MofA Week 2: The history of Arab music & the construction of “Arab music” ("al-musiqa al-`arabiyya")

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Some concepts we've introduced so far...

  • oral tradition vs written tradition, mnemonics of scripts
  • Hornbostel-Sachs system for classifying musical instruments
  • concept of frequency ratios and musical intervals (e.g. an octave is 2:1)
  • 'Microtones', 'quartertones' (see www.maqamworld.com), equal temperament, frequency ratios
  • emic/etic distinction
  • ethnocentrism
  • Orientalism
  • 'Arab' (people, music)


To do Thursday

  • Review: classes of instruments, concept of maqam
  • Ear training with the nay: Rast.
  • Continue critical introduction: "What is ethnomusicology of the Arab world?" (what is the Arab world? who is an Arab? what is Arab music?...)
  • Your turn: empirical investigations regarding "Arab music" (audio and video recordings)
  • "Drop the needle" test - The Berlin Phonogramm-Archiv, 1900-2000 & ethnomusicology of the Arab world
  • Role of Arab nationalism (since 19th c) in formulating "Arab music" as "al-musiqa al-arabiyya"
  • Some historical overview...
  • What is an SC paper? - ex: Touma (critical reading & analysis, together...)
  • Film: Umm Kulthum plays the role of the famous Abbasid-era qayna, Dananeer

Typology

Typology of Music of the Arab World

Films