Difference between revisions of "The dawn prayer rite (salat al-fajr)"

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preceding group prayer, (e) the prayer rite itself (salat al-fajr).
 
preceding group prayer, (e) the prayer rite itself (salat al-fajr).
  
* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%201.mp3 Qur’an recited before fajr prayer (end)]. The style is mujawwad (the melodically elaborate form of
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* [http://www.fwalive.ualberta.ca/~michaelf/MR/Chanting%20devotion/Islamic/Cue%201.mp3 Qur’an recited before fajr prayer (end)]. The style is mujawwad (the melodically elaborate form of tajwid, Qur’anic recitation). From Qur’an 2:231-232. Reciter: Shaykh Salah ‘Abd al-Razzaq Shams al-
tajwid, Qur’anic recitation). From Qur’an 2:231-232. Reciter: Shaykh Salah ‘Abd al-Razzaq Shams al-
 
 
Din. The excerpt is taken from near the end of his recitation, which may last half an hour altogether. Note
 
Din. The excerpt is taken from near the end of his recitation, which may last half an hour altogether. Note
 
how he descends from Rast on G to Bayyati on D. Recitation typically starts low, moves higher, and then
 
how he descends from Rast on G to Bayyati on D. Recitation typically starts low, moves higher, and then

Revision as of 00:25, 18 May 2015

The next four examples are taken from an Egyptian radio broadcast, starting before the dawn prayer (fajr). The following sequence is broadcast daily from one of the main mosques: (a) Qur’anic recitation, (b) vocalized supplications (ibtihalat), (c) call to prayer (adhan) at dawn, (d) more Qur’anic recitation preceding group prayer, (e) the prayer rite itself (salat al-fajr).

  • Qur’an recited before fajr prayer (end). The style is mujawwad (the melodically elaborate form of tajwid, Qur’anic recitation). From Qur’an 2:231-232. Reciter: Shaykh Salah ‘Abd al-Razzaq Shams al-

Din. The excerpt is taken from near the end of his recitation, which may last half an hour altogether. Note how he descends from Rast on G to Bayyati on D. Recitation typically starts low, moves higher, and then descends again, in the arc shape characteristic of so much improvisation in the maqamat.

between ibtihalat and Qur’anic recitation. Ibtihalat is based on supplicatory phrases and poetry; the text is not Divine Revelation. More melody and melisma is possible, because there are no rules (the rules of tajwid) governing the recitation, which is consequently much freer.

  • Ibtihalat and adhan. Same performer. Note how the end of the ibtihalat merges seamlessly into the

morning call to prayer, or adhan, in the same style.

  • Ad‘iyya (prayers of request; singular: du‘a’). These call and response prayers are performed towards

the end of the morning prayer; the imam (leader) recites a prayer and all respond “Amin”.