Difference between revisions of "Leylim Ley"
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'''Leylim Ley''' | '''Leylim Ley''' | ||
| − | form: | + | '''mode''': |
| + | |||
| + | # maqam: Kurd D | ||
| + | # iqa`: ayub | ||
| + | |||
| + | '''form''': | ||
# Baglama solo, ends with one bar of rhythmic pattern | # Baglama solo, ends with one bar of rhythmic pattern | ||
Revision as of 15:16, 23 November 2007
Leylim Ley
mode:
- maqam: Kurd D
- iqa`: ayub
form:
- Baglama solo, ends with one bar of rhythmic pattern
- On second bar of rhythmic pattern, all instruments enter
- Instrumental section (baglama solo)
- First verse: soloists, with response by chorus
- Instrumental section (baglama solo)
- Second verse
- Instrumental section (violins solo)
- Third verse
- All loop final phrase, supporting nay solo
- On cue, fade out in four repeats of final phrase. Violins drop out after first repeat. Baglama maintain presence to the end.
