Difference between revisions of "MCSN Thursday, 3-Nov-11"

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(Ideas)
(Ideas)
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== Ideas ==
 
== Ideas ==
  
 +
* Think about research questions you can answer (you have the needed data) and that lend themselves to SNA techniques.
 
* Start creating some networks; playing around with them will help make your research plan more concrete.
 
* Start creating some networks; playing around with them will help make your research plan more concrete.
 
* Be sure you're really using SNA. Is there a network in your data? If you have only partitions (clustering vertices in various ways) or vectors (assigning values), then you're just doing ordinary statistics.  Actors need to be connected to one another beyond simple clustering.  
 
* Be sure you're really using SNA. Is there a network in your data? If you have only partitions (clustering vertices in various ways) or vectors (assigning values), then you're just doing ordinary statistics.  Actors need to be connected to one another beyond simple clustering.  
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* Temporal nets
 
* Temporal nets
 
** Flows in exclusive affiliation nets (in which an artist, say, is affiliated to one place/label/venue at a time)
 
** Flows in exclusive affiliation nets (in which an artist, say, is affiliated to one place/label/venue at a time)
** Changes over time, generally
+
** Diffusion.  Observe what happens as a new album is released, say.  How does information spread? What patterns are exhibited? Twitter is very useful here as a data source.
 +
** Changes over time, generally  
 
* Comparisons across networks, attempting to detect systematic differences in network properties across
 
* Comparisons across networks, attempting to detect systematic differences in network properties across
 
** genres
 
** genres

Revision as of 06:48, 3 November 2011

Proposals

Organization

  • Organize proposal strictly according to the 5 section form (plus a 6th section for bibliography) so I can see exactly how you're thinking:
    • phenomenon, aim, value
    • context/background
    • query
    • SNA model
    • SNA method
    • bibliography
  • Identify phenomenon, assess aim and value. Provide in the broadest of terms, without reference to SNA. You may state a website as the focus of research here - or save that for "Method" below, since presumably the phenomenon (e.g. "musical influence") isn't essentially web-based, but rather is represented on the web. However if you'd rather say that it's the web you're studying, fine too.
  • Contextualize: what does the reader need to know? Be concise but do address such things as: the musical style, people who participate, how they relate to one another. Consider this to be the section in which you clarify all the issues and terms used, so that you can use them freely from now on. Cite general sources on the musical styles and figures, scholarly or even popular sources (e.g. magazine articles) are fine here, especially if you're documenting a contemporary trend. (But please don't use wikipedia, though feel free to use it to find things)
  • Query. Try to formulate the questions first without reference to SNA. These can be a bit more specific than in the opening "aim". It is always motivational and instructive to examine contrasts, make comparisons, lest you get lost in the exploration. For instance, you can examine musical influence in general, but it may be more fruitful to show how influence and gender relate to one another. Comparing male and female: who influences whom? Or contrast an influence analysis across musical styles, showing how each style evinces its own patterns in the influence network.
  • Model. Here's where you bring in SNA for the first time. Show how you intend to interpret the phenomenon in terms of networks so as to create an SNA model. Be sure to define how concepts of "vertex" and "line" (and perhaps vertex value and line value, and related partitions and vectors) can be used to describe your phenomenon. You need to be very precise - how do you represent concepts in network terms?
  • Method. Here you can discuss the data sources (e.g. website), and SNA concepts or Pajek techniques to try out. In your methodology, consider all the network concepts and Pajek techniques we've learned thus far (e.g. density, degree, components, cores, cliques, signed networks, affiliation networks...more is coming). Until you can demonstrate to yourself that a given concept or technique is *not* applicable, leave it in. During the exploratory phase you'll try things out. Don't close off avenues of exploration prematurely. Consider also the visual display of information - what techniques may work best to summarize your results?
  • The bibliography can combine various types of sources:
    • Primary sources - perhaps websites, or newspapers, published datasets such as Statistics Canada, etc.
    • Secondary sources about the music under discussion - whether historical, ethnographic, interpretive, critical, or biographical...
    • General secondary sources (probably from the social sciences) treating concepts of interest, e.g. fame, influence, consumption, marketing, promotion, production - whether in music or more broadly
    • SNA sources. I don't expect you to include many of these but if you can locate some papers that treat a similar subject or issue, include them and do your best to read and assimilate what they contain. Certainly you can all add ESNAP as a prime source, and cite when you deploy a particular technique.
    • Please don't use wikipedia as a source, though feel free to use it to find sources. Use also the INSNA site, and jstor and other library databases in sociology and music.

Ideas

  • Think about research questions you can answer (you have the needed data) and that lend themselves to SNA techniques.
  • Start creating some networks; playing around with them will help make your research plan more concrete.
  • Be sure you're really using SNA. Is there a network in your data? If you have only partitions (clustering vertices in various ways) or vectors (assigning values), then you're just doing ordinary statistics. Actors need to be connected to one another beyond simple clustering.
  • Connect artists' network properties to artist attributes, such as 'success'.
  • Metrics of artist success (money, fame, quality):
    • sales (quantity, $$$)
    • critical ratings
    • popular ratings
    • measures of fame (youtube hits, newspaper references, google hits, etc.)
  • Identify cohesive subgroups in terms of vertex attributes, such as "musical style" or gender.
  • Refinements in affiliation networks
  • Egonets: the egonet for a particular vertex is the subnet comprising its neighbors and their interconnections.
  • Temporal nets
    • Flows in exclusive affiliation nets (in which an artist, say, is affiliated to one place/label/venue at a time)
    • Diffusion. Observe what happens as a new album is released, say. How does information spread? What patterns are exhibited? Twitter is very useful here as a data source.
    • Changes over time, generally
  • Comparisons across networks, attempting to detect systematic differences in network properties across
    • genres
    • genders
    • instruments
    • decades

Chapter 5