Difference between revisions of "Pre-Islamic sources and Islamicate music"
| Line 4: | Line 4: | ||
** Genres of love (nasib), praise (madih), description, satire (hija') | ** Genres of love (nasib), praise (madih), description, satire (hija') | ||
** Courtesan tradition: the qayna | ** Courtesan tradition: the qayna | ||
| + | * Influence: the impact of Islamic ritual performance (especially "language performance") upon music | ||
| + | ** Quranic recitation, its rules and regulations, and its program of training (kuttab) | ||
| + | ** Traditional genres of poetic performance, e.g. inshad | ||
| + | ** Sufi orders and their liturgies (hadra) | ||
Revision as of 11:57, 8 October 2015
- Source: pre-Islamic Arabian features that remained at core of Islamic culture, carried by Islam though not strictly speaking part of it...
- Centrality of Arabic language and verbal arts, especially poetry
- Linguistic form: the qasida (monorhyme, monometer)
- Genres of love (nasib), praise (madih), description, satire (hija')
- Courtesan tradition: the qayna
- Influence: the impact of Islamic ritual performance (especially "language performance") upon music
- Quranic recitation, its rules and regulations, and its program of training (kuttab)
- Traditional genres of poetic performance, e.g. inshad
- Sufi orders and their liturgies (hadra)
