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| + | [http://www.arts.ualberta.ca/~michaelf/ Faculty of Arts webpage for Michael Frishkopf] |
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| − | <head> | + | <a href="https://www.surveymonkey.com/s.aspx?sm=X_2fML9RB7KZv_2fBNY83cYQaQ_3d_3d">Click Here to take survey</a> |
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| − | | |
| − | <p class=name style='margin-bottom:3.0pt'><span lang=EN style='font-size:13.5pt;
| |
| − | color:black;mso-ansi-language:EN'><b><a href="mailto:michaelf@ualberta.ca">Michael
| |
| − | Frishkopf </a></b></span><span lang=EN style='color:black;mso-ansi-language:
| |
| − | EN'><o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p>
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| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>Associate Director, Canadian Centre for Ethnomusicology (</span><span
| |
| − | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a
| |
| − | href="http://www.ualberta.ca/ETHNOMUSICOLOGY/"><span style='font-family:"Trebuchet MS";
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| − | color:black;text-decoration:none;text-underline:none'>
| |
| − | www.ualberta.ca/ETHNOMUSICOLOGY/</span></a></span><span lang=EN
| |
| − | style='color:black;mso-ansi-language:EN'>)<o:p></o:p></span></p>
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| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
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| − | mso-ansi-language:EN'>Associate Director for Multimedia, FolkwaysAlive! (</span><span
| |
| − | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a
| |
| − | href="http://www.ualberta.ca/FolkwaysAlive"><span style='font-family:"Trebuchet MS";
| |
| − | color:black;text-decoration:none;text-underline:none'>
| |
| − | | |
| − | www.ualberta.ca/FolkwaysAlive</span></a></span><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>)<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
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| − | mso-ansi-language:EN'>Associate Professor, Department of Music (</span><span
| |
| − | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a
| |
| − | href="http://www.uofaweb.ualberta.ca/music"><span style='font-family:"Trebuchet MS";
| |
| − | color:black;text-decoration:none;text-underline:none'> www.uofaweb.ualberta.ca/music</span></a></span><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>)<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>Mail address: <br>
| |
| − | Michael Frishkopf, Department of Music, Faculty of Arts, University of Alberta<br>
| |
| − | 3-82 Fine Arts Building, Edmonton, AB CANADA T6G 2C9<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>Office: 3-67 FAB, tel: (780) 492-0670, or 3-47
| |
| − | Arts, tel: (780) 492-0225; <o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>Electronic: michaelf@ualberta.ca; </span><span
| |
| − | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a
| |
| − | href="http://www.arts.ualberta.ca/~michaelf/"><span style='font-family:"Trebuchet MS"; | |
| − | color:black;text-decoration:none;text-underline:none'>http://www.arts.ualberta.ca/~michaelf/</span></a></span><span
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| − | class=MsoHyperlink><span lang=EN style='color:black;mso-ansi-language:EN;
| |
| − | text-decoration:none;text-underline:none'><o:p></o:p></span></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>Music Department: tel: (780) 492-3263; fax: (780)
| |
| − | 492-9246<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>FolkwaysAlive: fax (780) 492-0242<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p>
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| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><i>After silence, that which comes nearest to expressing
| |
| − | the inexpressible is music.</i></span><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'> (Aldous Huxley)<i><o:p></o:p></i></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>Michael Frishkopf, Associate Professor of Music at the
| |
| − | University of Alberta, is a graduate of Yale College (BS Mathematics, 1984),
| |
| − | Tufts University (MA Ethnomusicology, 1989), and the University of California,
| |
| − | Los Angeles (Ph.D. Music, 1999).<span style="mso-spacerun: yes">
| |
| − | </span>Dr. Frishkopf’s current ethnomusicological research interests include ;
| |
| − | Sufism and music; the music industry in the Arab world; Arab music theory;
| |
| − | Islamic ritual performance; music and religion of West Africa; the sociology of
| |
| − | musical taste; and distributed digital archiving. <o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>He has received numerous fellowships supporting his
| |
| − | research, including grants from Fulbright, the American Research Center in
| |
| − | Egypt, the Social Science Research Council, the Woodrow Wilson National Fellowship
| |
| − | Foundation, the Killam Foundation (Canada), the National Endowment for the
| |
| − | Humanities, and the Social Science and Humanities Research Council of Canada,
| |
| − | supporting<span style="mso-spacerun: yes"> </span>his extensive fieldwork
| |
| − | in Egypt.<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'>In performance, Michael specializes in the <i>nay</i></span><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'> (Middle Eastern reed flute),
| |
| − | and also performs the song-drum-dance traditions of Ghana. He is the founder
| |
| − | (in 2004) of the University of Alberta Middle Eastern and North African Music
| |
| − | Ensemble, as well as the University of Alberta West African Music Ensemble (in
| |
| − | 1999).<span style="mso-spacerun: yes"> </span>Both ensembles perform
| |
| − | frequently in public in the Edmonton area, especially to support progressive
| |
| − | causes.<span style="mso-spacerun: yes"> </span>He also performs
| |
| − | “Third Stream” and world music inflected jazz on the piano, following studies
| |
| − | in the Third Stream program at the New England Conservatory of Music in Boston.<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><a href="http://www.arts.ualberta.ca/~michaelf/CV.pdf">CV</a><o:p></o:p></span></p>
| |
| − | | |
| − | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p>
| |
| − | | |
| − | <h1 style='margin-bottom:3.0pt'><span lang=EN style='font-size:11.0pt;
| |
| − | color:black;mso-ansi-language:EN'>Publications</span><span lang=EN
| |
| − | style='font-size:10.0pt;color:black;mso-ansi-language:EN'>: </span><span
| |
| − | lang=EN style='font-size:19.5pt;color:black;mso-ansi-language:EN'><b><o:p></o:p></b></span></h1>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol;
| |
| − | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'>
| |
| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
| |
| − | EN'>Papers and books:<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“The sounds of Islamic
| |
| − | congregational prayer in mainstream Egyptian practice” (in process) <o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
| |
| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>Music and Media<span
| |
| − | style="mso-spacerun: yes"> </span>in Contemporary Egypt (edited
| |
| − | collection based on 2004 Cairo conference entitled “Music and Television in
| |
| − | Egypt”. In process.)<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
| |
| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'><i>Sufism, Ritual and
| |
| − | Modernity in Egypt. Language Performance as an Adaptive Strategy</i></span><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'> (book in process).<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
| |
| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“The concept of Arabic Music”,
| |
| − | in <i>Introduction to the Arab World</i></span><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'> (University of Edinburgh Press “Introducing Ethnic
| |
| − | Studies” series) (to appear 2008)<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
| |
| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“The Sounds of Islam”, in <i>The
| |
| − | Islamic World</i></span><span lang=EN style='color:black;mso-ansi-language:
| |
| − | EN'> (Routledge "Worlds" series) (in process)<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
| |
| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“Globalization and
| |
| − | re-localization of Sufi music in the West”, to appear as proceedings of
| |
| − | colloquium Global Networking and Locality: Sufis in the West (September 30 to
| |
| − | October 2, 2005), Universität Bremen, Germany<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'><span style="mso-spacerun:
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| − | yes"> </span>“The influence of interdisciplinary scholarship: theory and
| |
| − | method” (under review)<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>“Aesthetics, Mysticism, and
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| − | Creativity” (under review)<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>Music, Nationalism, and the
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| − | development of Egypt's phonogram industry:<span style="mso-spacerun:
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| − | yes"> </span><br>
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| − | | |
| − | Muhammad Fawzy, Misrphon, and Sawt al-Qahira (SonoCairo) (under review)<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>“Qur’anic recitation and the
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| − | sonic contestation of Islam in contemporary Egypt ” to appear in <i>Music and
| |
| − | the Play of<span style="mso-spacerun: yes"> </span>Power in the Middle
| |
| − | East</i></span><span lang=EN style='color:black;mso-ansi-language:EN'>
| |
| − | (Ashgate, to appear 2007)<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a
| |
| − | href="Spiritual%20Kinship%20and%20Globalization.pdf">Spiritual Kinship and
| |
| − | Globalization</a></u>”, in <i>Religious Studies and Theology</i></span><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'> v. 22 #1 (2003)<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a
| |
| − | href="Authorship%20in%20Sufi%20poetry.pdf">Authorship in Sufi Poetry</a></u>”,
| |
| − | in <i>Alif: Journal of Comparative Poetics</i></span><span lang=EN
| |
| − | style='color:black;mso-ansi-language:EN'>, #23: Intersections: Literature and
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| − | the Sacred (2003)<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a
| |
| − | href="Some%20Meanings%20of%20the%20Spanish%20Tinge.pdf">Some Meanings of the
| |
| − | Spanish Tinge in Contemporary Egyptian music</a></u>”, in Mediterranean Mosaic,
| |
| − | edited by Goffredo Plastino (in the series entitled Perspectives on Global Pop,
| |
| − | edited by Gage Averill; Routledge Publishing) (2002).<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>“Musical transformations of
| |
| − | time”. Proceedings of the Eighth International Conference on Human Interface
| |
| − | Technology, the University of Aizu, Japan (2002).<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“<u>Changing modalities in the
| |
| − | globalization of Islamic saint veneration and mysticism:<span
| |
| − | style="mso-spacerun: yes"> </span>Sidi Ibrahim al-Dasuqi, Shaykh Muhammad
| |
| − | ‘Uthman al-Burhani, and their Sufi Orders</u>”. <a
| |
| − | href="Changing%20Modalities%20(I).pdf">Part I</a>.<span style="mso-spacerun:
| |
| − | yes"> </span><a href="Changing%20Modalities%20(II).pdf">Part II</a>.
| |
| − | Religious Studies and Theology, v. 20 nos. 1 & 2(2001).<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a
| |
| − | href="Tarab%20in%20the%20Mystic%20Sufi%20Chant%20of%20Egypt.pdf">Tarab in the
| |
| − | Mystic Sufi Chant of </a><a href="Tarab%20in%20the%20Mystic%20Sufi%20Chant%20of%20Egypt.rtf">Egypt
| |
| − | </a></u>”.<span style="mso-spacerun: yes"> </span>In:<span
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| − | style="mso-spacerun: yes"> </span><i>Colors of Enchantment:<span
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| − | style="mso-spacerun: yes"> </span>Visual and Performing Arts of the
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| − | Middle East</i></span><span lang=EN style='color:black;mso-ansi-language:EN'> ,
| |
| − | edited by Sherifa Zuhur.<span style="mso-spacerun: yes"> </span>American
| |
| − | University in Cairo Press, 2001.<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
| |
| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'><u><a
| |
| − | href="http://fp.arizona.edu/mesassoc/Bulletin/34-2/34-2%20Frishkopf.htm">“Inshad
| |
| − | Dini and Aghani Diniyya in 20<span style='color:black'><sup>th</sup> c </span></a><a
| |
| − | href="http://fp.arizona.edu/mesassoc/Bulletin/34-2/34-2%20Frishkopf.htm">Egypt
| |
| − | :<span style="mso-spacerun: yes"> </span>a review of styles, genres, and
| |
| − | available recordings”.</a></u><span style="mso-spacerun: yes">
| |
| − | </span>Bulletin of the Middle East Studies Association, Winter 2001.<span
| |
| − | style="mso-spacerun: yes"> </span>(Arabic translation:<span
| |
| − | style="mso-spacerun: yes"> </span><i>Wijhat Nazar</i></span><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'> (Viewpoints), #35, vol. #3,
| |
| − | December 2001, under the title:<span style="mso-spacerun: yes">
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| − | | |
| − | </span>“al-inshad al-dini wa al-aghani al-diniyya fi masr al-qarn al-‘ishrin”,
| |
| − | pp. 68-72.<span style="mso-spacerun: yes"> </span>Cairo : Egyptian
| |
| − | Company for Arab and International Publication.)<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
| |
| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“Shaykh Yasin al-Tuhami:<span
| |
| − | style="mso-spacerun: yes"> </span>A typical <i>layla</i></span><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'> performance”, Garland
| |
| − | Encyclopedia of World Music, vol. 6 (2002). <o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in'><![if !supportLists]><span lang=EN style='font-family:Symbol;
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| − | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'>
| |
| − | | |
| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
| |
| − | EN'>“al-Inshad al-Dini (Islamic religious singing) in Egypt ”, Garland
| |
| − | Encyclopedia of World Music, vol. 6 (2002). <o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
| |
| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>“The Magic of the Sufi
| |
| − | Inshad:<span style="mso-spacerun: yes"> </span>Sheikh Yasin al-Tuhami”
| |
| − | (compact disc liner notes).<span style="mso-spacerun: yes">
| |
| − | </span>Paris:<span style="mso-spacerun: yes"> </span>Long Distance, Real
| |
| − | World Works, 1998. <o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:.5in'><![if !supportLists]><span lang=EN style='font-family:Symbol;
| |
| − | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'>
| |
| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
| |
| − | EN'>(with Mina Rad) “Shaykh Yasin al-Tuhami.<span style="mso-spacerun:
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| − | yes"> </span>Un monument incontournable”, <i>Le Monde de la musique, </i></span><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>supplément:<span
| |
| − | style="mso-spacerun: yes"> </span><i>Le festival d’automne célèbre
| |
| − | l’année France-Egypte </i></span><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'>213,5. <o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
| |
| − | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol;
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| − | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'>
| |
| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'><b>Reviews:</b></span><span lang=EN style='color:black;mso-ansi-language:
| |
| − | EN'> <o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>Review of Music<span
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| − | style="mso-spacerun: yes"> </span>of Makran:<span style="mso-spacerun:
| |
| − | yes"> </span>traditional fusion from coastal Balochistan. In <i>Asian
| |
| − | Music</i></span><span lang=EN style='color:black;mso-ansi-language:EN'>.<o:p></o:p></span></p>
| |
| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>The Yemen Tihama: trance &
| |
| − | dance music from the Red Sea coast of Arabia , International Music Collection
| |
| − | of the British <i>Library</i></span><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'> National Sound Archive.<span style="mso-spacerun:
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| − | yes"> </span>Topic World Series, Topic Records Ltd. TSCD920. (CD review).
| |
| − | In <i>Asian Music</i></span><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'>.<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>(1) Soufis <i>d'algerie</i></span><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>: Mostaganem/Algeria: The
| |
| − | Sufis of Mostaganem.<span style="mso-spacerun: yes"> </span>2003. Prophet
| |
| − | Collection 31. Philips 472 503-2; (2) Chant <i>soufi</i></span><span lang=EN
| |
| − | style='color:black;mso-ansi-language:EN'> de Syrie: Dhikr Qadiri Khalwati de la
| |
| − | Zawiya Hilaliya, Alep /Sufi chanting from Syria : Dhikr Qadiri Khalwati of the
| |
| − | Zawiya Hilaliya, Aleppo .<span style="mso-spacerun: yes">
| |
| − | | |
| − | </span>2002.<span style="mso-spacerun: yes"> </span>Maison des Cultures
| |
| − | du Monde, Inedit W 260109. (3)<span style="mso-spacerun: yes">
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| − | </span>Maroc: L'art du sama' a Fes/Morocco: The Art of Sama' in Fez . 2002.
| |
| − | Disques VDE-GALLO, VDE CD-1104.<span style="mso-spacerun: yes">
| |
| − | </span>(CD reviews).<span style="mso-spacerun: yes"> </span>In<i>
| |
| − | Yearbook of the International Council for Traditional Music</i></span><span
| |
| − | lang=EN style='color:black;mso-ansi-language:EN'>.<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span
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| − | lang=EN style='color:black;mso-ansi-language:EN'>Review of <i>Asmahan’s
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| − | Secrets: Woman, War, and Song</i></span><span lang=EN style='color:black;
| |
| − | mso-ansi-language:EN'> (No. 13 in the Middle East Monograph Series (
| |
| − | Austin:<span style="mso-spacerun: yes"> </span>UT Center for Middle
| |
| − | Eastern Studies, 2000), by Sherifa Zuhur), <i>International Journal of Middle
| |
| − | East Studies </i></span><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'>(fall 2002).<o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:0in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'>
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| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'> <o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol;
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| − | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'>
| |
| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'><b>Dissertation: </b></span><span lang=EN style='color:black;
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| − | mso-ansi-language:EN'><o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol;
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| − | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'>
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| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'><u><a href="Dissertation%20abstract.htm">Sufism, Ritual, and Modernity in
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| − | Egypt: Language Performance as an Adaptive Strategy</a></u><o:p></o:p></span></p>
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| − | | |
| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:0in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'>
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| − | | |
| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'> <o:p></o:p></span></p>
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| − | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt;
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| − | margin-left:0in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN
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| − | style='font-size:12.0pt;font-family:Symbol;color:black;mso-ansi-language:EN'>·<span
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| − | style='font:7.0pt "Times New Roman"'>
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| − | </span></span><![endif]><span lang=EN style='font-size:13.5pt;color:black;
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| − | mso-ansi-language:EN'><b>Local links:</b></span><span lang=EN style='font-size:
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| − | 12.0pt;color:black;mso-ansi-language:EN'><o:p></o:p></span></p>
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| − | | |
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| − | EN'><u><a href="http://www.ualberta.ca/ETHNOMUSICOLOGY/">Canadian Centre for
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| − | EN'><u><a href="http://www.ualberta.ca/folkwaysalive">FolkwaysAlive</a><o:p></o:p></u></span></p>
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| − | EN'><u><a
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| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'><u><a href="ethno-videos.htm">Documentary videos for teaching
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| − | EN'><u><a
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| − | EN'><u><a href="M.Fawzi.htm">Mohamed Fawzy Association</a><o:p></o:p></u></span></p>
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| − | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language:
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| − | EN'><u><a href="acoustics-notes.htm">On musical acoustics and drumming</a><o:p></o:p></u></span></p>
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| − | EN'><b>ARCE conference, May 19-20 2004: Music and Television in Egypt</b></span><span
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