Michael Frishkopf

short URL for this page: http://bit.ly/mfwiki

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After silence, that which comes nearest to expressing the inexpressible is music. (Aldous Huxley)

Ethnomusicology is "the meaningful social practice of studying music as a meaningful social practice" (Frishkopf 2012).

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Dr. Michael Frishkopf
Associate Professor, Department of Music
Associate Director, Canadian Centre for Ethnomusicology (CCE)
Research Fellow, folkwaysAlive!

Mail: Michael Frishkopf, Department of Music, Faculty of Arts, University of Alberta, 3-82 Fine Arts Building, Edmonton, AB CANADA T6G 2C9
Office: 334D Old Arts Building
Tel: Skype: (617) 275-2589; office: (780) 492-0225. Music Dept: (780) 492-3263
Fax: Music Dept: (780) 492-9246. CCE (780) 492-0242
Web: http://bit.ly/mfwiki

Office hours: Wednesdays, 1 pm - 3:15 pm. Schedule an appointment.

Introduction

Michael Frishkopf, Associate Professor of Music at the University of Alberta, is an ethnomusicologist and composer. A graduate of Yale College (BS Mathematics, 1984), Tufts University (MA Ethnomusicology, 1989), and the University of California, Los Angeles (Ph.D. Music, 1999), Dr. Frishkopf’s ethnomusicological research interests include Sufi music; the Arab music industry; sound in Islamic ritual performance; music and religion; comparative music theory; the sociology of musical taste; social network analysis; (virtual [world) music], digital music repositories; music in West Africa; music of refugees (mainly Liberian refugees in the Buduburam refugee camp, Ghana); participatory action research; psychoacoustics and music cognition; music therapy as memory therapy...

His research combines various fields, including ethnomusicology, anthropology, Middle East studies, religious/Islamic studies, psychoacoustics, computer science, media studies, literary studies, music theory... He is a lifetime member of the Society for Ethnomusicology and the Middle East Studies Association of North America.

He has received numerous fellowships supporting his research, including grants from Fulbright, the American Research Center in Egypt, the Social Science Research Council, the Woodrow Wilson National Fellowship Foundation, the Killam Foundation (Canada), the National Endowment for the Humanities, and the Social Science and Humanities Research Council of Canada, supporting his extensive fieldwork in Egypt.

In performance, Michael specializes in the nay (Middle Eastern reed flute), and also performs the song-drum-dance traditions of Ghana. He is the founder (in 2004) of the University of Alberta Middle Eastern and North African Music Ensemble, as well as the University of Alberta West African Music Ensemble (in 1999). Both ensembles perform frequently in public in the Edmonton area, especially to support progressive causes. He also performs “Third Stream” and world music inflected jazz on the piano, following studies with Ran Blake and others in the Third Stream program at the New England Conservatory of Music in Boston.

Some current projects include:

• Sounds of Islam and Sufi ritual
• Music, Sound, and Architecture in Islam
• Cassette culture, music media, and the music industry in the Arab world
• [Virtual (world] music) - world music and ethnomusicology in cyberworlds
• Giving voice to hope: popular music towards sustainable development and peace (Liberia, Ghana...)
• Sustaining traditional musical culture in collaboration with local organizations (Egyptian music, Arab music, West African music)
• MuDoc: Music/Multimedia Documentation (digital repository)
• The transmission of musical taste in Canada
• Musical subgraphs of Twitter (social network analysis)
• Developing a computer-based system for microtonal ear training.

CV

Curriculum Vitae

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Publications

• "Music as debate: Social forces shaping the heterodoxy of Sufi performance in contemporary Egypt." To appear in Music, Culture and Identity in the Muslim World: Performance, Politics and Piety. Ed. Kamal Salhi. London: Routledge. (In press.)
• "Tradition and modernity: the globalization of Sufi Music in Egypt." To appear in Popular Culture in the Middle East and North Africa: A Postcolonial Outlook, edited by Walid El Hamamsy & Mounira Soliman. London: Routledge.
• "Prediction of dissimilarity judgments between tonal sequences using information theory"[1], in Proceeding HCCE '12: Proceedings of the 2012 Joint International Conference on Human-Centered Computer Environments, Pages 194-199, ACM New York, NY, USA ©2012
• “Ritual as strategic action: the social logic of musical silence in Canadian Islam”, in Muslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World, edited by Karin van Nieuwkerk. Austin: University of Texas Press, 2011
• Review of The Rough Guide to Sufi Music, Asian Music, Summer/Fall 2011.
• "Folkways in Wonderland: A Cyberworld Laboratory for Ethnomusicology"[2], (Rasika Ranaweera, Michael Frishkopf, and Michael Cohen), in Proceeding CW '11: Proceedings of the 2011 International Conference on Cyberworlds, Pages 106-112, IEEE Computer Society Washington, DC, USA ©2011
• “Technology, Change and the Music of Sufi Chanting in Egypt.”[3] Earle Waugh & Michael Frishkopf. Musica Humana 3(1), 2011
• Music and Media in the Arab World[4], edited & with an Introduction by Michael Frishkopf. Cairo: American University in Cairo Press (2010).
• "(virtual [world) music]: Virtual world, world music: Folkways in Wonderland" in Proceedings of the International Workshop on the Principles and Applications of Spatial Hearing, Zao, Miyagi, Japan, November 2009. (co-authored: Rasika Ranaweera, Michael Cohen, Nick Nagel, and Michael Frishkopf).
• "Mediated Qur’anic recitation and the contestation of Islam in contemporary Egypt"[5], in Music and the Play of Power in the Middle East. Ashgate, 2009.
• "Globalizing the soundworld - Islam and Sufi Music in the West", in Sufis in the West (Routledge, 2008)
• “Music”, in The Islamic World, edited by Andrew Rippin (Routledge "Worlds" series). New York: Routledge, 2008, pp. 510-526.
• "Music, Nationalism, and the development of Egypt's phonogram industry: Muhammad Fawzy, Misrphon, and Sawt al-Qahira" (SonoCairo) Asian Music, 2008.
• “‘Islamic Music in Africa’ as a tool for African Studies”, in Canadian Journal of African Studies, Vol. 42, #2/3, 2008, pp. 478-507.
• “Metadata Infrastructure for Sound Recordings", Proceedings of ISMIR 2007 (International Conference on Music Information Retrieval, September 23rd-27th 2007, Vienna, Austria). Co-author.
• Islamic Music, in New Encyclopedia of Africa, Charles Scribner's Sons, 2007, pp. 643-648.
• Music of Makran: traditional fusion from coastal Balochistan, in Asian Music, Summer/Fall 2006
• Sufi music review: (1) Soufis d'algerie: Mostaganem/Algeria: The Sufis of Mostaganem. 2003. Prophet Collection 31. Philips 472 503-2; (2) Chant soufi de Syrie: Dhikr Qadiri Khalwati de la Zawiya Hilaliya, Alep /Sufi chanting from Syria : Dhikr Qadiri Khalwati of the Zawiya Hilaliya, Aleppo . 2002. Maison des Cultures du Monde, Inedit W 260109. (3) Maroc: L'art du sama' a Fes/Morocco: The Art of Sama' in Fez . 2002. Disques VDE-GALLO, VDE CD-1104. (CD reviews). In Yearbook of the International Council for Traditional Music, 2003.
• Review of “The Yemen Tihama: trance & dance music from the Red Sea coast of Arabia” International Music Collection of the British Library National Sound Archive. Topic World Series, Topic Records Ltd. TSCD920. (CD review). Asian Music, Fall/Winter 2003/2004, XXXV:1.
• "Authorship in Sufi Poetry", in Alif: Journal of Comparative Poetics, #23: Intersections: Literature and the Sacred (2003)
• “Spiritual Kinship and Globalization”, in Religious Studies and Theology v. 22 #1, 2003
• "Some Meanings of the Spanish Tinge in Contemporary Egyptian music", in Mediterranean Mosaic, edited by Goffredo Plastino (in the series entitled Perspectives on Global Pop, edited by Gage Averill; Routledge Publishing) (2002).
• "Shaykh Yasin al-Tuhami: A typical layla performance", Garland Encyclopedia of World Music, vol. 6 (2002).
• Musical transformations of time, in "Eighth International Conference on Human Interface Technology", March 14-20, 2002, Aizu University, Japan.
• "al-Inshad al-Dini (Islamic religious singing) in Egypt", Garland Encyclopedia of World Music, vol. 6 (2002).
• Review of Asmahan’s Secrets: Woman, War, and Song (No. 13 in the Middle East Monograph Series ( Austin: UT Center for Middle Eastern Studies, 2000), by Sherifa Zuhur), International Journal of Middle East Studies (fall 2002). Arabic version in Weghat Nazar.
• "Inshad Dini and Aghani Diniyya in 20th c Egypt : a review of styles, genres, and available recordings", Bulletin of the Middle East Studies Association, Winter 2001. (Arabic translation: Wijhat Nazar (Viewpoints), #35, vol. #3, December 2001, under the title: “al-inshad al-dini wa al-aghani al-diniyya fi masr al-qarn al-‘ishrin”, pp. 68-72. Cairo : Egyptian Company for Arab and International Publication.)[6]
• "Changing modalities in the globalization of Islamic saint veneration and mysticism: Sidi Ibrahim al-Dasuqi, Shaykh Muhammad ‘Uthman al-Burhani, and their Sufi Orders". Religious Studies and Theology, v. 20 nos. 1 & 2(2001).
• "Tarab in the Mystic Sufi Chant of Egypt", in: Colors of Enchantment: Visual and Performing Arts of the Middle East, edited by Sherifa Zuhur. American University in Cairo Press, 2001.
• The Magic of the Sufi Inshad: Sheikh Yasin al-Tuhami (compact disc liner notes). Paris: Long Distance, Real World Works, 1998

Theses

• Sufism, Ritual, and Modernity in Egypt: Language Performance as an Adaptive Strategy (UCLA dissertation, 1999; available fulltext via UMI)
• The Character of Ewe Performance (Tufts University MA Thesis, 1989)

Collaborative outreach and action research

• Giving Voice to Hope: popular music towards sustainable development and peace
  • CD project
  • documentary video project
  • Sustainable Peacebuilding through Popular Music, York University 2010
  • Capturing the sound of hope[7]
  • The color of hope
  • Liberia: Refugees Produce CD of Music With Canadian University (Allafrica)
  • Influence of music in foreign conflicts (The Daily Orange, Syracuse University)
  • Cultural Dimensions of the UN’s “Responsibility to Protect” Norm
• Sustaining traditional musical culture
  • Collaboration with traditional Ghanaian musicians on Kinka: Traditional songs of Avenorpedo, to sustain and develop traditional music
  • Collaboration with El Mastaba Center for Egyptian Folk Music, Cairo, to preserve, archive, document and develop Egyptian music
  • Collaboration with Egyptian Center for Culture and Art, Cairo: To encourage the diversity, specificity and vibrancy of Egypt's cultural scene
  • Collaboration with AMAR (Foundation for Arab Music Archiving and Research), Beirut (member of the board of directors): to preserve and disseminate archival recordings of traditional Arab music from the early 20th century
• World music presentations to local Edmonton schools
• Local community outreach through performance U of A Senate to celebrate campus volunteers

Multimedia projects

Documentary film

• Shadow and Music in Buduburam. Collaborative documentary video on refugee music producer. Produced with support from the President’s Fund for the Performing and Creative Arts, in collaboration with musicians of the Buduburam refugee camp.
• Songs of the New Arab Revolutions: A collaborative documentary film by members of the Society for Arab Music Research and members of the Facebook group Songs of the New Arab Revolutions [scheduled for presentation fall, 2012]
• Videographer for Celebrating the Prophet in the Remembrance of God: Sufi Dhikr in Egypt, an educational video produced by Dr. Valerie Hoffman, Professor in the Program for the Study of Religion, University of Illinois, 1997.

Virtual Museum

Virtual Museum of Canadian Traditional Music

Technology

• FiW (folkways in Wonderland): [cyber(world]music). An immersive collaborative virtual environment for browsing world music and doing ethnomusicology. Constructed in collaboration with colleagues in computer science at the University of Aizu, Japan, and in partnership with Smithsonian Folkways, with support from folkwaysAlive!
• MuDoc (Music/Multimedia Documentation) peer-reviewed federated world music web digital repository. Designed digitial repository for music multimedia (text, score, audio, video), supported by funding from Sun Microsystems and the University of Alberta.
  • Website will enhance Folkways collection
  • FolkwaysAlive interactive centre honours ‘sounds of the people'
• biofeedback microtonal ear training... (in progress)

Digital media

• Music and Architecture in Islam (website and film, in progress...)
• Musical change in a West African Village
• Producer and writer for cassette/CD recording: Giving Voice to Hope: Music of Liberian Refugees. Audio CD with 28 page descriptive booklet (2009), documenting music produced by musicians living in the Buduburam refugee camp in Ghana. Since 1990s this camp has sheltered refugees from conflict in nearby Liberia. Production is designed to raise public awareness about the camp, while returning profits to its participating NGOs and artists. (http://bit.ly/buducd)
• Kinka: Traditional songs from Avenorpedo. Producer of cassette, audio CD and website (http://kinkadrum.org), and author of accompanying 40 page booklet (November 2010), based on MA thesis (1989).
• Principal Investigator and project director, VMCTM: Virtual Museum of Canadian Traditional Music. Sponsored by Virtual Museum Canada and the Canadian Heritage Information Network. (funded by Canadian Heritage Information Network).
• SonoCairo searchable web 2.0 catalog. Database listing several thousand recordings produced by Egyptian state recording company (SonoCairo) from 1962 to present, based on Egypt research 2003-04 (in development)

Educational programs

• West African Music, Dance, Language, and Culture: summer program in Ghana (initiated in 2007)
• Studies in Ethnomusicology and World Music at the University of Alberta
• Courses taught at the University of Alberta:
  • Middle Eastern and North African Music Ensemble (founder, 2004; director 2004-2012)
  • West African Music Ensemble (founder, 1999; director 1999-2003)
  • Music and Religion
  • Music and Religion in Africa (665)
  • Arab and African Music (365)
  • Ethnomusicology of the Arab World
  • Music culture as a social network
  • Field methods in ethnomusicology
  • Music and Islam

Musical composition and improvisation

• Helen's Necklace
• Spacings
• BaAka Soundings
• e-Dhikr

(Notes on the above compositions)

• al-Kurd

Nay improvisations...

• Nay 1 (Edmonton Sound Sessions)
• Nay 2 (Edmonton Sound Sessions)

Event production

(random sample)

• The Music of Rumi
• Trio Tarana
• Master of Islamic vocal arts to perform on campus
• Annual World Music Sampler, 2005 to present

In the media...

Sufism and the Moulid (Afropop worldwide)

Koranic Recitation (Afropop worldwide)

Influence of music in foreign conflicts (The Daily Orange, Syracuse University)

Thus Spake the Reed Flute (al-Ahram Weekly)

Liberia: Refugees Produce CD of Music With Canadian University (Allafrica)

Célébrer tout en musique (CBC)

Salsa de Arabia (World Changing)

University of Alberta composers