Difference between revisions of "Leylim Ley"
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# Instrumental section (baglama takes solo) | # Instrumental section (baglama takes solo) | ||
# First verse: soloists, with response by chorus | # First verse: soloists, with response by chorus | ||
− | |||
# Instrumental section (baglama takes solo) | # Instrumental section (baglama takes solo) | ||
# Second verse: soloists, with response by chorus | # Second verse: soloists, with response by chorus | ||
− | |||
# Instrumental section (violins take solo) | # Instrumental section (violins take solo) | ||
# Third verse: soloists, with response by chorus | # Third verse: soloists, with response by chorus | ||
# All loop final phrase, supporting nay solo | # All loop final phrase, supporting nay solo | ||
− | # On cue, fade out in four repeats of final phrase. Violins drop out after first repeat. Baglama maintain presence to the end. | + | # On MF's cue, fade out in four repeats of final phrase. Violins drop out after first repeat. Baglama maintain presence to the end. |
+ | |||
+ | |||
+ | '''Notes:''' | ||
+ | |||
+ | # Allow soloists to be heard | ||
+ | # If you're taking a solo, don't play too loudly just before, to maximize contrast | ||
+ | # Be sure to count the fadeout, and only from my cue |
Revision as of 15:54, 23 November 2007
Leylim Ley
mode:
- maqam: Kurd D
- iqa`: ayub
form:
- Baglama solo, ends with one bar of initial rhythmic pattern (be careful to set tempo!)
- On second bar of rhythmic pattern, all instruments enter
- Instrumental section (baglama takes solo)
- First verse: soloists, with response by chorus
- Instrumental section (baglama takes solo)
- Second verse: soloists, with response by chorus
- Instrumental section (violins take solo)
- Third verse: soloists, with response by chorus
- All loop final phrase, supporting nay solo
- On MF's cue, fade out in four repeats of final phrase. Violins drop out after first repeat. Baglama maintain presence to the end.
Notes:
- Allow soloists to be heard
- If you're taking a solo, don't play too loudly just before, to maximize contrast
- Be sure to count the fadeout, and only from my cue