradigmatic Structuralism

Levi-Strauss, Structural Anthropology, Vol. I, chapter VIII.


Levi-Strauss, Structural Anthropology, Vol. II, chapter X. 

   *  The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure
   * Author(s): Pandora Hopkins
   * Source: Ethnomusicology, Vol. 21, No. 2 (May, 1977), pp. 247-261
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946

   *  What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil
   * Author(s): Anthony Seeger
   * Source: Ethnomusicology, Vol. 23, No. 3 (Sep., 1979), pp. 373-394
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850911


Feld, Sound and Sentiment, ch. 1

ch. 6. Marxist Explanations

   *  From Ranchero to Jait?n: Ethnicity and Class in Texas-Mexican Music (Two Styles in the Form of a Pair)
   * Author(s): Manuel Pena
   * Source: Ethnomusicology, Vol. 29, No. 1 (Winter, 1985), pp. 29-55
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852323



   *  How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle
   * Author(s): Reebee Garofalo
   * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92
   * Publisher: Cambridge University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167

ch. 7. Literary and Dramaturgical Theories

   *  'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory
   * Author(s): Steven Feld
   * Source: Yearbook for Traditional Music, Vol. 13, (1981), pp. 22-47
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768356

Feld, Steven. 1988. Aesthetics as Iconicity of Style, or 'Lift-Up-Over Sounding': Getting into the Kaluli Groove. Yearbook for Traditional Music 20:74.


ch. 8. Cognition and Communication Theory

   *  Universals in Music: A Perspective from Cognitive Psychology
   * Author(s): Dane L. Harwood
   * Source: Ethnomusicology, Vol. 20, No. 3 (Sep., 1976), pp. 521-533
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047

Add some music-centered analytical studies, e.g. Simha Arom or Michael Tenzer, in which musical analysis is central, as a means of understanding musical perception and cognition.

ch. 9. Performance Theory (and emotion) in Ethnomusicology

   *  Drama, Script, Theatre, and Performance
   * Author(s): Richard Schechner
   * Source: The Drama Review: TDR, Vol. 17, No. 3, Theatre and the Social Sciences (Sep., 1973), pp. 5-36
   * Publisher: The MIT Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1144841

   *  Verbal Art as Performance
   * Author(s): Richard Bauman
   * Source: American Anthropologist, New Series, Vol. 77, No. 2 (Jun., 1975), pp. 290-311
   * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/674535

Kapferer, Bruce. 1979. Emotion and Feeling in Sinhalese Healing Rites. Social Analysis 1:153-176.

February 1979. Ritual Process and the Transformation of Context. Social Analysis 1:3-19. 


   *  Passion and Performance in Fiji Indian Vernacular Song
   * Author(s): Donald Brenneis
   * Source: Ethnomusicology, Vol. 29, No. 3 (Autumn, 1985), pp. 397-408
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851796

   *  Performing Passions: Aesthetics and Politics in an Occasionally Egalitarian Community
   * Author(s): Donald Brenneis
   * Source: American Ethnologist, Vol. 14, No. 2 (May, 1987), pp. 236-250
   * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/645372

   *  Head, Heart, Odor, and Shadow: The Structure of the Self, the Emotional World, and Ritual Performance among Senoi Temiar
   * Author(s): Marina Roseman
   * Source: Ethos, Vol. 18, No. 3 (Sep., 1990), pp. 227-250
   * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/640336

   *  "Pulling the Ancestors": Performance Practice and Praxis in Mapuche Ordering
   * Author(s): Carol E. Robertson
   * Source: Ethnomusicology, Vol. 23, No. 3 (Sep., 1979), pp. 395-416
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850912


Tambiah, S. J. 1979. A Performative Approach to Ritual. Proc. of the British Academy 65:113-70.

ch. 10. Gender, Ethnicity, and Identity Issues

   *  The Nightingale and the Partridge: Singing and Gender among Prespa Albanians
   * Author(s): Jane C. Sugarman
   * Source: Ethnomusicology, Vol. 33, No. 2 (Spring - Summer, 1989), pp. 191-215
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395

Stokes, M. (1997). Ethnicity, identity, and music : the musical construction of place. New York: Berg.


Koskoff, E. (Ed.). (1987). Women and music in cross-cultural perspective. New York :: Greenwood Press.

ch. 11. Phenomenology and Experiential Ethnomusicology

http://www.phenomenologyonline.com/ 

   *  "Tails out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making
   * Author(s): Thomas Porcello
   * Source: Ethnomusicology, Vol. 42, No. 3 (Autumn, 1998), pp. 485-510
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852851


Emotion of music can go here too...MF paper?

ch. 12. Historical Research

   *  Historical Aspects of Ethnomusicology
   * Author(s): Bruno Nettl
   * Source: American Anthropologist, New Series, Vol. 60, No. 3 (Jun., 1958), pp. 518-532
   * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/666340

   *  "Historical Ethnomusicology": Reconstructing Falasha Liturgical History
   * Author(s): Kay Kaufman Shelemay
   * Source: Ethnomusicology, Vol. 24, No. 2 (May, 1980), pp. 233-258
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851114



   *  The Survival of Some Aspects of Medieval Arabic Performance Practice
   * Author(s): George D. Sawa
   * Source: Ethnomusicology, Vol. 25, No. 1 (Jan., 1981), pp. 73-86
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850975



   *  "Min al-Mash?yikh": A View of Egyptian Musical Tradition
   * Author(s): Virginia Danielson
   * Source: Asian Music, Vol. 22, No. 1 (Autumn, 1990 - Winter, 1991), pp. 113-127
   * Publisher: University of Texas Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/834292

ch. 13. Postmodern, Postcolonial, and Global Issues

   *  How Beautiful Is Small? Music, Globalization and the Aesthetics of the Local
   * Author(s): Veit Erlmann
   * Source: Yearbook for Traditional Music, Vol. 30, (1998), pp. 12-21
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768551



   *  Riffs, Repetition, and Theories of Globalization
   * Author(s): Ingrid Monson
   * Source: Ethnomusicology, Vol. 43, No. 1 (Winter, 1999), pp. 31-65
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852693

   *  The Invention of "African Rhythm"
   * Author(s): Kofi Agawu
   * Source: Journal of the American Musicological Society, Vol. 48, No. 3, Music Anthropologies and Music Histories (Autumn, 1995), pp. 380-395
   * Publisher: University of California Press on behalf of the American Musicological Society
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/3519832

Multimedia and applied ethnomusicology

Most ethnomusicological research is published in silent form. But these days it's increasingly easy to publish in multimedia formats, including audio (CD or web) and video. Often these forms are more powerful ways to convey a message, and to effect social change, especially useful in applied work.

Film: Gnawa

The Buduburam CD Project.

Smithsonian Folkways Records, and folkwaysAlive!

MF approaches

Aesthetic experience. Music and emotion - 3 lines of inquiry (saltanah). Music and mysticism.

Systematic localized comparison, ritual theory, and LP

Social network analysis

Practice and systems approach (Bourdieu, Luhmann, Habermas)

Retrieved from "https://www.artsrn.ualberta.ca/fwa_mediawiki/index.php?title=Theory_for_Ethnomusicology&oldid=16750"