MofA Weeks 7, 8: Music and Media

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Modern urban tarab music of the 20th century (al-jadid): the transformation of the turath

Transformative factors, and results:

  • Musical commodification (concert halls, music media) and commercialism
  • Rise of music mass media (phonograms, radio, musical film)
  • Nationalist movements and independence (partly due to mass media, leading to government control, nationalist agendas, increased influence of Egyptian music, new concepts of "Arab music")
  • Increased Western influence (via media): larger ensembles
  • Decline of the kuttab (trad. religious school) and rise of public schools
  • Rise of Islamist (political Islamic) groups, rejecting much of the aesthetic Islamic heritage, and especially secular music
  • concert settings, notation, large ensembles, and mediated music: limit tarab by reducing performer flexibility and reducing performer/audience interactions
  • Advent of formal musical training via music institutes and conservatories: standardization, reduction in reliance on the ear and improvisation.
  • Urbanization: much larger populations to support commercial music-making
  • Cairo becomes the primary center, drawing talent from the Arab world, and exporting music and music films everywhere
  • Presence of foreign soldiers (patronizing nightclubs)
  • Feminism: appearance of female singer in public, women owners of nightclubs and cabarets. Women's increased role in the performing arts: as singers, dancers, actresses (but not as instrumentalists).
  • Increased centrality of conductors, composers and arrangers. Singers become merely singers, or blend into an anonymous chorus.* shorter songs (for phonograms and films)
  • longer songs (for mid-20th century tarab tradition): the ughniya (song) of Umm Kulthum and others, representing rise of the composer; often featuring lengthy instrumental sections
  • Rise of musical stardom, visual music; increased emphasis on physical appearance
  • Decline in traditional tarab and traditional repertoire
  • Bifurcation: separation of religious and secular musics