Difference between revisions of "Notes on commodification and mediaization of religious music"

From CCE wiki archived
Jump to: navigation, search
Line 36: Line 36:
 
*** Media address markets segmented by identity, while simultaneously striving to shape identity
 
*** Media address markets segmented by identity, while simultaneously striving to shape identity
 
*** profit and power (from perspective of media owners) remain driving forces throughout
 
*** profit and power (from perspective of media owners) remain driving forces throughout
** Instead of investigating relation of "music" and "culture-society", ethnomusicology now contends with 3 domains:  "music", "media", and "culture-society".
+
** Formerly, EM investigated relation of "music" and "culture-society"
 +
** Now, EM contends with 3 domains:  "music", "media", and "culture-society".
 
*** Relation of "music" and "culture-society" ("religion") is mediated, impacted by media system.   
 
*** Relation of "music" and "culture-society" ("religion") is mediated, impacted by media system.   
 
*** Media system also affects both "music" and "culture-society" ("religion") directly.
 
*** Media system also affects both "music" and "culture-society" ("religion") directly.
 +
*** Globalization undermines concept of "culture" (each individual belonging to bounded sphere), replaced with "identity" (each individual exists at intersection of multiple sets)
 +
*** EM must examine how relations of power play out; functionalism no longer works
  
  
 
- Driving forces:  $, technology, power
 
- Driving forces:  $, technology, power
 
- Triadic
 
- Triadic

Revision as of 11:33, 28 March 2006

Arc of this course:

(1) "Traditional" topics: holistic world-view. Concepts of "music" and "religion" are often not emic, hence artificial with respect to belief and practice.

  • Recitation of sacred texts
  • Chanting devotions
  • Production of emotion (trance)
  • Relation between religious and aesthetic expressions
  • Relation between religious music and cosmology
  • Religious discourse about music
  • General: Ethnomusicological focus on relation between (etic) music and culture-society (religion, etc.)

(2) Differentiation of systems: art, religion, law, science, etc. within discourse and practice (emic difference)

  • In particular: Music system is differentiated from religious system within a "secular" society (meaning: a broader system transcending these subsystems)
  • Differentiation: Corresponds to complex industrial society, monetary economy, division of labor, immigrant society (presenting problems of diversity)

New topics arise:

  • Religion in the music system (e.g. Christian rock, Christian jazz - in concert)
  • Music in the religious system (e.g. Christian rock, jazz - in church)
  • General impact of religion on music system
  • General impact of music on religious sytem
  • Media (technology), commodification (globalization)
    • Technology (concomitant of industrial society) enables media, music media, music mediation, accentuating the differentiation of systems.
    • Media system arises (media/techno-financial and global)
      • technology
      • media channels
      • production
      • distribution
      • consumption
    • Media logic
      • logic may vary depending on application (music, religion, etc.)
      • Media address markets segmented by identity, while simultaneously striving to shape identity
      • profit and power (from perspective of media owners) remain driving forces throughout
    • Formerly, EM investigated relation of "music" and "culture-society"
    • Now, EM contends with 3 domains: "music", "media", and "culture-society".
      • Relation of "music" and "culture-society" ("religion") is mediated, impacted by media system.
      • Media system also affects both "music" and "culture-society" ("religion") directly.
      • Globalization undermines concept of "culture" (each individual belonging to bounded sphere), replaced with "identity" (each individual exists at intersection of multiple sets)
      • EM must examine how relations of power play out; functionalism no longer works


- Driving forces: $, technology, power - Triadic