Difference between revisions of "Leylim Ley"
| Line 8: | Line 8: | ||
'''form''': | '''form''': | ||
| − | # Baglama solo, ends with one bar of rhythmic pattern | + | # Baglama solo, ends with one bar of initial rhythmic pattern (be careful to set tempo!) |
# On second bar of rhythmic pattern, all instruments enter | # On second bar of rhythmic pattern, all instruments enter | ||
| − | # Instrumental section (baglama solo) | + | # Instrumental section (baglama takes solo) |
# First verse: soloists, with response by chorus | # First verse: soloists, with response by chorus | ||
| − | # Instrumental section (baglama solo) | + | |
| − | # Second verse | + | # Instrumental section (baglama takes solo) |
| − | # Instrumental section (violins solo) | + | # Second verse: soloists, with response by chorus |
| − | # Third verse | + | |
| + | # Instrumental section (violins take solo) | ||
| + | # Third verse: soloists, with response by chorus | ||
# All loop final phrase, supporting nay solo | # All loop final phrase, supporting nay solo | ||
# On cue, fade out in four repeats of final phrase. Violins drop out after first repeat. Baglama maintain presence to the end. | # On cue, fade out in four repeats of final phrase. Violins drop out after first repeat. Baglama maintain presence to the end. | ||
Revision as of 15:53, 23 November 2007
Leylim Ley
mode:
- maqam: Kurd D
- iqa`: ayub
form:
- Baglama solo, ends with one bar of initial rhythmic pattern (be careful to set tempo!)
- On second bar of rhythmic pattern, all instruments enter
- Instrumental section (baglama takes solo)
- First verse: soloists, with response by chorus
- Instrumental section (baglama takes solo)
- Second verse: soloists, with response by chorus
- Instrumental section (violins take solo)
- Third verse: soloists, with response by chorus
- All loop final phrase, supporting nay solo
- On cue, fade out in four repeats of final phrase. Violins drop out after first repeat. Baglama maintain presence to the end.
