MENAME repertoire

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Find the following in Repertoire, or under YouTube videos

2011-12

Elements

see http://www.maqamworld/com

Maqamat (melodic modes): Hijaz, Shehnaz, Bayyati, Saba, Rast, Nahawand, Ajam

Iqa`at or durub (rhythmic cycles): Bamb, Maqsum, Masmudi, Sa`idi, Wahda, Masmudi Kabir, Ciftetelli, Sama`i thaqil, Mudawwar Masri

Songs to practice

Sampler

Sampler program:

Note from Russ Baker:

Hi Everyone,

Here is the revised schedule and other info for Saturday...

Please note that, with the exception of Koo Nimo, all ensembles will be "setup and go" for the performance - no soundcheck.

4:00pm - tech setup begins; performer access to hall; dressing rooms available 6:00pm - Koo Nimo soundcheck (or sooner - please advise, Jon) 6:30pm - mandatory stage crew break begins 7:30pm - audience doors 8:00pm - show begins 10:15pm - show ends

Dressing rooms: PLEASE NOTE: Ensembles are to leave dressing rooms clean and tidy, with no discarded food containers or mess left behind. There will be a trash can in the basement loading dock. Ensemble Directors: Please ensure this.

IME - Onstage dressing room (backstage right) and backstage area directly behind curtain MENAME - basement dressing room (south; down hallway and around corner) WAME & Koo Nimo - basement dressing room (north; at bottom of stairs)

Hall access and ensemble arrival times:

WAME, Koo Nimo and IME before 7:30pm please, to get settled backstage before audience arrives. MENAME no later than 9pm

Please let me know if you have questions.

Cheers, Russ

Hi again,

Primarily for the MENAME ensemble, or anyone who will arrive 8pm or later... we will block open the basement hallway access so that those who arrive during the performance can enter freely without disturbing the show upstairs.

Here are directions...

From the foyer just outside Con Hall, take the staircase downstairs on the left; proceed through the glass door at the bottom of the staircase; go left, then left again and through the hanging plastic strip doorway. To your left you will see a grey metal fire door propped open.

Cheers, Russ

Other material

Others:

Instrumental pieces to practice

Other possible repertoire

  • Oudak Rannan (Lebanon)
  • Bilafrah (Kaskess Warak) (Lebanese) G Hijaz
  • Bomwanzani wa mahaba (Tanzania)
  • Enta Omri introduction
  • Zeina
  • Sidi Mansur
  • Foug al-Nakhal with new addition...
  • Iranian folksongs (Iran)
  • Ilahi Kurdilihicazkar (Turkish)
  • Havasi (Turkish)
  • Kara Uzum Habbesi (Turkish)
  • Ala Hesb Wedad (Egyptian - Abdel Halim Hafez)
  • Oudy (Ahmed Mounib - Nubian)
  • Zeina (Abdel Wahhab)
  • Mahani Zein (Emil Zrihan), with lyrics in Arabic and Hebrew (Moroccan)
  • Sidi Yasser (Moroccan)
  • Gnawa song (Moroccan)
  • Amin amin (Baly Othmani) (Tuareg/Berber)
  • Mesh Far'a Ma`i (Fayrouz - Lebanese)
  • Mevlevi bashraf or samai (Turkish)
  • Callipyge (Toufic Farroukh)
  • Ibaatli Jawab (Shadi Jamil - Syrian)
  • Greek song

2010-11

Note: if no link is provided below, all pieces are here, in alphabetical order.

Elements:

see http://www.maqamworld/com

Maqamat (melodic modes): Bayyati, Hijaz, Saba, Rast, Sika, Nahawand

Iqa`at (rhythmic cycles): Ciftetelli, Wahda, Maqsum, Masmudi, Sa`idi, Bamb, Malfuf, Ayyoub, Fox, Murabba`, Bitayhi, Habibi Dyali rhythm, Yuruk Samai

Repertoire:

Songs:


Instrumental pieces:


2009-10

Maqamat: Rast, Suznak, Nahawand, Nawa Athar, Hijaz, Bayati, Bayati Shuri, Sikah, Huzam, Ramal al-Maya, Hijaz Kar, Hijaz Kar kurd

Iqa`at: Wahda, Maqsum, Masmudi, Sa`idi, Ciftetelli, Sama`i Thaqil, Bamb, Malfuf, Quddam

Instrumentals: `Aziza, Sama`i Bayyati, Dulab Nahawand, Dulab Rast, Bilafrah, Dulab Bayyati (with taqasim)

Songs: Oshyoni bulbulon, Rinda Min, Kalabandi, Ya Shadi al-Alhan, Shu Hal Iyyam, Chamce el Achia, Hare’ layle’, Qoqaye setaregan, Zuruni, Lamma Bada, Shalom Lecha Dodi, Ya Dha al-Qawam, Habbina

  • More Tajik songs
  • Berber song
  • Abdel Halim song
  • Qadukka al-Mayyas

Possible wasla sequence

  • Bilafrah (Hijaz, G)
  • Taqsim
  • Dulab Nahawand (Nahawand, C)
  • Lamma Bada (Nahawand, C)
  • Taqsim
  • Dulab Rast (Rast, C)
  • Taqsim
  • Mawwal (Rast, C)
  • Ya Shadi al-Alhan (Rast, C)
  • Shu Hal Iyyam (Nahawand, D)
  • Chamce el Achia (mawwal and song) (Ramal al-Maya, C)
  • Sama`i Bayyati (D)
  • Dulab and taqasim Bayyati (D)
  • Taqsim
  • Hare' layle' (Bayyati, D)
  • Taqsim
  • Qoqaye setaregan (Nahawand, A)
  • Aziza (Farahfaza = Nahawand, G)
  • Zuruni (Ajam, Eb)

2008-09

Ach'hal Ayit
Ah ya hilu
Ah ya zayn (form: perc 4 cycles, all instr, Arabic, violins, Turkish, ud/guitar/saz, Urdu, Arabic)
Ala shawatee Dijla mur
Allah ya moulana
al-Uzubiyya
Bilafrah ("signature")
Bint al-Balad
Chang-e Rudaki
Dulab Bayyati (with taqasim)
Dulab Nahawand
Fawq al-Nakhl
Ha'agas Street 1
Hilwa ya baladi
Il hilwa di
Kara uzum habbesi
Lamma bada
Leylim ley
Longa Riyad
Nassam alayna al-hawa
Shoore aasheghaaneh
Ya banat iskandariyya
(form: perc 4 cycles, all instr, Arabic, violins, Turkish, ud/guitar/saz, Urdu, Arabic)

Dulab Nahawand, Dulab Bayyati, Sama`i Bayyati, Bint al-Balad, Bayyati ostinato, Percussion pieces (try to compose your own percussion piece using the same notation), Raqs al-Hawanem, Dulab Huzam, Longa Riyad

Wahrane, Foug al-Nakhal,Amurr bismiki, Ahebbak law tekun hader, Sa'altak ya habibi, La Khabar, Bidad-e Zaman, Ya Shadi al-Alhan, Allah ya moulana, A vava inouva, Oudak Rannan

Iqa`at (durub, usul)

See theory links for explanations.

  • Wahda
  • Ciftetelli
  • Maqsum
  • Masmudi
  • Bamb
  • Malfuf

Pieces by Maqam

See theory links for explanations.

Maqam Nahawand:

Maqam Bayyati:

  • Sama`i Bayyati
  • Ah Ya hilw
  • Bint al-Balad
  • Dulab and Taqasim bayyati

Maqam Hijaz:

  • Bilafrah
  • al-Hilwa Di
  • Ah Ya Zayn
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