Difference between revisions of "Michael Frishkopf"

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(Articles, proceedings, chapters, reviews, book)
(Articles, proceedings, chapters, reviews, book)
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* [http://bit.ly/mmaw ''Music and Media in the Arab World''][http://books.google.ca/books?id=KANOAYzkhA8C&printsec=frontcover&dq=music+and+media&hl=en&sa=X&ei=T52_T7ejCeGIiAKVr7HeBw&ved=0CEwQ6AEwBQ#v=onepage&q=music%20and%20media&f=false], edited  & with an [http://www.fwalive.ualberta.ca/~michaelf/MusicAndMediaIntro(Frishkopf).pdf Introduction] by Michael Frishkopf. Cairo: American University in Cairo Press (2010).
 
* [http://bit.ly/mmaw ''Music and Media in the Arab World''][http://books.google.ca/books?id=KANOAYzkhA8C&printsec=frontcover&dq=music+and+media&hl=en&sa=X&ei=T52_T7ejCeGIiAKVr7HeBw&ved=0CEwQ6AEwBQ#v=onepage&q=music%20and%20media&f=false], edited  & with an [http://www.fwalive.ualberta.ca/~michaelf/MusicAndMediaIntro(Frishkopf).pdf Introduction] by Michael Frishkopf. Cairo: American University in Cairo Press (2010).
 
* [http://dl.acm.org/citation.cfm?id=1994486.1994489&coll=DL&dl=GUIDE&CFID=83299025&CFTOKEN=71346931 "MuDoc (Multimedia/Music Documentation): a dynamic digital multimedia archive for world music"], in ''Proceeding HC '10, Proceedings of the 13th International Conference on Humans and Computers'' (2010)
 
* [http://dl.acm.org/citation.cfm?id=1994486.1994489&coll=DL&dl=GUIDE&CFID=83299025&CFTOKEN=71346931 "MuDoc (Multimedia/Music Documentation): a dynamic digital multimedia archive for world music"], in ''Proceeding HC '10, Proceedings of the 13th International Conference on Humans and Computers'' (2010)
* [http://www.fwalive.ualberta.ca/~michaelf/IWPASH.pdf“(virtual [world) music]: Virtual world, world music: Folkways in Wonderland"] in ''Proceedings of the International Workshop on the Principles and Applications of Spatial Hearing'', Zao, Miyagi, Japan, November 2009. (co-authored:  Rasika Ranaweera, Michael Cohen, Nick Nagel, and Michael Frishkopf).
+
* [http://www.fwalive.ualberta.ca/~michaelf/IWPASH.pdf“ (virtual [world) music]]: Virtual world, world music: Folkways in Wonderland"] in ''Proceedings of the International Workshop on the Principles and Applications of Spatial Hearing'', Zao, Miyagi, Japan, November 2009. (co-authored:  Rasika Ranaweera, Michael Cohen, Nick Nagel, and Michael Frishkopf).
 
* [http://www.fwalive.ualberta.ca/~michaelf/Mediated_Quranic_recitation_offprint.pdf "Mediated Qur’anic recitation and the contestation of Islam in contemporary Egypt"][http://books.google.ca/books?id=gAR15vJcC6wC&printsec=frontcover&dq=music+and+the+play+of+power&hl=en&sa=X&ei=zp2_T5HmCcmgiQLO7_SBCA&ved=0CD0Q6AEwAA#v=onepage&q=music%20and%20the%20play%20of%20power&f=false], in ''Music and the Play of  Power in the Middle East''. Ashgate, 2009.
 
* [http://www.fwalive.ualberta.ca/~michaelf/Mediated_Quranic_recitation_offprint.pdf "Mediated Qur’anic recitation and the contestation of Islam in contemporary Egypt"][http://books.google.ca/books?id=gAR15vJcC6wC&printsec=frontcover&dq=music+and+the+play+of+power&hl=en&sa=X&ei=zp2_T5HmCcmgiQLO7_SBCA&ved=0CD0Q6AEwAA#v=onepage&q=music%20and%20the%20play%20of%20power&f=false], in ''Music and the Play of  Power in the Middle East''. Ashgate, 2009.
 
* [http://www.fwalive.ualberta.ca/~michaelf/Globalizing%20the%20soundworld%20-%20Islam%20and%20Sufi%20Music%20in%20the%20West.pdf "Globalizing the soundworld - Islam and Sufi Music in the West"], in ''Sufis in the West'' (Routledge, 2008)
 
* [http://www.fwalive.ualberta.ca/~michaelf/Globalizing%20the%20soundworld%20-%20Islam%20and%20Sufi%20Music%20in%20the%20West.pdf "Globalizing the soundworld - Islam and Sufi Music in the West"], in ''Sufis in the West'' (Routledge, 2008)

Revision as of 16:32, 25 May 2012


After silence, that which comes nearest to expressing the inexpressible is music. (Aldous Huxley)

Ethnomusicology is "the meaningful social practice of studying music as a meaningful social practice" (Frishkopf 2012).




short URL for this page: http://bit.ly/mfwiki


Dr. Michael Frishkopf
Associate Professor, Department of Music
Associate Director, Canadian Centre for Ethnomusicology (CCE)
Research Fellow, folkwaysAlive!

Mail: Michael Frishkopf, Department of Music, Faculty of Arts, University of Alberta, 3-82 Fine Arts Building, Edmonton, AB CANADA T6G 2C9
Office: 334D Old Arts Building
Tel: Skype: (617) 275-2589; office: (780) 492-0225. Music Dept: (780) 492-3263
Fax: Music Dept: (780) 492-9246. CCE (780) 492-0242
Web: http://bit.ly/mfwiki

Office hours: Wednesdays, 1 pm - 3:15 pm. Schedule an appointment.

Info

Michael Frishkopf, Associate Professor of Music at the University of Alberta, is an ethnomusicologist and composer. A graduate of Yale College (BS Mathematics, 1984), Tufts University (MA Ethnomusicology, 1989), and the University of California, Los Angeles (Ph.D. Music, 1999), Dr. Frishkopf’s ethnomusicological research interests include Sufi music; the Arab music industry; sound in Islamic ritual performance; music and religion; comparative music theory; the sociology of musical taste; social network analysis; (virtual [world) music], digital music repositories; music in West Africa; music of refugees (mainly Liberian refugees in the Buduburam refugee camp, Ghana); participatory action research; psychoacoustics and music cognition; music therapy as memory therapy...

His research combines various fields, including ethnomusicology, anthropology, Middle East studies, religious/Islamic studies, psychoacoustics, computer science, media studies, literary studies, music theory... He is a lifetime member of the Society for Ethnomusicology and the Middle East Studies Association of North America.

He has received numerous fellowships supporting his research, including grants from Fulbright, the American Research Center in Egypt, the Social Science Research Council, the Woodrow Wilson National Fellowship Foundation, the Killam Foundation (Canada), the National Endowment for the Humanities, and the Social Science and Humanities Research Council of Canada, supporting his extensive fieldwork in Egypt.

In performance, Michael specializes in the nay (Middle Eastern reed flute), and also performs the song-drum-dance traditions of Ghana. He is the founder (in 2004) of the University of Alberta Middle Eastern and North African Music Ensemble, as well as the University of Alberta West African Music Ensemble (in 1999). Both ensembles perform frequently in public in the Edmonton area, especially to support progressive causes. He also performs “Third Stream” and world music inflected jazz on the piano, following studies with Ran Blake and others in the Third Stream program at the New England Conservatory of Music in Boston.

Some current projects include:

  • Sounds of Islam and Sufi ritual
  • Music, Sound, and Architecture in Islam
  • Cassette culture, music media, and the music industry in the Arab world
  • [Virtual (world] music) - world music and ethnomusicology in cyberworlds
  • Giving voice to hope: song to support sustainable development and peace
  • MuDoc: Music/Multimedia Documentation (digital repository)
  • Transmission of musical taste
  • Musical subgraphs of Twitter (social network analysis)


Curriculum Vitae


Articles, proceedings, chapters, reviews, book

A sampling of publications available online, in whole or in part...

Theses

Outreach and action research

Media appearances

Sufism and the Moulid (Afropop worldwide)

Koranic Recitation (Afropop worldwide)

Influence of music in foreign conflicts (The Daily Orange, Syracuse University)

Thus Spake the Reed Flute (al-Ahram Weekly)

Liberia: Refugees Produce CD of Music With Canadian University (Allafrica)

Célébrer tout en musique (CBC)

Salsa de Arabia (World Changing)

University of Alberta composers

Multimedia projects

Documentary film

  • Shadow and Music in Buduburam
  • Songs of the New Arab Revolutions: A collaborative documentary film by members of the Society for Arab Music Research and members of the Facebook group ""Songs of the New Arab Revolutions"" [scheduled for presentation fall, 2012]

Virtual Museum

Virtual Museum of Canadian Traditional Music

Technology

Digital media

Educational programs

Musical composition and improvisation

Notes on the compositions

Nay improvisations...

  • Nay 1 (Edmonton Sound Sessions)
  • Nay 2 (Edmonton Sound Sessions)

Event production

(random sample)