Difference between revisions of "MofA Week 6"

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'''Folk music and folkloricization'''
 
'''Folk music and folkloricization'''
  
Listening examples to accompany readings and class discussions:
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Listening examples to accompany readings and class discussions.  Note the diversity of "folk music". How does the coherence of this category compare to that of the turath qadim (old turath of the 19th century and before)? To the newer extensions of the turath in the 20th century (mediated by radio, film, phonograms, TV) (we'll discuss these next)?
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Folkloricization: the separation of music and context; musical recontextualization; musical symbolization/ideologization/commodification (in relation to notions of nation); removal of traditional audience and insertion of new audience; musical communication caused to cross boundaries of culture and class.  All these processes induce corresponding musical changes as well.
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Note that with the exception of the Fidjeri music and mawwal, all the folk music examples presented here were recorded on the stage of the [http://www.imarabe.org/ Institut du Monde Arabe], an Arab cultural center in Paris, primarily for a French audience.  The mawwal examples were recorded in Cairo, and produced by Long Distance- Real World Works, a label based in Paris, with support from  [http://www.festival-automne.com/home_end_saison/index.php Festival D'Automne a Paris].
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Examine the notes and cover art to "folk music" albums from a critical perspective.  What features are emphasized in order to sell the "folk music" to a largely Western market?
  
 
= Fidjeri songs of the Arabian Gulf =
 
= Fidjeri songs of the Arabian Gulf =
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[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Gulf%20fidjeri%20songs/ Fidjeri songs of the Arabian Gulf] (Touma, The Music of the Arabs, pp. 88-95).
 
[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Gulf%20fidjeri%20songs/ Fidjeri songs of the Arabian Gulf] (Touma, The Music of the Arabs, pp. 88-95).
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This remarkable tradition developed among pearl divers of the Gulf.
  
  
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[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Algerian%20Rai%20roots/ Roots of Rai:  Cheikha Remitti].
 
[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Algerian%20Rai%20roots/ Roots of Rai:  Cheikha Remitti].
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Listen and also read the notes online.
  
  
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[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Sira%20Hilaliyya/ The Sira Hilaliyya] (Reynolds, D. F. (1994). Musical Dimensions of an Arabic Oral Epic Tradition. Asian Music, 26(1), 53-94.)
 
[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Sira%20Hilaliyya/ The Sira Hilaliyya] (Reynolds, D. F. (1994). Musical Dimensions of an Arabic Oral Epic Tradition. Asian Music, 26(1), 53-94.)
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Listen and also read the notes online.
  
 
= The Egyptian mawwal =
 
= The Egyptian mawwal =
  
 
[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Egyptian%20mawwal/ Egyptian mawwal] (Cachia, P. (1977). The Egyptian Mawwal: Its Ancestry, Its Development, and Its Present Form. Journal of Arab Literature, 8, 77-103.)
 
[http://www.fwalive.ualberta.ca/~michaelf/MENAME/MAW/Folk%20examples/Egyptian%20mawwal/ Egyptian mawwal] (Cachia, P. (1977). The Egyptian Mawwal: Its Ancestry, Its Development, and Its Present Form. Journal of Arab Literature, 8, 77-103.)
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Listen and also read the notes online.
  
 
= The Red Sea Simsimiyya =
 
= The Red Sea Simsimiyya =
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The audio presents two excerpts from a Paris performance by the Tanbura group from Port Said.
 
The audio presents two excerpts from a Paris performance by the Tanbura group from Port Said.
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Listen and also read the notes online.
  
 
[http://www.youtube.com/watch?v=vS0sr1Vp05Q YouTube video of the Tanbura group of Port Said]
 
[http://www.youtube.com/watch?v=vS0sr1Vp05Q YouTube video of the Tanbura group of Port Said]
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= Berber women's music =
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http://www.amazighworld.org/music

Revision as of 11:22, 12 February 2008

Folk music and folkloricization

Listening examples to accompany readings and class discussions. Note the diversity of "folk music". How does the coherence of this category compare to that of the turath qadim (old turath of the 19th century and before)? To the newer extensions of the turath in the 20th century (mediated by radio, film, phonograms, TV) (we'll discuss these next)?

Folkloricization: the separation of music and context; musical recontextualization; musical symbolization/ideologization/commodification (in relation to notions of nation); removal of traditional audience and insertion of new audience; musical communication caused to cross boundaries of culture and class. All these processes induce corresponding musical changes as well.

Note that with the exception of the Fidjeri music and mawwal, all the folk music examples presented here were recorded on the stage of the Institut du Monde Arabe, an Arab cultural center in Paris, primarily for a French audience. The mawwal examples were recorded in Cairo, and produced by Long Distance- Real World Works, a label based in Paris, with support from Festival D'Automne a Paris.

Examine the notes and cover art to "folk music" albums from a critical perspective. What features are emphasized in order to sell the "folk music" to a largely Western market?

Fidjeri songs of the Arabian Gulf

Fidjeri songs of the Arabian Gulf (Touma, The Music of the Arabs, pp. 88-95).

This remarkable tradition developed among pearl divers of the Gulf.


Roots of Rai: Cheikha Remitti

Roots of Rai: Cheikha Remitti.

Listen and also read the notes online.


The Sira Hilaliyya

The Sira Hilaliyya (Reynolds, D. F. (1994). Musical Dimensions of an Arabic Oral Epic Tradition. Asian Music, 26(1), 53-94.)

Listen and also read the notes online.

The Egyptian mawwal

Egyptian mawwal (Cachia, P. (1977). The Egyptian Mawwal: Its Ancestry, Its Development, and Its Present Form. Journal of Arab Literature, 8, 77-103.)

Listen and also read the notes online.

The Red Sea Simsimiyya

The Simsimiyya of the Red Sea region. (Shiloah, A. (1972). The Simsimiyya: A Stringed Instrument of the Red Sea Area. Asian Music, 4(1), 15-26.)

The audio presents two excerpts from a Paris performance by the Tanbura group from Port Said. Listen and also read the notes online.

YouTube video of the Tanbura group of Port Said

Berber women's music

http://www.amazighworld.org/music