Issues in Ethnomusicology (Fall 2008)

PARADIGMS for EM

Links:

ch 1

http://www.des.emory.edu/mfp/Kuhnsnap.html

   * Concept and Theory Formation in the Social Sciences
   * Author(s): Alfred Schutz
   * Source: The Journal of Philosophy, Vol. 51, No. 9 (Apr. 29, 1954), pp. 257-273
   * Publisher: Journal of Philosophy, Inc.
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2021812

ch 2.

   *  The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs
   * Author(s): E. M. Von Hornbostel
   * Source: Africa: Journal of the International African Institute, Vol. 6, No. 2 (Apr., 1933), pp. 129-157
   * Publisher: Edinburgh University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1155180

   *  Indonesia and Africa: The Xylophone as a Culture-Indicator
   * Author(s): A. M. Jones
   * Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 89, No. 2 (Jul. - Dec., 1959), pp. 155-168
   * Publisher: Royal Anthropological Institute of Great Britain and Ireland
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267

ch. 3.

   *  The Value of Music in Human Experience
   * Author(s): John Blacking
   * Source: Yearbook of the International Folk Music Council, Vol. 1, (1969), pp. 33-71
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634

ch. 4.

   * Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music
   * Author(s): Thomas Turino
   * Source: Ethnomusicology, Vol. 43, No. 2 (Spring - Summer, 1999), pp. 221-255
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734

   *  Processes of Musical Semiosis
   * Author(s): Charles L. Boiles
   * Source: Yearbook for Traditional Music, Vol. 14, (1982), pp. 24-44
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768069

   *  Linguistic Models in Ethnomusicology
   * Author(s): Steven Feld
   * Source: Ethnomusicology, Vol. 18, No. 2 (May, 1974), pp. 197-217
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850579

ch. 5.

   *  The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure
   * Author(s): Pandora Hopkins
   * Source: Ethnomusicology, Vol. 21, No. 2 (May, 1977), pp. 247-261
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946

ch. 6.

   *  How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle
   * Author(s): Reebee Garofalo
   * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92
   * Publisher: Cambridge University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167

ch. 7. Literary and Dramaturgical Theories

   *  'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory
   * Author(s): Steven Feld
   * Source: Yearbook for Traditional Music, Vol. 13, (1981), pp. 22-47
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768356

Feld, Steven. 1988. Aesthetics as Iconicity of Style, or 'Lift-Up-Over Sounding': Getting into the Kaluli Groove. Yearbook for Traditional Music 20:74.

ch. 8. Cognition and Communication Theory

   *  Universals in Music: A Perspective from Cognitive Psychology
   * Author(s): Dane L. Harwood
   * Source: Ethnomusicology, Vol. 20, No. 3 (Sep., 1976), pp. 521-533
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047

ch. 9. Performance Theory (and emotion)

   *  Drama, Script, Theatre, and Performance
   * Author(s): Richard Schechner
   * Source: The Drama Review: TDR, Vol. 17, No. 3, Theatre and the Social Sciences (Sep., 1973), pp. 5-36
   * Publisher: The MIT Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1144841

   *  Verbal Art as Performance
   * Author(s): Richard Bauman
   * Source: American Anthropologist, New Series, Vol. 77, No. 2 (Jun., 1975), pp. 290-311
   * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/674535

Kapferer, Bruce. 1979. Emotion and Feeling in Sinhalese Healing Rites. Social Analysis 1:153-176.

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February 1979. Ritual Process and the Transformation of Context. Social Analysis 1:3-19.

Brenneis, Donald. 1985. Passion and Performance in Fiji Indian Vernacular Song. Ethnomusicology, 29(3):397-408.

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1987. Performing passions: aesthetics and politics in an occasionally egalitarian community. American Ethnologist 14(2):236-249.

Roseman, Marina. 1988. The Pragmatics of Aesthetics: The Performance of Healing Among Senoi Temiar. Soc. Sci. Med. 27(8):811-818.

   *  "Pulling the Ancestors": Performance Practice and Praxis in Mapuche Ordering
   * Author(s): Carol E. Robertson
   * Source: Ethnomusicology, Vol. 23, No. 3 (Sep., 1979), pp. 395-416
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850912

Tambiah, S. J. 1979. A Performative Approach to Ritual. Proc. of the British Academy 65:113-70.

ch. 10. Gender, Ethnicity, and Identity Issues

   *  The Nightingale and the Partridge: Singing and Gender among Prespa Albanians
   * Author(s): Jane C. Sugarman
   * Source: Ethnomusicology, Vol. 33, No. 2 (Spring - Summer, 1989), pp. 191-215
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395

ch. 11. Phenomenology and Experiential Ethnomusicology

http://www.phenomenologyonline.com/

   *  "Tails out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making
   * Author(s): Thomas Porcello
   * Source: Ethnomusicology, Vol. 42, No. 3 (Autumn, 1998), pp. 485-510
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852851

ch. 12. Historical research

George Sawa

ch. 13. Postmodern, Postcolonial, and Global Issues

Veit Erlmann, The aesthetics of the global imagination

Ingrid Monson, Riffs, repetition, and theories of globalization

MF approach

Ritual theory: LP

SNA

Practice approach

Systems theory

http://www.insna.org/