Difference between revisions of "Review of basic pitch, frequency, interval concepts"
Line 22: | Line 22: | ||
** semitones: use log(R) base 2^(1/12) = 12 * log (R) base 2 | ** semitones: use log(R) base 2^(1/12) = 12 * log (R) base 2 | ||
** cents: use log(R) base 2^(1/1200) = 1200 * log (R) base 2 | ** cents: use log(R) base 2^(1/1200) = 1200 * log (R) base 2 | ||
+ | * Octave equivalence and reducing intervals to a single octave | ||
+ | ** Octave stretches from ratio 1 to 2 (e.g. 440 cps to 880 cps) | ||
+ | ** if the ratio is >2, then divide it by 2, and repeat until it's between 1 and 2 | ||
+ | ** if the ratio is <1, then multiply it by 2, and repeat until it's between 1 and 2 | ||
+ | ** ex: "up two fifths" = 9/4, but 9/4 > 2, so reduce it to 9/8 | ||
+ | ** ex: "down a fifth" = 2/3, but 2/3 < 1, so reduce it to 4/3 | ||
+ | * now consider the "circle of fifths" obtained by raising pitch by 3/2 over and over: start at A4 = 400 Hz, say, then take ascending pitch series: | ||
+ | ** 440 * 3/2 | ||
+ | ** 440 * 3/2 * 3/2 | ||
+ | ** 440 * 3/2 * 3/2 * 3/2 | ||
+ | ** 440 * 3/2 * 3/2 * 3/2 * 3/2 ... | ||
+ | ** 440 * (3/2)^n | ||
+ | * finally reduce these pitches to a single octave by dividing by 2 (repeatedly if necessary) | ||
+ | * see spreadsheet demonstration... |
Revision as of 07:46, 23 September 2010
- distinguish: psychoacoustic domain vs. acoustic domain
- pitched sound = locally periodic sound wave signal (approximately)
- period is measured in seconds; frequency is measured in cycles per second (Hertz)
- period and frequency are reciprocals of one another (period of a tenth of a second means: 10 cycles per second)
- pitch and frequency move up and down together
- but equal pitch intervals correspond to equal frequency ratios
- |p1 - p2| = |q1 - q2| means that ratio of the p's = ratio of the q's: freq(p1)/freq(p2) = freq(q1)/freq(q2)
- to go up a whole tone: multiply freq by 9/8
- to go up a fourth: multiply freq by 4/3
- to go up a whole tone plus a fourth: multiply by (9/8) x (4/3) = 3/2 (a fifth)
- tempered scale: divide octave into equal parts
- 12 equal parts: s x s x s x s x s x s x s x s x s = 2, i.e. s^12 = 2. What is s? 2^(1/12)
- 24 equal parts: q = 2^(1/24)
- 1200 equal parts (cents): c = 2^(1/1200)
- to measure intervals in units that add we need to measure freq ratio R in terms of some small unit ratio r.
- Given frequency ratio R we ask: how many times do we multiply r to reach it?
- r x r x r x r x ....x r = R
- answer: log(R) base r
- thus to measure an interval R in terms of
- octaves: use log(R) base 2
- 9/8 (Pythagorean whole tones): use log(R) base (9/8)
- semitones: use log(R) base 2^(1/12) = 12 * log (R) base 2
- cents: use log(R) base 2^(1/1200) = 1200 * log (R) base 2
- Octave equivalence and reducing intervals to a single octave
- Octave stretches from ratio 1 to 2 (e.g. 440 cps to 880 cps)
- if the ratio is >2, then divide it by 2, and repeat until it's between 1 and 2
- if the ratio is <1, then multiply it by 2, and repeat until it's between 1 and 2
- ex: "up two fifths" = 9/4, but 9/4 > 2, so reduce it to 9/8
- ex: "down a fifth" = 2/3, but 2/3 < 1, so reduce it to 4/3
- now consider the "circle of fifths" obtained by raising pitch by 3/2 over and over: start at A4 = 400 Hz, say, then take ascending pitch series:
- 440 * 3/2
- 440 * 3/2 * 3/2
- 440 * 3/2 * 3/2 * 3/2
- 440 * 3/2 * 3/2 * 3/2 * 3/2 ...
- 440 * (3/2)^n
- finally reduce these pitches to a single octave by dividing by 2 (repeatedly if necessary)
- see spreadsheet demonstration...