Difference between revisions of "Michael Frishkopf"
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| + | <title>Michael Frishkopf</title> | ||
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| + | </head> | ||
| − | + | <body bgcolor=white lang=EN-US link=blue vlink="#660099" style='tab-interval: | |
| − | + | .5in'> | |
| + | <div class=Section1> | ||
| + | <p class=name style='margin-bottom:3.0pt'><span lang=EN style='font-size:13.5pt; | ||
| + | color:black;mso-ansi-language:EN'><b><a href="mailto:michaelf@ualberta.ca">Michael | ||
| + | Frishkopf </a></b></span><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><o:p></o:p></span></p> | ||
| + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>Associate Director, Canadian Centre for Ethnomusicology (</span><span | ||
| + | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a | ||
| + | href="http://www.ualberta.ca/ETHNOMUSICOLOGY/"><span style='font-family:"Trebuchet MS"; | ||
| + | color:black;text-decoration:none;text-underline:none'> | ||
| + | www.ualberta.ca/ETHNOMUSICOLOGY/</span></a></span><span lang=EN | ||
| + | style='color:black;mso-ansi-language:EN'>)<o:p></o:p></span></p> | ||
| + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'>Associate Director for Multimedia, FolkwaysAlive! (</span><span | ||
| + | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a | ||
| + | href="http://www.ualberta.ca/FolkwaysAlive"><span style='font-family:"Trebuchet MS"; | ||
| + | color:black;text-decoration:none;text-underline:none'> | ||
| − | + | www.ualberta.ca/FolkwaysAlive</span></a></span><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>)<o:p></o:p></span></p> | ||
| + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'>Associate Professor, Department of Music (</span><span | ||
| + | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a | ||
| + | href="http://www.uofaweb.ualberta.ca/music"><span style='font-family:"Trebuchet MS"; | ||
| + | color:black;text-decoration:none;text-underline:none'> www.uofaweb.ualberta.ca/music</span></a></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>)<o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>Mail address: <br> | ||
| + | Michael Frishkopf, Department of Music, Faculty of Arts, University of Alberta<br> | ||
| + | 3-82 Fine Arts Building, Edmonton, AB CANADA T6G 2C9<o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>Office: 3-67 FAB, tel: (780) 492-0670, or 3-47 | ||
| + | Arts, tel: (780) 492-0225; <o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>Electronic: michaelf@ualberta.ca; </span><span | ||
| + | lang=EN style='font-family:Helvetica;color:black;mso-ansi-language:EN'><a | ||
| + | href="http://www.arts.ualberta.ca/~michaelf/"><span style='font-family:"Trebuchet MS"; | ||
| + | color:black;text-decoration:none;text-underline:none'>http://www.arts.ualberta.ca/~michaelf/</span></a></span><span | ||
| + | class=MsoHyperlink><span lang=EN style='color:black;mso-ansi-language:EN; | ||
| + | text-decoration:none;text-underline:none'><o:p></o:p></span></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>Music Department: tel: (780) 492-3263; fax: (780) | ||
| + | 492-9246<o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>FolkwaysAlive: fax (780) 492-0242<o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><i>After silence, that which comes nearest to expressing | ||
| + | the inexpressible is music.</i></span><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'> (Aldous Huxley)<i><o:p></o:p></i></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>Michael Frishkopf, Associate Professor of Music at the | ||
| + | University of Alberta, is a graduate of Yale College (BS Mathematics, 1984), | ||
| + | Tufts University (MA Ethnomusicology, 1989), and the University of California, | ||
| + | Los Angeles (Ph.D. Music, 1999).<span style="mso-spacerun: yes"> | ||
| + | </span>Dr. Frishkopf’s current ethnomusicological research interests include ; | ||
| + | Sufism and music; the music industry in the Arab world; Arab music theory; | ||
| + | Islamic ritual performance; music and religion of West Africa; the sociology of | ||
| + | musical taste; and distributed digital archiving. <o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>He has received numerous fellowships supporting his | ||
| + | research, including grants from Fulbright, the American Research Center in | ||
| + | Egypt, the Social Science Research Council, the Woodrow Wilson National Fellowship | ||
| + | Foundation, the Killam Foundation (Canada), the National Endowment for the | ||
| + | Humanities, and the Social Science and Humanities Research Council of Canada, | ||
| + | supporting<span style="mso-spacerun: yes"> </span>his extensive fieldwork | ||
| + | in Egypt.<o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'>In performance, Michael specializes in the <i>nay</i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'> (Middle Eastern reed flute), | ||
| + | and also performs the song-drum-dance traditions of Ghana. He is the founder | ||
| + | (in 2004) of the University of Alberta Middle Eastern and North African Music | ||
| + | Ensemble, as well as the University of Alberta West African Music Ensemble (in | ||
| + | 1999).<span style="mso-spacerun: yes"> </span>Both ensembles perform | ||
| + | frequently in public in the Edmonton area, especially to support progressive | ||
| + | causes.<span style="mso-spacerun: yes"> </span>He also performs | ||
| + | “Third Stream” and world music inflected jazz on the piano, following studies | ||
| + | in the Third Stream program at the New England Conservatory of Music in Boston.<o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><a href="http://www.arts.ualberta.ca/~michaelf/CV.pdf">CV</a><o:p></o:p></span></p> | ||
| − | + | <p class=address style='margin-bottom:3.0pt'><span lang=EN style='color:black; | |
| + | mso-ansi-language:EN'><![if !supportEmptyParas]> <![endif]><o:p></o:p></span></p> | ||
| − | + | <h1 style='margin-bottom:3.0pt'><span lang=EN style='font-size:11.0pt; | |
| + | color:black;mso-ansi-language:EN'>Publications</span><span lang=EN | ||
| + | style='font-size:10.0pt;color:black;mso-ansi-language:EN'>: </span><span | ||
| + | lang=EN style='font-size:19.5pt;color:black;mso-ansi-language:EN'><b><o:p></o:p></b></span></h1> | ||
| − | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | |
| + | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol; | ||
| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'>Papers and books:<o:p></o:p></span></p> | ||
| − | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“The sounds of Islamic | ||
| + | congregational prayer in mainstream Egyptian practice” (in process) <o:p></o:p></span></p> | ||
| − | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>Music and Media<span | ||
| + | style="mso-spacerun: yes"> </span>in Contemporary Egypt (edited | ||
| + | collection based on 2004 Cairo conference entitled “Music and Television in | ||
| + | Egypt”. In process.)<o:p></o:p></span></p> | ||
| − | Sufism, Ritual | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'><i>Sufism, Ritual and | ||
| + | Modernity in Egypt. Language Performance as an Adaptive Strategy</i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'> (book in process).<o:p></o:p></span></p> | ||
| − | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“The concept of Arabic Music”, | ||
| + | in <i>Introduction to the Arab World</i></span><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'> (University of Edinburgh Press “Introducing Ethnic | ||
| + | Studies” series) (to appear 2008)<o:p></o:p></span></p> | ||
| − | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“The Sounds of Islam”, in <i>The | ||
| + | Islamic World</i></span><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'> (Routledge "Worlds" series) (in process)<o:p></o:p></span></p> | ||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“Globalization and | ||
| + | re-localization of Sufi music in the West”, to appear as proceedings of | ||
| + | colloquium Global Networking and Locality: Sufis in the West (September 30 to | ||
| + | October 2, 2005), Universität Bremen, Germany<o:p></o:p></span></p> | ||
| − | [ | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'><span style="mso-spacerun: | ||
| + | yes"> </span>“The influence of interdisciplinary scholarship: theory and | ||
| + | method” (under review)<o:p></o:p></span></p> | ||
| − | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“Aesthetics, Mysticism, and | ||
| + | Creativity” (under review)<o:p></o:p></span></p> | ||
| − | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>Music, Nationalism, and the | ||
| + | development of Egypt's phonogram industry:<span style="mso-spacerun: | ||
| + | yes"> </span><br> | ||
| − | + | Muhammad Fawzy, Misrphon, and Sawt al-Qahira (SonoCairo) (under review)<o:p></o:p></span></p> | |
| − | [ | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; |
| − | + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | |
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“Qur’anic recitation and the | ||
| + | sonic contestation of Islam in contemporary Egypt ” to appear in <i>Music and | ||
| + | the Play of<span style="mso-spacerun: yes"> </span>Power in the Middle | ||
| + | East</i></span><span lang=EN style='color:black;mso-ansi-language:EN'> | ||
| + | (Ashgate, to appear 2007)<o:p></o:p></span></p> | ||
| − | [ | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a | ||
| + | href="Spiritual%20Kinship%20and%20Globalization.pdf">Spiritual Kinship and | ||
| + | Globalization</a></u>”, in <i>Religious Studies and Theology</i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'> v. 22 #1 (2003)<o:p></o:p></span></p> | ||
| − | [http://www. | + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; |
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a | ||
| + | href="Authorship%20in%20Sufi%20poetry.pdf">Authorship in Sufi Poetry</a></u>”, | ||
| + | in <i>Alif: Journal of Comparative Poetics</i></span><span lang=EN | ||
| + | style='color:black;mso-ansi-language:EN'>, #23: Intersections: Literature and | ||
| + | the Sacred (2003)<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a | ||
| + | href="Some%20Meanings%20of%20the%20Spanish%20Tinge.pdf">Some Meanings of the | ||
| + | Spanish Tinge in Contemporary Egyptian music</a></u>”, in Mediterranean Mosaic, | ||
| + | edited by Goffredo Plastino (in the series entitled Perspectives on Global Pop, | ||
| + | edited by Gage Averill; Routledge Publishing) (2002).<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“Musical transformations of | ||
| + | time”. Proceedings of the Eighth International Conference on Human Interface | ||
| + | Technology, the University of Aizu, Japan (2002).<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“<u>Changing modalities in the | ||
| + | globalization of Islamic saint veneration and mysticism:<span | ||
| + | style="mso-spacerun: yes"> </span>Sidi Ibrahim al-Dasuqi, Shaykh Muhammad | ||
| + | ‘Uthman al-Burhani, and their Sufi Orders</u>”. <a | ||
| + | href="Changing%20Modalities%20(I).pdf">Part I</a>.<span style="mso-spacerun: | ||
| + | yes"> </span><a href="Changing%20Modalities%20(II).pdf">Part II</a>. | ||
| + | Religious Studies and Theology, v. 20 nos. 1 & 2(2001).<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“<u><a | ||
| + | href="Tarab%20in%20the%20Mystic%20Sufi%20Chant%20of%20Egypt.pdf">Tarab in the | ||
| + | Mystic Sufi Chant of </a><a href="Tarab%20in%20the%20Mystic%20Sufi%20Chant%20of%20Egypt.rtf">Egypt | ||
| + | </a></u>”.<span style="mso-spacerun: yes"> </span>In:<span | ||
| + | style="mso-spacerun: yes"> </span><i>Colors of Enchantment:<span | ||
| + | style="mso-spacerun: yes"> </span>Visual and Performing Arts of the | ||
| + | Middle East</i></span><span lang=EN style='color:black;mso-ansi-language:EN'> , | ||
| + | edited by Sherifa Zuhur.<span style="mso-spacerun: yes"> </span>American | ||
| + | University in Cairo Press, 2001.<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'><u><a | ||
| + | href="http://fp.arizona.edu/mesassoc/Bulletin/34-2/34-2%20Frishkopf.htm">“Inshad | ||
| + | Dini and Aghani Diniyya in 20<span style='color:black'><sup>th</sup> c </span></a><a | ||
| + | href="http://fp.arizona.edu/mesassoc/Bulletin/34-2/34-2%20Frishkopf.htm">Egypt | ||
| + | :<span style="mso-spacerun: yes"> </span>a review of styles, genres, and | ||
| + | available recordings”.</a></u><span style="mso-spacerun: yes"> | ||
| + | </span>Bulletin of the Middle East Studies Association, Winter 2001.<span | ||
| + | style="mso-spacerun: yes"> </span>(Arabic translation:<span | ||
| + | style="mso-spacerun: yes"> </span><i>Wijhat Nazar</i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'> (Viewpoints), #35, vol. #3, | ||
| + | December 2001, under the title:<span style="mso-spacerun: yes"> | ||
| + | |||
| + | </span>“al-inshad al-dini wa al-aghani al-diniyya fi masr al-qarn al-‘ishrin”, | ||
| + | pp. 68-72.<span style="mso-spacerun: yes"> </span>Cairo : Egyptian | ||
| + | Company for Arab and International Publication.)<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“Shaykh Yasin al-Tuhami:<span | ||
| + | style="mso-spacerun: yes"> </span>A typical <i>layla</i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'> performance”, Garland | ||
| + | Encyclopedia of World Music, vol. 6 (2002). <o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in'><![if !supportLists]><span lang=EN style='font-family:Symbol; | ||
| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | |||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'>“al-Inshad al-Dini (Islamic religious singing) in Egypt ”, Garland | ||
| + | Encyclopedia of World Music, vol. 6 (2002). <o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>“The Magic of the Sufi | ||
| + | Inshad:<span style="mso-spacerun: yes"> </span>Sheikh Yasin al-Tuhami” | ||
| + | (compact disc liner notes).<span style="mso-spacerun: yes"> | ||
| + | </span>Paris:<span style="mso-spacerun: yes"> </span>Long Distance, Real | ||
| + | World Works, 1998. <o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in'><![if !supportLists]><span lang=EN style='font-family:Symbol; | ||
| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'>(with Mina Rad) “Shaykh Yasin al-Tuhami.<span style="mso-spacerun: | ||
| + | yes"> </span>Un monument incontournable”, <i>Le Monde de la musique, </i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>supplément:<span | ||
| + | style="mso-spacerun: yes"> </span><i>Le festival d’automne célèbre | ||
| + | l’année France-Egypte </i></span><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'>213,5. <o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol; | ||
| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><b>Reviews:</b></span><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'> <o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>Review of Music<span | ||
| + | style="mso-spacerun: yes"> </span>of Makran:<span style="mso-spacerun: | ||
| + | yes"> </span>traditional fusion from coastal Balochistan. In <i>Asian | ||
| + | Music</i></span><span lang=EN style='color:black;mso-ansi-language:EN'>.<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>The Yemen Tihama: trance & | ||
| + | dance music from the Red Sea coast of Arabia , International Music Collection | ||
| + | of the British <i>Library</i></span><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'> National Sound Archive.<span style="mso-spacerun: | ||
| + | yes"> </span>Topic World Series, Topic Records Ltd. TSCD920. (CD review). | ||
| + | In <i>Asian Music</i></span><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'>.<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>(1) Soufis <i>d'algerie</i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>: Mostaganem/Algeria: The | ||
| + | Sufis of Mostaganem.<span style="mso-spacerun: yes"> </span>2003. Prophet | ||
| + | Collection 31. Philips 472 503-2; (2) Chant <i>soufi</i></span><span lang=EN | ||
| + | style='color:black;mso-ansi-language:EN'> de Syrie: Dhikr Qadiri Khalwati de la | ||
| + | Zawiya Hilaliya, Alep /Sufi chanting from Syria : Dhikr Qadiri Khalwati of the | ||
| + | Zawiya Hilaliya, Aleppo .<span style="mso-spacerun: yes"> | ||
| + | |||
| + | </span>2002.<span style="mso-spacerun: yes"> </span>Maison des Cultures | ||
| + | du Monde, Inedit W 260109. (3)<span style="mso-spacerun: yes"> | ||
| + | </span>Maroc: L'art du sama' a Fes/Morocco: The Art of Sama' in Fez . 2002. | ||
| + | Disques VDE-GALLO, VDE CD-1104.<span style="mso-spacerun: yes"> | ||
| + | </span>(CD reviews).<span style="mso-spacerun: yes"> </span>In<i> | ||
| + | Yearbook of the International Council for Traditional Music</i></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>.<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:.5in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> </span></span><![endif]><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'>Review of <i>Asmahan’s | ||
| + | Secrets: Woman, War, and Song</i></span><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'> (No. 13 in the Middle East Monograph Series ( | ||
| + | Austin:<span style="mso-spacerun: yes"> </span>UT Center for Middle | ||
| + | Eastern Studies, 2000), by Sherifa Zuhur), <i>International Journal of Middle | ||
| + | East Studies </i></span><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'>(fall 2002).<o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:0in;tab-stops:.25in list .5in'><![if !supportLists]><span lang=EN | ||
| + | style='font-family:Symbol;color:black;mso-ansi-language:EN'>·<span | ||
| + | style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'> <o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol; | ||
| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><b>Dissertation: </b></span><span lang=EN style='color:black; | ||
| + | mso-ansi-language:EN'><o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
| + | margin-left:0in'><![if !supportLists]><span lang=EN style='font-family:Symbol; | ||
| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a href="Dissertation%20abstract.htm">Sufism, Ritual, and Modernity in | ||
| + | Egypt: Language Performance as an Adaptive Strategy</a></u><o:p></o:p></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
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| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'> <o:p></o:p></span></p> | ||
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| + | mso-ansi-language:EN'><b>Local links:</b></span><span lang=EN style='font-size: | ||
| + | 12.0pt;color:black;mso-ansi-language:EN'><o:p></o:p></span></p> | ||
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| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'> <u><o:p></o:p></u></span></p> | ||
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| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a href="http://www.ualberta.ca/ETHNOMUSICOLOGY/">Canadian Centre for | ||
| + | Ethnomusicology</a><o:p></o:p></u></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
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| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
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| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a href="http://www.ualberta.ca/folkwaysalive">FolkwaysAlive</a><o:p></o:p></u></span></p> | ||
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| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a | ||
| + | href="http://folkways.tapor.ualberta.ca/mediawiki/index.php?title=Main_Page">FolkwaysAlive | ||
| + | wiki</a><o:p></o:p></u></span></p> | ||
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| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a href="SAMR.htm">Society for Arab Music Research (SAMR - <span | ||
| + | style='font-size:12.0pt;font-family:"Times New Roman";color:black'>سامر</span><span | ||
| + | style='font-size:12.0pt;color:black'>)</span></a><o:p></o:p></u></span></p> | ||
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| + | EN'><u><a | ||
| + | href="http://folkways.tapor.ualberta.ca/mediawiki/index.php?title=Society_for_Arab_Music_Research_%28SAMR%29">SAMR | ||
| + | wiki</a><o:p></o:p></u></span></p> | ||
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| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a href="ethno-videos.htm">Documentary videos for teaching | ||
| + | ethnomusicology</a><o:p></o:p></u></span></p> | ||
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| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
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| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a | ||
| + | href="http://folkways.tapor.ualberta.ca/mediawiki/index.php?title=Documentary_videos_for_teaaching_ethnomusicology">Documentary | ||
| + | videos for teaching ethnomusicology wiki</a><o:p></o:p></u></span></p> | ||
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| + | color:black;mso-ansi-language:EN'>·<span style='font:7.0pt "Times New Roman"'> | ||
| + | |||
| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u><a href="acoustics-notes.htm">On musical acoustics and drumming</a><o:p></o:p></u></span></p> | ||
| + | |||
| + | <p class=achievement style='margin-top:0in;margin-right:0in;margin-bottom:3.0pt; | ||
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| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><u> <o:p></o:p></u></span></p> | ||
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| + | </span></span><![endif]><span lang=EN style='color:black;mso-ansi-language: | ||
| + | EN'><b>ARCE conference, May 19-20 2004: Music and Television in Egypt</b></span><span | ||
| + | lang=EN style='color:black;mso-ansi-language:EN'><o:p></o:p></span></p> | ||
| + | |||
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| + | lang=EN style='color:black;mso-ansi-language:EN'><u><a | ||
| + | href="ARCE-conf-2004.htm">Call for papers</a></u><o:p></o:p></span></p> | ||
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Revision as of 18:25, 12 February 2007
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<head> <meta name=Title content="Michael Frishkopf"> <meta name=Keywords content="ethnomusicology arab music islam sufism"> <meta http-equiv=Content-Type content="text/html; charset=windows-1252"> <meta name=ProgId content=Word.Document> <meta name=Generator content="Microsoft Word 11"> <meta name=Originator content="Microsoft Word 11"> <link rel=File-List href="index_files/filelist.xml"> <title>Michael Frishkopf</title> <style> </style> </head>
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<a href="mailto:michaelf@ualberta.ca">Michael Frishkopf </a><o:p></o:p>
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Associate Director, Canadian Centre for Ethnomusicology (<a href="http://www.ualberta.ca/ETHNOMUSICOLOGY/"> www.ualberta.ca/ETHNOMUSICOLOGY/</a>)<o:p></o:p>
Associate Director for Multimedia, FolkwaysAlive! (<a href="http://www.ualberta.ca/FolkwaysAlive"> www.ualberta.ca/FolkwaysAlive</a>)<o:p></o:p>
Associate Professor, Department of Music (<a href="http://www.uofaweb.ualberta.ca/music"> www.uofaweb.ualberta.ca/music</a>)<o:p></o:p>
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Mail address:
Michael Frishkopf, Department of Music, Faculty of Arts, University of Alberta
3-82 Fine Arts Building, Edmonton, AB CANADA T6G 2C9<o:p></o:p>
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Office: 3-67 FAB, tel: (780) 492-0670, or 3-47 Arts, tel: (780) 492-0225; <o:p></o:p>
Electronic: michaelf@ualberta.ca; <a href="http://www.arts.ualberta.ca/~michaelf/">http://www.arts.ualberta.ca/~michaelf/</a><o:p></o:p>
Music Department: tel: (780) 492-3263; fax: (780) 492-9246<o:p></o:p>
FolkwaysAlive: fax (780) 492-0242<o:p></o:p>
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After silence, that which comes nearest to expressing the inexpressible is music. (Aldous Huxley)<o:p></o:p>
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Michael Frishkopf, Associate Professor of Music at the University of Alberta, is a graduate of Yale College (BS Mathematics, 1984), Tufts University (MA Ethnomusicology, 1989), and the University of California, Los Angeles (Ph.D. Music, 1999). Dr. Frishkopf’s current ethnomusicological research interests include ; Sufism and music; the music industry in the Arab world; Arab music theory; Islamic ritual performance; music and religion of West Africa; the sociology of musical taste; and distributed digital archiving. <o:p></o:p>
He has received numerous fellowships supporting his research, including grants from Fulbright, the American Research Center in Egypt, the Social Science Research Council, the Woodrow Wilson National Fellowship Foundation, the Killam Foundation (Canada), the National Endowment for the Humanities, and the Social Science and Humanities Research Council of Canada, supporting his extensive fieldwork in Egypt.<o:p></o:p>
In performance, Michael specializes in the nay (Middle Eastern reed flute), and also performs the song-drum-dance traditions of Ghana. He is the founder (in 2004) of the University of Alberta Middle Eastern and North African Music Ensemble, as well as the University of Alberta West African Music Ensemble (in 1999). Both ensembles perform frequently in public in the Edmonton area, especially to support progressive causes. He also performs “Third Stream” and world music inflected jazz on the piano, following studies in the Third Stream program at the New England Conservatory of Music in Boston.<o:p></o:p>
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<a href="http://www.arts.ualberta.ca/~michaelf/CV.pdf">CV</a><o:p></o:p>
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Publications: <o:p></o:p>
<![if !supportLists]>· <![endif]>Papers and books:<o:p></o:p>
<![if !supportLists]>· <![endif]>“The sounds of Islamic congregational prayer in mainstream Egyptian practice” (in process) <o:p></o:p>
<![if !supportLists]>· <![endif]>Music and Media in Contemporary Egypt (edited collection based on 2004 Cairo conference entitled “Music and Television in Egypt”. In process.)<o:p></o:p>
<![if !supportLists]>· <![endif]>Sufism, Ritual and Modernity in Egypt. Language Performance as an Adaptive Strategy (book in process).<o:p></o:p>
<![if !supportLists]>· <![endif]>“The concept of Arabic Music”, in Introduction to the Arab World (University of Edinburgh Press “Introducing Ethnic Studies” series) (to appear 2008)<o:p></o:p>
<![if !supportLists]>· <![endif]>“The Sounds of Islam”, in The Islamic World (Routledge "Worlds" series) (in process)<o:p></o:p>
<![if !supportLists]>· <![endif]>“Globalization and re-localization of Sufi music in the West”, to appear as proceedings of colloquium Global Networking and Locality: Sufis in the West (September 30 to October 2, 2005), Universität Bremen, Germany<o:p></o:p>
<![if !supportLists]>· <![endif]> “The influence of interdisciplinary scholarship: theory and method” (under review)<o:p></o:p>
<![if !supportLists]>· <![endif]>“Aesthetics, Mysticism, and Creativity” (under review)<o:p></o:p>
<![if !supportLists]>· <![endif]>Music, Nationalism, and the
development of Egypt's phonogram industry:
Muhammad Fawzy, Misrphon, and Sawt al-Qahira (SonoCairo) (under review)<o:p></o:p>
<![if !supportLists]>· <![endif]>“Qur’anic recitation and the sonic contestation of Islam in contemporary Egypt ” to appear in Music and the Play of Power in the Middle East (Ashgate, to appear 2007)<o:p></o:p>
<![if !supportLists]>· <![endif]>“<a href="Spiritual%20Kinship%20and%20Globalization.pdf">Spiritual Kinship and Globalization</a>”, in Religious Studies and Theology v. 22 #1 (2003)<o:p></o:p>
<![if !supportLists]>· <![endif]>“<a href="Authorship%20in%20Sufi%20poetry.pdf">Authorship in Sufi Poetry</a>”, in Alif: Journal of Comparative Poetics, #23: Intersections: Literature and the Sacred (2003)<o:p></o:p>
<![if !supportLists]>· <![endif]>“<a href="Some%20Meanings%20of%20the%20Spanish%20Tinge.pdf">Some Meanings of the Spanish Tinge in Contemporary Egyptian music</a>”, in Mediterranean Mosaic, edited by Goffredo Plastino (in the series entitled Perspectives on Global Pop, edited by Gage Averill; Routledge Publishing) (2002).<o:p></o:p>
<![if !supportLists]>· <![endif]>“Musical transformations of time”. Proceedings of the Eighth International Conference on Human Interface Technology, the University of Aizu, Japan (2002).<o:p></o:p>
<![if !supportLists]>· <![endif]>“Changing modalities in the globalization of Islamic saint veneration and mysticism: Sidi Ibrahim al-Dasuqi, Shaykh Muhammad ‘Uthman al-Burhani, and their Sufi Orders”. <a href="Changing%20Modalities%20(I).pdf">Part I</a>. <a href="Changing%20Modalities%20(II).pdf">Part II</a>. Religious Studies and Theology, v. 20 nos. 1 & 2(2001).<o:p></o:p>
<![if !supportLists]>· <![endif]>“<a href="Tarab%20in%20the%20Mystic%20Sufi%20Chant%20of%20Egypt.pdf">Tarab in the Mystic Sufi Chant of </a><a href="Tarab%20in%20the%20Mystic%20Sufi%20Chant%20of%20Egypt.rtf">Egypt </a>”. In: Colors of Enchantment: Visual and Performing Arts of the Middle East , edited by Sherifa Zuhur. American University in Cairo Press, 2001.<o:p></o:p>
<![if !supportLists]>· <![endif]><a
href="http://fp.arizona.edu/mesassoc/Bulletin/34-2/34-2%20Frishkopf.htm">“Inshad
Dini and Aghani Diniyya in 20th c </a><a
href="http://fp.arizona.edu/mesassoc/Bulletin/34-2/34-2%20Frishkopf.htm">Egypt
available recordings”.</a>
Bulletin of the Middle East Studies Association, Winter 2001. (Arabic translation: Wijhat Nazar (Viewpoints), #35, vol. #3,
December 2001, under the title:
“al-inshad al-dini wa al-aghani al-diniyya fi masr al-qarn al-‘ishrin”,
pp. 68-72. Cairo : Egyptian
Company for Arab and International Publication.)<o:p></o:p>
<![if !supportLists]>· <![endif]>“Shaykh Yasin al-Tuhami: A typical layla performance”, Garland Encyclopedia of World Music, vol. 6 (2002). <o:p></o:p>
<![if !supportLists]>· <![endif]>“al-Inshad al-Dini (Islamic religious singing) in Egypt ”, Garland Encyclopedia of World Music, vol. 6 (2002). <o:p></o:p>
<![if !supportLists]>· <![endif]>“The Magic of the Sufi Inshad: Sheikh Yasin al-Tuhami” (compact disc liner notes). Paris: Long Distance, Real World Works, 1998. <o:p></o:p>
<![if !supportLists]>· <![endif]>(with Mina Rad) “Shaykh Yasin al-Tuhami. Un monument incontournable”, Le Monde de la musique, supplément: Le festival d’automne célèbre l’année France-Egypte 213,5. <o:p></o:p>
<![if !supportLists]>· <![endif]>Reviews: <o:p></o:p>
<![if !supportLists]>· <![endif]>Review of Music of Makran: traditional fusion from coastal Balochistan. In Asian Music.<o:p></o:p>
<![if !supportLists]>· <![endif]>The Yemen Tihama: trance & dance music from the Red Sea coast of Arabia , International Music Collection of the British Library National Sound Archive. Topic World Series, Topic Records Ltd. TSCD920. (CD review). In Asian Music.<o:p></o:p>
<![if !supportLists]>· <![endif]>(1) Soufis d'algerie: Mostaganem/Algeria: The Sufis of Mostaganem. 2003. Prophet Collection 31. Philips 472 503-2; (2) Chant soufi de Syrie: Dhikr Qadiri Khalwati de la Zawiya Hilaliya, Alep /Sufi chanting from Syria : Dhikr Qadiri Khalwati of the Zawiya Hilaliya, Aleppo . 2002. Maison des Cultures du Monde, Inedit W 260109. (3) Maroc: L'art du sama' a Fes/Morocco: The Art of Sama' in Fez . 2002. Disques VDE-GALLO, VDE CD-1104. (CD reviews). In Yearbook of the International Council for Traditional Music.<o:p></o:p>
<![if !supportLists]>· <![endif]>Review of Asmahan’s Secrets: Woman, War, and Song (No. 13 in the Middle East Monograph Series ( Austin: UT Center for Middle Eastern Studies, 2000), by Sherifa Zuhur), International Journal of Middle East Studies (fall 2002).<o:p></o:p>
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<![if !supportLists]>· <![endif]>Dissertation: <o:p></o:p>
<![if !supportLists]>· <![endif]><a href="Dissertation%20abstract.htm">Sufism, Ritual, and Modernity in Egypt: Language Performance as an Adaptive Strategy</a><o:p></o:p>
<![if !supportLists]>· <![endif]> <o:p></o:p>
<![if !supportLists]>· <![endif]>Local links:<o:p></o:p>
<![if !supportLists]>· <![endif]> <o:p></o:p>
<![if !supportLists]>· <![endif]><a href="http://www.ualberta.ca/ETHNOMUSICOLOGY/">Canadian Centre for Ethnomusicology</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="http://www.ualberta.ca/folkwaysalive">FolkwaysAlive</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="http://folkways.tapor.ualberta.ca/mediawiki/index.php?title=Main_Page">FolkwaysAlive wiki</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="SAMR.htm">Society for Arab Music Research (SAMR - سامر)</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="http://folkways.tapor.ualberta.ca/mediawiki/index.php?title=Society_for_Arab_Music_Research_%28SAMR%29">SAMR wiki</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="ethno-videos.htm">Documentary videos for teaching ethnomusicology</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="http://folkways.tapor.ualberta.ca/mediawiki/index.php?title=Documentary_videos_for_teaaching_ethnomusicology">Documentary videos for teaching ethnomusicology wiki</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="M.Fawzi.htm">Mohamed Fawzy Association</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="acoustics-notes.htm">On musical acoustics and drumming</a><o:p></o:p>
<![if !supportLists]>· <![endif]> <o:p></o:p>
<![if !supportLists]>· <![endif]>ARCE conference, May 19-20 2004: Music and Television in Egypt<o:p></o:p>
<![if !supportLists]>· <![endif]><a href="ARCE-conf-2004.htm">Call for papers</a><o:p></o:p>
<![if !supportLists]>· <![endif]><a href="ARCEprogram.doc">Conference program</a> (Word format)<o:p></o:p>
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