Difference between revisions of "Reciting the sacred"

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(Assigned viewings, listenings)
(Your selected readings)
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==Your selected readings==
 
==Your selected readings==
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[http://links.jstor.org/sici?sici=0014-1836%28198201%2926%3A1%3C41%3ARALSFS%3E2.0.CO%3B2-8 Reciter and Listener: Some Factors Shaping the Mujawwad Style of Qur'anic Reciting, Kristina Nelson]
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This article's interest lies in its focus on the interaction between the reciter and the audience. It investiages both the artist's and the audience's response to each other and well as the audience's perception of the reciter as an artist.--[[User:Lpauls|Lpauls]] 21:28, 24 January 2006 (MST)

Revision as of 22:28, 24 January 2006

Discussion about this topic

Assigned viewings, listenings

Please listen to Surat al-Qadr (Qur'an 97). Click on the Arabic to start the recitation (prefixed by "Bismillahirrahmanirrahim", "in the Name of the Merciful and Compassionate God"). The Sura (chapter) of al-Qadr (Night of Decree) comprises 5 verses (ayas). You will hear the verse recited, while seeing synchronized Arabic script, transliteration, and translation. On Tuesday we will attempt to perform Surat al-Qadr together, so listen to the recitation as often as you can.


Surat al-Qadr

Surty audio material, to accompany your handout on tajwid (rules of Qur'anic recitation)


Here are some other sites containing Qur'an audio: [1]

Assigned readings

Judaism

Please read Jewish synagogue music from Grove Music Online. Focus primarily on the section entitled "Biblical cantillation; read other sections of the broader article, on liturgical and paraliturgical music as you wish.

Islam

Please read The Qur'an in Indonesian Daily Life. Optional readings: try at least to browse The Cantillation of the Qur'an (by Lois Ibsen al-Faruqi), for a more systematic treatment of Qur'anic recitation. If you have time, examine also Sound, Spirit, and Gender in Surat al-Qadr (by Michael Sells), for a deeper understanding of the musicality inherent in the Qur'anic text itself.

Hinduism and Vedas

Please read Mantras and Bird Song, by Frits Staal, director of the film, Altar of Fire that we watched in class. Optionally, read (or at least browse) An Analysis of Rg Vedic Recitation, for a more systematic treatment.

Discussion about assigned readings

Your selected readings

Reciter and Listener: Some Factors Shaping the Mujawwad Style of Qur'anic Reciting, Kristina Nelson This article's interest lies in its focus on the interaction between the reciter and the audience. It investiages both the artist's and the audience's response to each other and well as the audience's perception of the reciter as an artist.--Lpauls 21:28, 24 January 2006 (MST)