Dead-end pages
The following pages do not link to other pages in CCE wiki archived.
Showing below up to 364 results in range #501 to #864.
View (previous 500) (next 500) (20 | 50 | 100 | 250 | 500).
- Preliminary analysis: viewpoints on the Christian-ness of music
- Premium Term Life Insurance: Enduring the Terms of the Policy
- Primary source documents
- Print version library concert program
- Professional conduct in academic teaching of music
- Program
- Prophet's companion Abdullah bin Zaid received it in a dream
- Prophet's companion Umar proposed it
- Proven Methods to Secure a Cheap No Medical Examination Term Life Insurance Coverage
- Providing for A Large Client Base in the Beauty Center Trade
- Purchasing Cost-effective Life Insurance Plan for Seniors
- Purchasing Whole Life Insurance Quotes in Texas
- Quartz Worktops Hampshire
- Qur'anic recitation in Egypt and in Saudi Arabia
- Radio and TV channel sites
- Rai - Music Library recordings
- Raise Your Incomes With These Online marketing Tips!
- Redes Sociales
- Refacciones
- Regarding Granite
- Regarding Marble
- Regarding Quatrz
- Regarding Slate
- Regarding stone
- Regions and countries
- Replica Marni Patent White Tote China
- Research on music networks
- Research project sites
- Research questions for this project
- Restaurantes
- Restaurantes Wiki
- Review of basic pitch, frequency, interval concepts
- SAMR panels for SEM
- SF Ghana track excerpts
- SNA Q&A
- SNA analysis of MCSN on the www
- SNA applications
- SNA data
- SNA datasets
- SNA demos
- SNA syllabi
- SNA videos
- SNA websites
- Sa'altak habibi
- Sample ethnographic films
- Sample ethnographic introductions
- Sample two-mode network
- Satellite technology in Egypt
- Sayyid Darwish
- Schedule of presentations - Music 466/566 2011
- Schedule of presentations - Music 466/566 2013
- Seeing the World of Sound (virtual exhibit)
- Shoore Aasheghaaneh
- Short Assignment 1
- Short Assignment 2
- Should You Obtain Child Insurance Plan?
- Signals, Waves, Acoustics, Psychoacoustics, and music
- Simply How Much Life Insurance Plan You Would Like?
- Sira Hilaliyya text: Rizq's complaint as he awaits a son
- Sketch of Highlife
- Skin Care: Learn How to Keep Maturing Under Control
- Slate Worktops Hampshire
- Snake Away Your Plumbing Problems Today
- Soltan-e Qalbha
- Some points to consider prior to Buying a House
- Songs
- Source texts
- Sources for the history of ethnomusicology
- Specifically What Do You Learn on Cash Value Life Insurance Quotes
- Specifically what to Do just in case of Avalanche
- Statistics
- Stone Worktops Hampshire
- Stop Ruining Your Credit! It's Time To Fix It
- Strategies about how to Take Good care of Your Skin
- Student discussion area
- Supplications in prayer (ad`iyya)
- Surat Yusuf 12:4
- Syllabus
- Syllabus Field Methods
- Syllabus Music & Islam
- Syrian Songs
- Systems
- Tajik music concert: Saturday, March 13th, 2010
- Term Life or Even Final Expense Insurance Quote?
- Testing templates
- Text for Algeria's national anthem
- Text for Allahu Akbar
- Text for Guevara Died
- Text for Nixon Baba
- Text for O Palestinians
- Text for Watani Habibi
- Text of Biladi Biladi
- Text of Jawaz al-Safar
- The 2020 SEM Orchestra concert in VR
- The Advantages of Exfoliating
- The Attributes of a Nice Corporation of LA Criminal Attorneys
- The Influence of Star Search Shows
- The Latest Means for Shopping
- The Lowen Family
- The Most Effective Life Insurance Coverage for You
- The North-West Resistance
- The Perfect Way to File an Insurance Protection Claim
- The Red River Rebellion
- The Relevance of Insurance Quotes
- The Risks of Driving Under the Influence
- The Things Acting Training Course can Do for Children
- The crisis of liberation (MEAS 330)
- The dawn prayer rite (salat al-fajr)
- The formation of karaoke communities
- The history of Arab music (Touma)
- The key benefits of Hiring an Insurance Broker
- The opening of Rumi's Mathnawi
- The researcher's viewpoint
- The role of neo-traditional Yoruba music
- Theory for Ethnomusicology
- Thursday April 6
- Thursday March 30
- Tiendas
- Tiendas Wiki
- Timothy Cebuliak paper
- Tips To Help You Become Proficient At Buying And Selling Commercial Real Estate
- Tips To Make Your Travel Easier
- Tips for preparing your research paper
- Tips on how to Pimp Your own Jeans
- To access these machines through the patch bay
- Tracing the phrasing and language
- Track 16 Research notes
- Track 18 Liner notes
- Track 19 Research notes
- Track 1 Research notes
- Track 23 Research notes
- Track 25 Research notes
- Track 27 Research notes
- Track 29 Liner notes
- Track 4 Liner notes
- Track 4 Research notes
- Track 6 Research notes
- Track 7 Research notes
- Track 8 Research Notes
- Track 9 Research notes
- Translation and interpretation
- Trio Tarana workshop
- Turkish music URLs
- Turkmenistan, Kazakhstan & Kyrghyzstan
- Twila Bakker paper
- Typology of Music of the Arab World
- Umm Kulthum
- Unity of Arab music
- University of Ghana at Legon Campus, June 29 to August 4, 2007
- Useful information on Examining Return of Premium Term Life
- VHS Video
- VMCTM audience evaluation
- Value of Nutrition for Older Persons
- Video as community activism in ethnomusicology
- Video materials
- Vitamix 5200
- W.E.B. DuBois
- WEEK 10 - Nov 22 - Of worldwide wires and frames: Music technology and global issues
- WEEK 11 - Nov 29 - Of histories and stories: historical EM and studies of cultural memory
- WEEK 12 - Dec 6 - Of (im)permanence: change, preservation and the impact of scholarship on musical cultures
- WEEK 2 - Sept 20 - Mapping EM / Ethnomusicological histories I
- WEEK 3 - Sept 27 - Of fields and mirrors: Anthropological inroads / EM histories II
- WEEK 4 - Oct 4 - Of theory and practice: neo-comparativism, ethnoscience, theory of practice in EM
- WEEK 5 - Oct 18 - Of insiders and outsiders: experience and representation, hermeneutics and phenomenology
- WEEK 6 - Oct 25 - Of signs and senses: Musical meaning, semiotics and cognition
- WEEK 7 - Nov 1 - Of diversity and difference: identity, ethnicity, gender and the postcolonial in EM
- WEEK 8 - Nov 8 - Of discipline and (dis)obedience: power, politics and political economy
- WEEK 9 - Nov 15 - Of scores and beyond: analysis and performance
- WEST AFRICAN MUSIC ENSEMBLE
- Wahran
- Wahrane
- Wallaschek's 1893 account of Khoikhoi music in SW Africa ("Hottentot")
- War, violence, identity, Mahmoud Darwish, Yehuda Amichai (MEAS 330)
- Ways to Obtain Inexpensive Life Insurance Plan
- Web links
- Websites: Track 1
- Websites: Track 10
- Websites: Track 11
- Websites: Track 12
- Websites: Track 13
- Websites: Track 14
- Websites: Track 15
- Websites: Track 16
- Websites: Track 17
- Websites: Track 19
- Websites: Track 2
- Websites: Track 21
- Websites: Track 22
- Websites: Track 23
- Websites: Track 24
- Websites: Track 25
- Websites: Track 28
- Websites: Track 29
- Websites: Track 3
- Websites: Track 5
- Websites: Track 6
- Websites: Track 9
- Week 10
- Week 10 (March 8-12) - Popular music, nationhood and nationalism
- Week 10 - March 09: Fieldwork and ethnography: critical perspectives 2. Film and video: philosophy and representation
- Week 10 - March 10&12: presentation and discussion week
- Week 10 - Nov 25, 2013: TECHNOLOGY
- Week 10 - Nov 28, 2011: Music technology and global issues
- Week 10 Critical perspectives and theories of ethnography 2
- Week 10 – March 16: Music and Islam in Iran
- Week 10 – March 22 and 24: Fine lines II: Pontecorvo’s The Battle of Algiers and other stories
- Week 10 – Monday, March 21: Analysis and Writing
- Week 10 – Nov 5 and 7: Werner Herzog: experiments in music and documentary
- Week 11
- Week 11 (March 15-19) - Popular music, conflict and violence
- Week 11 - Dec 2, 2011: HISTORY / ADVOCACY
- Week 11 - Dec 5, 2011: Historical ethnomusicology...
- Week 11 - March 16: Analysis and Writing
- Week 11 - Nov 10-14
- Week 11 Knowledge and politics
- Week 11 – March 23: Music and Islam in Morocco
- Week 11 – March 29 and 31: Evaluation week & film screenings
- Week 11 – Monday, March 28: Ethics 2: Ownership, repatriation and dissemination of ethnographic materials.
- Week 11 – Nov 14 (no class on Nov 12): Fine lines II: Gillo Pontecorvo’s ‘The Battle of Algiers’
- Week 12
- Week 12 (March 22-26) - Popular music in film
- Week 12 - March 23: Ethics 2: Ownership, repatriation and dissemination of ethnographic materials
- Week 12 Analysis and writing
- Week 12 – April 5 and 7: Ethics in documentary filmmaking
- Week 12 – March 30: Music and Islam in South Asia
- Week 12 – Monday, April 4: Course review and open discussion
- Week 12 – Nov 19 and 21: Ethics in documentary filmmaking
- Week 13
- Week 13 (March 29-April 2) - Popular music and religion
- Week 13 - March 30: Course review and open discussion
- Week 13 - Nov 24-28
- Week 13 Ethics 2: Ownership, repatriation and dissemination of ethnographic materials. Production and music industry
- Week 13 – April 12: Final discussion.
- Week 13 – Monday, April 11: Class presentations of fieldwork projects
- Week 13 – Nov 26 and 28: Presentations and recap discussion.
- Week 14 (April 5-9) - Course recap week
- Week 14 - Dec 1-5
- Week 14 - Dec 3: Final recap discussion
- Week 14 - Revision week
- Week 1 (Jan 4-8) - Introduction
- Week 1 - Introduction : Ethnomusicology and the musics of Inner and Central Asia
- Week 1 - Jan 9: Introduction to the course, ethnomusicology and music in Italy
- Week 1 - January 6&8: Introduction
- Week 1 - Sept 13, 15, 17 - Introduction to the course
- Week 1 - September 14: Introduction to the course: defining Ethnomusicology
- Week 1 - September 8: The Persianate world: introduction to Iran and Central Asia
- Week 1 – Jan 11 and 13: Introduction to the course: documentary film and music
- Week 1 – Jan 12: Introduction to Islam in history, society and culture
- Week 1 – Monday, January 10: Introduction to the course
- Week 2
- Week 2 - Jan 16: Italian Opera: national identity and music industry
- Week 2 - January 12: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives. Planning fieldwork
- Week 2 - January 15. Fieldwork and ethnography: an overview of approaches, methods and techniques. Planning fieldwork
- Week 2 - Sept 14 & 16, 2011 - Key issues in the study of "world music"
- Week 2 - Sept 16, 2013: DISCIPLINE
- Week 2 - September 21: Mapping EM / Ethnomusicological histories
- Week 2 Fieldwork and ethnography: an overview of approaches. Planning fieldwork
- Week 2 assigned readings
- Week 2 – Jan 18 and 20: Sound in (documentary) film
- Week 2 – Jan 19: Muslim discourses on the legitimacy of music 1: the sama' controversy
- Week 2 – Monday, January 17: Fieldwork and ethnography: an overview of approaches, methods and critical perspectives; Planning fieldwork
- Week 2 – Sept 10 and 12: Introduction to an analysis of documentary film
- Week 3
- Week 3 (Jan 18-22) - Audiovisual media: worldwide uses, and issues of ethnographic representation
- Week 3 - Jan 23: Music, politics and society 1900-1945: labor songs, the fascist regime and the 'Resistenza'
- Week 3 - January 19: Fieldnotes & participant observation
- Week 3 - Sept 23, 2013: ETHNOGRAPHY
- Week 3 Critical perspectives and theories of ethnography
- Week 3 assigned readings
- Week 3 – Jan 25 and 27: Fine lines I: fiction and documentary
- Week 3 – Jan 26: Muslim discourses on the legitimacy of music 2: ancient treatises and contemporary debates
- Week 3 – Monday, January 24: Fieldnotes; Participant observation.
- Week 3 – Sept 17 and 19: Sound in (documentary) film
- Week 4
- Week 4 (Jan 25-29) - Popular musics and cultural identity: hybridization, appropriation and indigenization
- Week 4 - Jan 30: From Naples to San Remo: the classic 'canzone italiana' and its transformations
- Week 4 - January 26: Ethics 1: Research with human participants. Emic / Etic issues in ethnographic research
- Week 4 - Oct 17, 2011: Neo-comparativism, ethnoscience, theory of practice in Ethnomusicology
- Week 4 - Sept 30, 2013: THEORY AND PRACTICE
- Week 4 Fieldnotes and participant observation. The experience of fieldwork: the researcher's position
- Week 4 assigned readings
- Week 4 – Feb 1 and 3: Observational cinema and the moving image in Anthropology I
- Week 4 – Feb 2: The history of music in the Middle East: science of music, cosmology and musical affects
- Week 4 – Monday, January 31: Ethics 1: Research with human participants; Emic / Etic issues in ethnographic research.
- Week 4 – Sept 24 and 26: Fine lines I: fiction and documentary
- Week 5
- Week 5 (Feb 1-5) - Transnational migrations and diaspora musics
- Week 5 - Feb 6: Italian folk music: practice, scholarship and revival
- Week 5 - February 02: Interviewing
- Week 5 - Oct 7, 2013: INTERPRETATION AND EXPERIENCE
- Week 5 - October 5: Devotion & mysticism
- Week 5 Ethics 1: human participants. Emic / etic issues in ethnographic research
- Week 5 – Feb 8 and 10: Observational cinema and the moving image in Anthropology II
- Week 5 – Feb 9: Mystical Islam and Sufism 1
- Week 5 – Monday, February 7: Interviewing.
- Week 5 – Oct 1 and 3: Observational cinema and audiovisual ethnography in Anthropology, I
- Week 6
- Week 6 (Feb 8-12) - Marketing authenticity: traditional music in the world music market
- Week 6 - Feb 13: Engaged singer-songwriters and art song: 'cantautori' and 'canzone d'autore'
- Week 6 - Oct 21, 2013: MEANING
- Week 6 - Oct 31, 2011: Musical meaning, semiotics and cognition
- Week 6 - October 26: Power, politics and political economy
- Week 6 Interviewing
- Week 6 – Feb 15 and 17: The moving image in Ethnomusicology I
- Week 6 – Feb 16: Mystical Islam and Sufism 2. A case study of the Mevlevi Ayin
- Week 6 – Monday, February 14: Video and photography: equipment and editing software.
- Week 6 – Oct 8 and 10: Observational cinema and audiovisual ethnography in Anthropology, II
- Week 7
- Week 7 - Feb 20: Rock, experimentalism and political struggle in Italy
- Week 7 - Nov 7, 2011: “Of diversity and difference”: Identity, ethnicity, gender and the postcolonial in Ethnomusicology
- Week 7 - Oct 18: Music politics and society in 20th century Iran
- Week 7 - Oct 28, 2013: IDENTITY
- Week 7 - October 19: DUE: Handing in & oral presentation of mid-term assignments
- Week 7 – March 1 and 3: The moving image in Ethnomusicology II
- Week 7 – Monday, February 28: Audio recording: equipment and editing software.
- Week 7 – Oct 17 (no class on Oct 15): Audiovisual ethnography in Ethnomusicology, I
- Week 8
- Week 8 (Feb 22-26) - The international music industry and cross-cultural collaborations
- Week 8 - Feb 27: Rap and Roots: antagonism and multicultural trends in contemporary Italian music
- Week 8 - February 23: Film and video: equipment and editing software
- Week 8 - Nov 14, 2011: Power, politics and political economy
- Week 8 - Nov 4, 2013: POWER
- Week 8 - Oct 25 : Introduction to Persian art music: repertoire and performance practice, tradition, spirituality and ideology
- Week 8 Audio recording: equipment and editing softwares
- Week 8 – March 2: Qur'an recitation and other religious sonic practices
- Week 8 – March 8 and 10: Documentary film and performative action: rockumentary
- Week 8 – Monday, March 7: Fieldwork and ethnography: critical perspectives 2; Video and photography: philosophy and representation.
- Week 8 – Oct 22 and 24: Audiovisual ethnography in Ethnomusicology, II
- Week 9 (March 1-5) - Popular music, politics and resistance
- Week 9 - March 2: Audio recording: equipment and editing software
- Week 9 - March 5: Final exam
- Week 9 - Nov 18, 2013: ANALYSIS
- Week 9 - Nov 21, 2011: Analysis and performance
- Week 9 - November 3: Popular music and media: the global and the local in Iran and Central Asia
- Week 9 - Oct 27-30
- Week 9 Filming: equipment and editing softwares
- Week 9 – March 15 and 17: Werner Herzog, and other experiments with music and documentary
- Week 9 – March 9: Diversity in the Muslim World: popular, syncretic and local tradition
- Week 9 – Monday, March 14: Guest lecturer: Dr. Anne Rasmussen, Associate Professor of Ethnomusicology, College of William and Mary (VA).
- Week 9 – Oct 29 and 31: Documentary film and performative action: rockumentary
- West African Music Ensemble Group Two
- What You Need To Know About The Commercial Real Estate Market
- What is "music of the Islamic world"? Four possibilities
- What is music of the Arab world?
- Who is the audience?
- Winspear World Music sampler 2012
- Winter 2008 Field Methods Projects
- With the MONA
- Women Performers
- Women Performers as Agents of Change: Perspectives from India, March 15-16 2010
- World Music Sampler 2011
- World music sampler: Saturday, November 15, 2008
- World music sampler: Sunday, Nov 21, 2010
- World music sampler: Sunday, Nov 22, 2009
- Writers
- Xinjiang
- Ya Rayah
- Ya Shadi al-Alhan
- Yahoo groups
- Yoruba neo-traditional popular music
- You're Absolutely Not Late for Life Insurance Above 65 Years
- YouTube videos
- You Against The World - The Most Important Commercial Real Estate Tips Available
- Zeppelin
