Difference between revisions of "Music culture as a social network (Fall 2011)"

From CCE wiki archived
Jump to: navigation, search
(Examples)
(Other resources)
 
(210 intermediate revisions by the same user not shown)
Line 1: Line 1:
short link:  http://bit.ly/mcsn
+
''short link:  http://bit.ly/mcsn''
  
 
'''MUSIC 466/566 LEC A1 T R  11:00AM - 12:20PM''' <br>
 
'''MUSIC 466/566 LEC A1 T R  11:00AM - 12:20PM''' <br>
 +
''' ED N2-123''' (Education North) ''Please note change of room, starting September 13''<br>
 +
 
''(available for undergraduate or graduate credit)''
 
''(available for undergraduate or graduate credit)''
 +
 +
 +
Professor [http://bit.ly/mfwiki Michael Frishkopf]<br>
 +
Office: 334D Old Arts Building<br>
 +
Office hours:  Wednesday 1:00 – 3:00 PM (334D Old Arts Building; [http://bit.ly/mfwiki signup for an appointment]) <br>
 +
Tel: 780-492-0225<br>
 +
Email: michaelf@ualberta.ca<br>
 +
AICT classroom support: (780) 492-3923
 +
 +
<br>
  
 
= Overview =
 
= Overview =
 
[[Image:SNA_segment.png|thumb|400px|right|border|]]
 
[[Image:SNA_segment.png|thumb|400px|right|border|]]
These days, [https://secure.wikimedia.org/wikipedia/en/wiki/Social_network social networks] seem to be everywhere, especially with the advent of "social networking" as a catchphrase,  new web-based [https://secure.wikimedia.org/wikipedia/en/wiki/Social_networking social networking services] such as Facebook, and popularization of social network concepts such as [https://secure.wikimedia.org/wikipedia/en/wiki/Six_degrees_of_separation six degrees of separation], and [https://secure.wikimedia.org/wikipedia/en/wiki/Small-world_network small-world networks]. But the idea of using [https://secure.wikimedia.org/wikipedia/en/wiki/Graph_theory graph theory] to understand social groups and culture goes back nearly a century, while social networks themselves are intrinsic to being human. [http://www.sciencemag.org/content/323/5916/892.full?ijkey=UI5HJUxfOqIKc&keytype=ref&siteid=sci][https://encrypted.google.com/url?sa=t&source=web&cd=15&ved=0CCQQFjAEOAo&url=http%3A%2F%2Fwww.pbs.plym.ac.uk%2Fmi%2Fpdf%2F17-04-09%2F1.%2520Crossley%2520et%2520al%2520intro%25201-7.pdf&ei=HDiKTZ3TD4e6sAOnpvGQDA&usg=AFQjCNHpm4oTFjpvul2r3PQYzjJfvqDqdg]
+
These days, [https://secure.wikimedia.org/wikipedia/en/wiki/Social_network social networks] seem to be everywhere, especially with the advent of "social networking" as a catchphrase,  new web-based [https://secure.wikimedia.org/wikipedia/en/wiki/Social_networking social networking services] such as Facebook, and popularization of social network concepts such as [https://secure.wikimedia.org/wikipedia/en/wiki/Six_degrees_of_separation six degrees of separation], and [https://secure.wikimedia.org/wikipedia/en/wiki/Small-world_network small-world networks][http://mathworld.wolfram.com/SmallWorldNetwork.html]. But the idea of using [https://secure.wikimedia.org/wikipedia/en/wiki/Graph_theory graph theory] to understand social groups and culture goes back nearly a century, while social networks themselves are intrinsic to being human. [http://www.sciencemag.org/content/323/5916/892.full?ijkey=UI5HJUxfOqIKc&keytype=ref&siteid=sci][https://encrypted.google.com/url?sa=t&source=web&cd=15&ved=0CCQQFjAEOAo&url=http%3A%2F%2Fwww.pbs.plym.ac.uk%2Fmi%2Fpdf%2F17-04-09%2F1.%2520Crossley%2520et%2520al%2520intro%25201-7.pdf&ei=HDiKTZ3TD4e6sAOnpvGQDA&usg=AFQjCNHpm4oTFjpvul2r3PQYzjJfvqDqdg]
  
 
Ethnomusicology is typically defined as ''the study of music in society'' or ''the study of music as culture''...if [http://www.insna.org/sna/what.html social network analysis] (SNA) is an important approach towards understanding society and culture, then it follows that SNA should also provide an insightful means of thinking in ethnomusicology, and a productive tool for ethnomusicological research.  
 
Ethnomusicology is typically defined as ''the study of music in society'' or ''the study of music as culture''...if [http://www.insna.org/sna/what.html social network analysis] (SNA) is an important approach towards understanding society and culture, then it follows that SNA should also provide an insightful means of thinking in ethnomusicology, and a productive tool for ethnomusicological research.  
Line 14: Line 26:
 
This seminar-workshop attempts to bridge the gap between traditional humanistic scholarship and SNA by providing a gentle introduction to methods, theories, and issues in social network analysis,with applications to ethnomusicology.  You won’t merely read about social network analysis, you’ll actually do it!   
 
This seminar-workshop attempts to bridge the gap between traditional humanistic scholarship and SNA by providing a gentle introduction to methods, theories, and issues in social network analysis,with applications to ethnomusicology.  You won’t merely read about social network analysis, you’ll actually do it!   
  
Ethnomusicological applications of SNA include understanding the ways musicians and audiences interact in performance; network aspects of celebrity formation; exploring communities of musical taste; understanding the circulation of online music; analyzing the role of music in the structure of online social networks (Facebook, Twitter, Myspace...and others [http://pulse2.com/2010/02/11/the-20-best-music-social-networks/ specifically devoted to music]); investigating networks of musical friendship, prestige, and respect; examining linkages between music sites on the Internet; considering networks generated by musical collaborations (e.g. composer-lyricist relations); the overlap of friendship and musical collaboration network; small world networks in the arts (c.f. [http://oracleofbacon.orgSix Degrees of Kevin Bacon][http://findthebacon.com/]); affiliation networks of numerous types; and many other topics.
+
Ethnomusicological applications of SNA include understanding the ways musicians and audiences interact in performance; network aspects of celebrity formation; exploring communities of musical taste; understanding the circulation of online music; analyzing the role of music in the structure of online social networks (Facebook, Twitter, Myspace...and others [https://www.ranker.com/list/music-social-networks/dot-commander specifically devoted to music]); investigating networks of musical friendship, prestige, and respect; examining linkages between music sites on the Internet; considering networks generated by musical collaborations (e.g. composer-lyricist relations); the overlap of friendship and musical collaboration network; small world networks in the arts (c.f. [http://oracleofbacon.orgSix Degrees of Kevin Bacon][http://findthebacon.com/]); affiliation networks of numerous types; [http://blog.sonicbids.com/the-top-8-social-media-outlets-to-promote-your-music-and-how-to-best-use-them the use of social networks to promote music and musicians], and many other topics.
  
''' Course work and goals include:'''
+
= Schedule =
  
* weekly
+
[[MCSN 2011 schedule]] (assignments and class activities, by date)
** lectures and discussions
 
** readings
 
** problem sets, to learn and reinforce concepts
 
* two short quizzes, to encourage learning of SNA concepts
 
* computer “lab work”, using free SNA software tools (mainly [http://vlado.fmf.uni-lj.si/pub/networks/pajek/ Pajek]) to develop an intuitive grasp of network concepts
 
* data collection via participant-observation, survey fieldwork, or online data mining
 
* designing and completing a small research project, including planning, fieldwork, analysis, and interpretation.
 
  
There is no final exam.
+
[https://www.google.com/calendar/hosted/ualberta.ca/render?cid=OTl1Zm9hbTgzamlvN3Qxa3JuODZhazVxMzRAZ3JvdXAuY2FsZW5kYXIuZ29vZ2xlLmNvbQ Google Calendar]
  
You will be expected to bring a laptop to class, as we will use the software together.
+
= Requirements =
  
An outline is forthcoming - please watch this space!
+
* Weekly...
 +
** Classroom work:  Lectures (mostly Tuesdays), demos (your demonstrations of Pajek technique), and discussions (more on Thursdays), all interspersed with group exercises, Q/A, videos, demos, etc.
 +
** Homework, promoting a theoretical and practical grasp of social network concepts 
 +
*** Readings: (mostly in [http://www.worldcat.org/oclc/54455029 ESNAP])
 +
*** Lab:  Pajek exercises, described in the ESNAP text (it's very important to do these completely!)
 +
*** Problems: to test and reinforce those concepts. ''Questions'' are typically due on Thursdays; ''assignments'' are typically due the following Tuesday.
 +
* Occasional in-class self-guided group projects (these ''projects'' are to be written up and handed in the following class)
 +
* Three very short (20 minute) quizzes (Sep 22, Oct 13, Nov 3), to motivate and assess learning
 +
* Proposal to analyze a public online social network, comprising five short paragraphs and a bibliography (draft due Oct 27, to be resubmitted until accepted):
  
=Required texts=
+
# Identify: Identify a phenomenon from MCSN.  Discuss the general aim and value of your study, framed as a contribution to ethnomusicology. 
 +
# Contextualize: Provide background (topical and theoretical), citing relevant literature
 +
# Query: List a few research questions inquiring about this phenomenon. What do you want to understand? Provide tentative hypotheses if you have any.
 +
# Model: Theorize your questions using SNA to model the phenomenon. How can you frame the question in terms of social networks? Cite relevant literature, if appropriate.
 +
# Method: What sort of procedure can you propose for gathering data, analyzing it (with Pajek), and answering the questions? Cite relevant literature, if appropriate.
 +
# Bibliography (can be short at this initial stage), including web sites.  You may find that [http://www.insna.org/ INSNA] contains useful sources, but your bibliography can include musical as well as SNA materials.
  
Robert A. Hanneman and Mark Riddle.  [http://faculty.ucr.edu/~hanneman/nettext/ Introduction to social network methods]  (also available as a [http://www.analytictech.com/networks.pdf pdf]. '''Free'''.)
+
* SNA research project of your choosing, including planning, written proposal, data gathering, preparation of Pajek files, analysis, interpretation, and writeup as a final paper (Music 466: 2500 words; Music 566: 3500 words).
 +
* Class presentation, amply illustrated with Pajek graphs - 10 minutes - outlining your project's main questions and methods, with partial results, during the last few classes at term's end (depending on enrollment).
  
Wouter de Nooy, Andrej Mrvar, and Vladimir Batagelj, ''Exploratory Social Network Analysis with Pajek'', illustrated edition. (Cambridge University Press, 2005). (Available in the SUB bookstore.)
+
Note that there is no final exam, but only a final paper. All assignments are to be handed in via the [https://eclass-sandbox.srv.ualberta.ca/my/ Moodle], but please bring them to class also (electronically or hardcopy) for discussion. The final paper should be submitted electronically, and also in hardcopy.
  
=Optional texts=
+
If possible, bring your laptop to each class, so we can explore the software together.
  
John P Scott, ''Social Network Analysis: A Handbook'', 2nd ed. (Sage Publications Ltd, 2000). (Available in the SUB bookstore.) (succinct summary)
+
Notes:
 +
 +
# This course can be taken at either of two levels: 466 (regular) or 566 (advanced). If you are an undergraduate, you should be enrolled in 466. Graduate students should be enrolled in 566. At the same grade level, expectations for 566 are slightly higher, and the final paper should display greater breadth and sophistication in working with the literature (as well as being 50% longer).
 +
# Word counts do not including bibliography or illustrative graphs and other diagrams.
  
Linton C. Freeman, ''The Development of Social Network Analysis: A Study in the Sociology of Science'' (Empirical Press, 2004). (for those interested in SNA"s intellectual history)
+
= Evaluation =
  
Wasserman, Stanley and Faust, Katherine. ''Social network analysis methods and applications.'' Cambridge, New York: Cambridge University Press; 1994. (for those who want a more complete and rigorous treatment)
+
The evaluation of each requirement is on a scale from 0-4 points.  These scores are combined according to the percentages indicated in order to produce a final numeric grade. This grade is rounded to the nearest numeric value in the table below, in order to determine the final letter grade. In exceptional cases the grade A+ may also be assigned.  Expectations for the 500 level are higher than for the 400 level. ''Without a valid excuse (documented medical or family emergency) grades for late assignments will decremented by a quarter-point per day, and make-up quizzes will not be administered.'' Please take care to plan ahead, bearing in mind due dates for your other courses.  
  
=Popular treatments=
+
All assignments are to be submitted via the [https://eclass-sandbox.srv.ualberta.ca/my/ Moodle].
  
Albert-Laszlo Barabasi, ''Linked: How Everything Is Connected to Everything Else and What It Means'' (Plume, 2003).
+
* Attendance and class participation (including Pajek demos): 15%
 +
* Homework (mainly ESNAP "questions" and "assignments", as well as project writeups): 20% total (each submitted item receives an equal weight).
 +
* Quizzes: 6.6666% each (20% total)
 +
* Project proposal: 5%
 +
* Research class presentation: 10%
 +
* Research paper:  30%
  
Duncan J. Watts, ''Six Degrees: The Science of a Connected Age'' (W. W. Norton & Company, 2004).
 
  
Malcolm Gladwell, ''The Tipping Point: How Little Things Can Make a Big Difference'' (Back Bay Books, 2002).
+
{|border="1" align="left" style="text-align:center;"
 +
|A
 +
|A-
 +
|B+
 +
|B
 +
|B-
 +
|C+
 +
|C
 +
|C-
 +
|D+
 +
|D
 +
|F
 +
|-
 +
|4.0
 +
|3.7
 +
|3.3
 +
|3.0
 +
|2.7
 +
|2.3
 +
|2.0
 +
|1.7
 +
|1.3
 +
|1.0
 +
|0.0
 +
|}
  
Nicholas A. Christakis and James H. Fowler, ''Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives'' (New York:  Little, Brown and Company). (A popular science treatment.)
+
<br>
 +
<br>
 +
<br>
  
=Software (all free!)=
+
=Moodle site=
  
[http://pajek.imfm.si/doku.php Pajek] for Windows or [http://vlado.fmf.uni-lj.si/pub/networks/pajek/howto/PajekOSX.pdf Mac]
+
The University's new [https://eclass.srv.ualberta.ca/ Moodle system] will be used, primarily to accept submitted  assignments.
'''(required - accompanies textbook)'''
 
  
[http://nodexl.codeplex.com/ NodeXL] for Excel
+
Here are instructions for uploading an assignment:
  
[http://www.touchgraph.com/seo touchgraph]
+
Click on the assignment for a particular date, then use the following sequence of buttons or options (bold indicates what appears on the screen):
 +
 
 +
* '''upload files'''
 +
* '''add'''
 +
* '''upload a file''' (selected from the  list at the left)
 +
* '''browse''' (to browse on my computer)
 +
* (double click your selection)
 +
* '''upload this file'''
 +
* '''save changes'''
 +
* Note: do not click '''send for marking''' or you will be unable to upload more files!  Also please note the following message from the Centre for Teaching and Learning - certain browsers are not moodle-compatible:
 +
 
 +
----
 +
 
 +
Here is a link to the Moodle 101 Tutorials that will help you with various features found in Moodle: https://eclass.srv.ualberta.ca/course/view.php?id=1421
 +
 
 +
To learn more about using the Gradebook, you can navigate to topic 8: Setting up the Moodle Gradebook.  One specific tutorial that may be particularly helpful is: https://eclass.srv.ualberta.ca/mod/resource/view.php?id=36272
 +
 
 +
Students who are experiencing difficulty uploading their files are most likely using a non-supported browser when accessing Moodle. Please note that Internet Explorer 9.0 is not a supported browser for Moodle and that we recommend using Firefox 3.6+ for the best results (Firefox can be downloaded for free at http://www.mozilla.org/en-US/firefox/fx/).  Other supported browsers include Chrome 4.0+, Safari 3.0+ and Opera 9.0+.
 +
 
 +
Should  your students require further assistance, please have them contact CTL Tech Services at ctl@ualberta.ca
 +
 
 +
Hope this helps.  Please let us know if you have any questions or concerns.
 +
 
 +
Kind Regards,
 +
 
 +
Connie
 +
 
 +
= Resources =
 +
 
 +
== Books ==
 +
 
 +
You'll find a number of these books on reserve in the Music Library (Rutherford, 2nd floor), though new rules may preclude placing textbooks there.  Some are also available electronically.  But I do recommend purchasing the required work (ESNAP), since working from an electronic version may prove awkward as you're also using your computer to work the examples using Pajek.
 +
 
 +
=== Required===
 +
 
 +
Wouter de Nooy, Andrej Mrvar, and Vladimir Batagelj, ''[http://www.worldcat.org/oclc/54455029 Exploratory Social Network Analysis with Pajek]'' (abbreviated: ESNAP), illustrated edition. (Cambridge University Press, 2005). (Available in the SUB bookstore, and also available [http://www.library.ualberta.ca/permalink/opac/4268325/WUAARCHIVE online], though you may find it difficult to work with an ebook.)  To be read in conjunction with [http://mrvar.fdv.uni-lj.si/pajek/ Pajek] (which was created for PCs but also runs fine on Macs).
 +
 
 +
'''IMPORTANT NOTE: Purchase the ''first edition'' (blue), ''not the 2nd edition (green)'''''. The second edition is not out yet, and so I could not use it while preparing this course. It ''might'' be on the market by September 2011, however.  While it might seem logical to buy the most recent version, new editions can differ significantly, and all my assignments refer to the first (blue) edition. So don't buy the 2nd edition unless you're prepared to spring for both.
 +
 
 +
=== Optional===
 +
 
 +
No need to purchase these at the outset, and several are already available for free online. As for the others, if you find them to your liking you may wish to own a copy. Browse at the library or bookstore.
 +
 
 +
==== Texts and reference works====
 +
 
 +
Use these to supplement the primary text, particularly if something is unclear.  Several of these books are available for purchase in the bookstore, and I'll put as many on Music Reserve as possible. (New rules restrict placing textbooks on reserve...)
 +
 
 +
* Robert A. Hanneman and Mark Riddle.  [http://faculty.ucr.edu/~hanneman/nettext/ Introduction to social network methods]  (also available as a [http://www.analytictech.com/networks.pdf pdf]. '''Free'''.)  Works well with [http://www.analytictech.com/netdraw/netdraw.htm Netdraw] (which runs only on PCs, or Macs in Windows compatibility mode). You may wish to refer to this alternative text to clarify and reinforce understanding, especially if you're having trouble with a concept presented in ESNAP.
 +
 
 +
* John P Scott, ''[http://www.worldcat.org/oclc/44454764 Social Network Analysis: A Handbook]'', 2nd ed. (Sage Publications Ltd, 2000). (Available in the SUB bookstore.) Provides a succinct summary of the field at a more advanced level.
 +
 
 +
* Linton C. Freeman, ''[http://www.worldcat.org/oclc/56137876 The Development of Social Network Analysis: A Study in the Sociology of Science]'' (Empirical Press, 2004). Outlines the intellectual history of SNA.
 +
 
 +
* Wasserman, Stanley and Faust, Katherine. ''[http://www.worldcat.org/oclc/731181842 Social network analysis: methods and applications].'' Cambridge, New York: Cambridge University Press; 1994. A rich summary of SNA theory and applications, for those who want a more complete and rigorous reference work.
 +
 
 +
* Peter J. Carrington. [http://www.library.ualberta.ca/permalink/opac/4268280/WUAARCHIVE ''Models and methods in social network analysis.''] Cambridge, New York: Cambridge University Press; 2005. A collection of more advanced papers on SNA. Available electronically via our library.
 +
 
 +
====Popular treatments====
 +
 
 +
Enjoyable and accessible, these books will also stimulate your creative thinking...feel free to browse selectively.
 +
 
 +
* Albert-Laszlo Barabasi, ''[http://www.worldcat.org/oclc/52315903 Linked: How Everything Is Connected to Everything Else and What It Means]'' (Plume, 2003).
 +
 
 +
* Duncan J. Watts, ''[http://www.worldcat.org/oclc/50478412 Six Degrees: The Science of a Connected Age]'' (W. W. Norton & Company, 2004).
 +
 
 +
* Malcolm Gladwell, ''[http://www.worldcat.org/oclc/42397965 The Tipping Point: How Little Things Can Make a Big Difference]'' (Back Bay Books, 2002).
 +
 
 +
* Nicholas A. Christakis and James H. Fowler, ''[http://www.worldcat.org/oclc/318879253 Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives]'' (New York:  Little, Brown and Company, 2009). (A popular science treatment.)
 +
 
 +
==(Social) Network Analysis Software (all free!)==
 +
 
 +
=== Required ===
 +
 
 +
[[Pajek]] (Slovenian for "spider") is required, as it accompanies our textbook.  Pajek runs on Windows, Linux, and Intel Mac platforms. Your first task is to [[Pajek installation | install Pajek on your computer]], and begin to get comfortable using it.  [[Pajek help|Help]] is available.
 +
 
 +
===Optional Network analysis and visualization tools===
 +
 
 +
See also http://en.wikipedia.org/wiki/Network_science#Network_analysis_and_visualization_tools
 +
 
 +
Optionally, you may like to explore and experiment with [http://en.wikipedia.org/wiki/Category:Graph_drawing_software other packages]...
 +
 
 +
[http://socnetv.org/ SocNetV]
 +
 
 +
[http://visone.info/ Visone]
 +
 
 +
[http://www.sagemath.org/ Sage]
  
[http://www.visone.info/ visone]
+
[http://nodexl.codeplex.com/ NodeXL] for Excel (mainly Windows - but there are [http://www.connectedaction.net/2010/11/16/how-to-run-nodexl-on-a-connected-mac-or-other-platform-using-amazon-ec2/ solutions for mac] too)
  
 
[http://gephi.org/ gephi]
 
[http://gephi.org/ gephi]
 +
 +
[http://www.graphviz.org/ graphviz]
 +
 +
[http://www.cytoscape.org/ cytoscape]
 +
 +
[http://graph-tool.skewed.de/ Graph-tool]
 +
 +
[http://www.touchgraph.com/seo touchgraph]
 +
 +
[http://igraph.org/ igraph]
  
 
[http://www.analytictech.com/netdraw/netdraw.htm netdraw]
 
[http://www.analytictech.com/netdraw/netdraw.htm netdraw]
  
=Links=
+
[http://graphexploration.cond.org/ GUESS]
 +
 
 +
[http://www.stanford.edu/group/sonia/ Sonia]
 +
 
 +
[http://orange.biolab.si/ Orange], for data visualization, analysis, mining...
 +
 
 +
[https://www.amii.ca/meerkat/ Meerkat]
 +
 
 +
[http://snap.stanford.edu/ SNAP]
 +
 
 +
[http://semoss.org/ SEMOSS]
 +
 
 +
[[Zeppelin]]
 +
 
 +
Others:
 +
 
 +
*[[Graph-tool]] and [[NetworkX]], [[Free Software|free]] and efficient Python modules for manipulation and statistical analysis of networks. [http://graph-tool.skewed.de/] [http://networkx.lanl.gov/]
 +
* [http://www.texample.net/tikz/ tikz, which produces graphs from latex code]
 +
*[http://igraph.sourceforge.net igraph], an [[open source]] [[C (programming language)|C]] library for the analysis of large-scale complex networks, with interfaces to [[R (programming language)|R]], [[Python (programming language)|Python]] and [[Ruby (programming language)|Ruby]].
 +
*[[Orange (software)|Orange]], a free data mining software suite, module [http://www.ailab.si/orange/doc/modules/orngNetwork.htm orngNetwork]
 +
*[http://pajek.imfm.si/doku.php Pajek], program for (large) network analysis and visualization.
 +
*[[Tulip (software)|Tulip]], a free data mining and visualization software dedicated to the analysis and visualization of relational data. [http://tulip.labri.fr/]
 +
*[http://semoss.org/ SEMOSS], an [[RDF_query_language|RDF-based]] [[Open-source_software|open source]] context-aware analytics tool written in [[Java_(programming_language)|Java]] leveraging the [[SPARQL]] query language.
 +
*[http://casos.cs.cmu.edu/projects/ora/ ORA], a tool for [[Dynamic Network Analysis]] and network visualization. <ref>Kathleen M. Carley, 2014, ORA: A Toolkit for Dynamic Network Analysis and Visualization, In Reda Alhajj and Jon Rokne (Eds.) Encyclopedia of Social Network Analysis and Mining, Springer.</ref>
 +
*[https://www.nsnam.org/ NS-3], a network simulation system
 +
 
 +
==[[Research on music networks]]==
 +
 
 +
[[Research on music networks | types of music network, kinds of research]]
 +
 
 +
== Pajek datasets for ESNAP ==
 +
 
 +
Download these [http://vlado.fmf.uni-lj.si/pub/networks/data/esna/default.htm sample data sets] for use with the textbook, ESNAP. Store them in your Pajek Data directory for future use.
 +
 
 +
==Other resources==
 +
 
 +
* [[SNA websites]]
 +
* [[SNA applications]]
 +
* [[SNA demos]]
 +
* [[SNA videos]]
 +
* [[SNA data]]
 +
* [http://ccl.northwestern.edu/netlogo/resources.shtml Netlogo] for network simulations
 +
* [[Statistics]]
 +
* [[SNA syllabi]]
 +
 
 +
= Help pages =
  
[http://www.insna.org/ International Network for Social Network Analysis] (professional society - with lots of links, naturally!)
+
[[How to write these wiki pages]]
  
[http://netwiki.amath.unc.edu/ Wiki for SNA]
+
[[Pajek help]]
  
[http://www.analytictech.com/networks/ Social Network Analysis Instructional Web Site]
+
= Official policy =
  
[http://www.infosci.cornell.edu/courses/info2040/2010fa/ David Easley and Jon Kleinberg's Interdisciplinary networks course at Cornell University] (cross-listed in computer science, economics, sociology, information science)
+
Please carefully review the following:
  
=Examples=
+
* [http://www.music.ualberta.ca/Resources/StaffResources/Learning%20and%20Working%20Environment.aspx Learning and Working Environment]
  
* affiliation networks (musicians/groups)
+
* The University of Alberta is committed to the highest standards of academic integrity and honesty. Students are expected to be familiar with these standards regarding academic honesty and to uphold the policies of the University in this respect.  Students are particularly urged to familiarize themselves with the provisions of the [http://www.governance.ualberta.ca/CodesofConductandResidenceCommunityStandards/CodeofStudentBehaviour.aspx Code of Student Behaviour] and avoid any behaviour which could potentially result in suspicions of cheating, plagiarism, misrepresentation of facts and/or participation in an offence.  Academic dishonesty is a serious offence and can result in suspension or expulsion from the University.”
* relation between friendship networks and musical taste
 
* Facebook networks: friends, groups, events
 
* structure of musician communication networks
 
* product networks (co-purchase)
 
* musical flow/awareness
 
* communication networks in performance
 
* transmission: teaching and learning networks
 
* networks of musical collaboration (e.g. composer/lyricist networks, co-member networks)
 
* small world networks
 
* musical prestige and authority
 

Latest revision as of 08:51, 30 August 2019

short link: http://bit.ly/mcsn

MUSIC 466/566 LEC A1 T R 11:00AM - 12:20PM
ED N2-123 (Education North) Please note change of room, starting September 13

(available for undergraduate or graduate credit)


Professor Michael Frishkopf
Office: 334D Old Arts Building
Office hours: Wednesday 1:00 – 3:00 PM (334D Old Arts Building; signup for an appointment)
Tel: 780-492-0225
Email: michaelf@ualberta.ca
AICT classroom support: (780) 492-3923


Overview

SNA segment.png

These days, social networks seem to be everywhere, especially with the advent of "social networking" as a catchphrase, new web-based social networking services such as Facebook, and popularization of social network concepts such as six degrees of separation, and small-world networks[1]. But the idea of using graph theory to understand social groups and culture goes back nearly a century, while social networks themselves are intrinsic to being human. [2][3]

Ethnomusicology is typically defined as the study of music in society or the study of music as culture...if social network analysis (SNA) is an important approach towards understanding society and culture, then it follows that SNA should also provide an insightful means of thinking in ethnomusicology, and a productive tool for ethnomusicological research.

Yet few ethnomusicologists have explored SNA's possibilities, perhaps because SNA appears inaccessible, filed under "mathematical sociology," while music scholars have tended to prefer the more qualitative, critical, and interpretive approaches of the human sciences. SNA also presents some challenging methodological difficulties for fieldworkers - mapping social networks is not always easy, practically and ethically. Yet SNA's origins lies in social anthropology, a field with longstanding connections to ethnomusicology. Methodologically SNA is more feasible today, with the emergence of online virtual communities, defined by social networking websites, and other electronic communications. And the basic mathematics required to understand SNA is quite elementary.

This seminar-workshop attempts to bridge the gap between traditional humanistic scholarship and SNA by providing a gentle introduction to methods, theories, and issues in social network analysis,with applications to ethnomusicology. You won’t merely read about social network analysis, you’ll actually do it!

Ethnomusicological applications of SNA include understanding the ways musicians and audiences interact in performance; network aspects of celebrity formation; exploring communities of musical taste; understanding the circulation of online music; analyzing the role of music in the structure of online social networks (Facebook, Twitter, Myspace...and others specifically devoted to music); investigating networks of musical friendship, prestige, and respect; examining linkages between music sites on the Internet; considering networks generated by musical collaborations (e.g. composer-lyricist relations); the overlap of friendship and musical collaboration network; small world networks in the arts (c.f. Degrees of Kevin Bacon[4]); affiliation networks of numerous types; the use of social networks to promote music and musicians, and many other topics.

Schedule

MCSN 2011 schedule (assignments and class activities, by date)

Google Calendar

Requirements

  • Weekly...
    • Classroom work: Lectures (mostly Tuesdays), demos (your demonstrations of Pajek technique), and discussions (more on Thursdays), all interspersed with group exercises, Q/A, videos, demos, etc.
    • Homework, promoting a theoretical and practical grasp of social network concepts
      • Readings: (mostly in ESNAP)
      • Lab: Pajek exercises, described in the ESNAP text (it's very important to do these completely!)
      • Problems: to test and reinforce those concepts. Questions are typically due on Thursdays; assignments are typically due the following Tuesday.
  • Occasional in-class self-guided group projects (these projects are to be written up and handed in the following class)
  • Three very short (20 minute) quizzes (Sep 22, Oct 13, Nov 3), to motivate and assess learning
  • Proposal to analyze a public online social network, comprising five short paragraphs and a bibliography (draft due Oct 27, to be resubmitted until accepted):
  1. Identify: Identify a phenomenon from MCSN. Discuss the general aim and value of your study, framed as a contribution to ethnomusicology.
  2. Contextualize: Provide background (topical and theoretical), citing relevant literature
  3. Query: List a few research questions inquiring about this phenomenon. What do you want to understand? Provide tentative hypotheses if you have any.
  4. Model: Theorize your questions using SNA to model the phenomenon. How can you frame the question in terms of social networks? Cite relevant literature, if appropriate.
  5. Method: What sort of procedure can you propose for gathering data, analyzing it (with Pajek), and answering the questions? Cite relevant literature, if appropriate.
  6. Bibliography (can be short at this initial stage), including web sites. You may find that INSNA contains useful sources, but your bibliography can include musical as well as SNA materials.
  • SNA research project of your choosing, including planning, written proposal, data gathering, preparation of Pajek files, analysis, interpretation, and writeup as a final paper (Music 466: 2500 words; Music 566: 3500 words).
  • Class presentation, amply illustrated with Pajek graphs - 10 minutes - outlining your project's main questions and methods, with partial results, during the last few classes at term's end (depending on enrollment).

Note that there is no final exam, but only a final paper. All assignments are to be handed in via the Moodle, but please bring them to class also (electronically or hardcopy) for discussion. The final paper should be submitted electronically, and also in hardcopy.

If possible, bring your laptop to each class, so we can explore the software together.

Notes:

  1. This course can be taken at either of two levels: 466 (regular) or 566 (advanced). If you are an undergraduate, you should be enrolled in 466. Graduate students should be enrolled in 566. At the same grade level, expectations for 566 are slightly higher, and the final paper should display greater breadth and sophistication in working with the literature (as well as being 50% longer).
  2. Word counts do not including bibliography or illustrative graphs and other diagrams.

Evaluation

The evaluation of each requirement is on a scale from 0-4 points. These scores are combined according to the percentages indicated in order to produce a final numeric grade. This grade is rounded to the nearest numeric value in the table below, in order to determine the final letter grade. In exceptional cases the grade A+ may also be assigned. Expectations for the 500 level are higher than for the 400 level. Without a valid excuse (documented medical or family emergency) grades for late assignments will decremented by a quarter-point per day, and make-up quizzes will not be administered. Please take care to plan ahead, bearing in mind due dates for your other courses.

All assignments are to be submitted via the Moodle.

  • Attendance and class participation (including Pajek demos): 15%
  • Homework (mainly ESNAP "questions" and "assignments", as well as project writeups): 20% total (each submitted item receives an equal weight).
  • Quizzes: 6.6666% each (20% total)
  • Project proposal: 5%
  • Research class presentation: 10%
  • Research paper: 30%


A A- B+ B B- C+ C C- D+ D F
4.0 3.7 3.3 3.0 2.7 2.3 2.0 1.7 1.3 1.0 0.0




Moodle site

The University's new Moodle system will be used, primarily to accept submitted assignments.

Here are instructions for uploading an assignment:

Click on the assignment for a particular date, then use the following sequence of buttons or options (bold indicates what appears on the screen):

  • upload files
  • add
  • upload a file (selected from the list at the left)
  • browse (to browse on my computer)
  • (double click your selection)
  • upload this file
  • save changes
  • Note: do not click send for marking or you will be unable to upload more files! Also please note the following message from the Centre for Teaching and Learning - certain browsers are not moodle-compatible:

Here is a link to the Moodle 101 Tutorials that will help you with various features found in Moodle: https://eclass.srv.ualberta.ca/course/view.php?id=1421

To learn more about using the Gradebook, you can navigate to topic 8: Setting up the Moodle Gradebook. One specific tutorial that may be particularly helpful is: https://eclass.srv.ualberta.ca/mod/resource/view.php?id=36272

Students who are experiencing difficulty uploading their files are most likely using a non-supported browser when accessing Moodle. Please note that Internet Explorer 9.0 is not a supported browser for Moodle and that we recommend using Firefox 3.6+ for the best results (Firefox can be downloaded for free at http://www.mozilla.org/en-US/firefox/fx/). Other supported browsers include Chrome 4.0+, Safari 3.0+ and Opera 9.0+.

Should your students require further assistance, please have them contact CTL Tech Services at ctl@ualberta.ca

Hope this helps. Please let us know if you have any questions or concerns.

Kind Regards,

Connie

Resources

Books

You'll find a number of these books on reserve in the Music Library (Rutherford, 2nd floor), though new rules may preclude placing textbooks there. Some are also available electronically. But I do recommend purchasing the required work (ESNAP), since working from an electronic version may prove awkward as you're also using your computer to work the examples using Pajek.

Required

Wouter de Nooy, Andrej Mrvar, and Vladimir Batagelj, Exploratory Social Network Analysis with Pajek (abbreviated: ESNAP), illustrated edition. (Cambridge University Press, 2005). (Available in the SUB bookstore, and also available online, though you may find it difficult to work with an ebook.) To be read in conjunction with Pajek (which was created for PCs but also runs fine on Macs).

IMPORTANT NOTE: Purchase the first edition (blue), not the 2nd edition (green). The second edition is not out yet, and so I could not use it while preparing this course. It might be on the market by September 2011, however. While it might seem logical to buy the most recent version, new editions can differ significantly, and all my assignments refer to the first (blue) edition. So don't buy the 2nd edition unless you're prepared to spring for both.

Optional

No need to purchase these at the outset, and several are already available for free online. As for the others, if you find them to your liking you may wish to own a copy. Browse at the library or bookstore.

Texts and reference works

Use these to supplement the primary text, particularly if something is unclear. Several of these books are available for purchase in the bookstore, and I'll put as many on Music Reserve as possible. (New rules restrict placing textbooks on reserve...)

  • Robert A. Hanneman and Mark Riddle. Introduction to social network methods (also available as a pdf. Free.) Works well with Netdraw (which runs only on PCs, or Macs in Windows compatibility mode). You may wish to refer to this alternative text to clarify and reinforce understanding, especially if you're having trouble with a concept presented in ESNAP.
  • John P Scott, Social Network Analysis: A Handbook, 2nd ed. (Sage Publications Ltd, 2000). (Available in the SUB bookstore.) Provides a succinct summary of the field at a more advanced level.
  • Wasserman, Stanley and Faust, Katherine. Social network analysis: methods and applications. Cambridge, New York: Cambridge University Press; 1994. A rich summary of SNA theory and applications, for those who want a more complete and rigorous reference work.

Popular treatments

Enjoyable and accessible, these books will also stimulate your creative thinking...feel free to browse selectively.

(Social) Network Analysis Software (all free!)

Required

Pajek (Slovenian for "spider") is required, as it accompanies our textbook. Pajek runs on Windows, Linux, and Intel Mac platforms. Your first task is to install Pajek on your computer, and begin to get comfortable using it. Help is available.

Optional Network analysis and visualization tools

See also http://en.wikipedia.org/wiki/Network_science#Network_analysis_and_visualization_tools

Optionally, you may like to explore and experiment with other packages...

SocNetV

Visone

Sage

NodeXL for Excel (mainly Windows - but there are solutions for mac too)

gephi

graphviz

cytoscape

Graph-tool

touchgraph

igraph

netdraw

GUESS

Sonia

Orange, for data visualization, analysis, mining...

Meerkat

SNAP

SEMOSS

Zeppelin

Others:

Research on music networks

types of music network, kinds of research

Pajek datasets for ESNAP

Download these sample data sets for use with the textbook, ESNAP. Store them in your Pajek Data directory for future use.

Other resources

Help pages

How to write these wiki pages

Pajek help

Official policy

Please carefully review the following:

  • The University of Alberta is committed to the highest standards of academic integrity and honesty. Students are expected to be familiar with these standards regarding academic honesty and to uphold the policies of the University in this respect. Students are particularly urged to familiarize themselves with the provisions of the Code of Student Behaviour and avoid any behaviour which could potentially result in suspicions of cheating, plagiarism, misrepresentation of facts and/or participation in an offence. Academic dishonesty is a serious offence and can result in suspension or expulsion from the University.”