Difference between revisions of "Outline of music in Arab-Islamic civilization"
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* Contact with Assimilated Cultures | * Contact with Assimilated Cultures | ||
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** Madina | ** Madina | ||
** Syria - Umayyads (661-750) | ** Syria - Umayyads (661-750) | ||
** Iraq - Abbasids (750-909) | ** Iraq - Abbasids (750-909) | ||
| − | + | ** Assimilation of musical traditions of Egypt, Syria, Mesopotamia, Byzantium, and Persia. | |
| − | Assimilation of musical traditions of Egypt, Syria, Mesopotamia, Byzantium, and Persia. | ||
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* Contact with the Classical Past | * Contact with the Classical Past | ||
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* Contact with the Medieval West | * Contact with the Medieval West | ||
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* Ottoman Turks (1517-1917) | * Ottoman Turks (1517-1917) | ||
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* Contact with the Modern West (1798 - present) | * Contact with the Modern West (1798 - present) | ||
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* Unifying Traits of Arab Music | * Unifying Traits of Arab Music | ||
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** Importance of Arabic language. | ** Importance of Arabic language. | ||
** Centrality of melody | ** Centrality of melody | ||
Revision as of 23:01, 18 September 2006
- Contact with Assimilated Cultures
- Madina
- Syria - Umayyads (661-750)
- Iraq - Abbasids (750-909)
- Assimilation of musical traditions of Egypt, Syria, Mesopotamia, Byzantium, and Persia.
- Contact with the Classical Past
- Contact with the Medieval West
- Ottoman Turks (1517-1917)
- Contact with the Modern West (1798 - present)
- Unifying Traits of Arab Music
- Importance of Arabic language.
- Centrality of melody
- Heterophony
- Ornament
- Microtonality
- Maqam
- Improvisation
- Rhythm
- Free rhythm forms
- Cycles
- Compound forms
- Fasil (Syria)
- Nawba (North Africa)
- Wasla (Egypt)
- Instruments
- qanun (a trapazoidal plucked zither)
- 'ud (a fretless plucked lute)
- nay (a reed flute)
- Western violin
- folk instruments
- Mass media
- Recording
- Film
- Radio
- TV
