Difference between revisions of "Issues in Ethnomusicology (Fall 2008)"

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(ch. 9. Performance Theory (and emotion) in Ethnomusicology)
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PARADIGMS for EM
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[Theory for Ethnomusicology]
 
 
Links:
 
 
 
 
 
== ch 1. Inquiry in Ethnomusicology ==
 
 
 
http://www.des.emory.edu/mfp/Kuhnsnap.html
 
 
 
 
 
 
 
    * Concept and Theory Formation in the Social Sciences
 
    * Author(s): Alfred Schutz
 
    * Source: The Journal of Philosophy, Vol. 51, No. 9 (Apr. 29, 1954), pp. 257-273
 
    * Publisher: Journal of Philosophy, Inc.
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2021812
 
 
 
    *  Can Social Theory Escape from History? Views of History in Social Science
 
    * Author(s): Peter Knapp
 
    * Source: History and Theory, Vol. 23, No. 1 (Feb., 1984), pp. 34-52
 
    * Publisher: Blackwell Publishing for Wesleyan University
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2504970
 
 
 
== ch 2. Cultural Evolutionism and Diffusionism in Comparative Musicology ==
 
 
 
 
 
    *  The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs
 
    * Author(s): E. M. Von Hornbostel
 
    * Source: Africa: Journal of the International African Institute, Vol. 6, No. 2 (Apr., 1933), pp. 129-157
 
    * Publisher: Edinburgh University Press
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1155180
 
 
 
    *  Indonesia and Africa: The Xylophone as a Culture-Indicator
 
    * Author(s): A. M. Jones
 
    * Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 89, No. 2 (Jul. - Dec., 1959), pp. 155-168
 
    * Publisher: Royal Anthropological Institute of Great Britain and Ireland
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267
 
 
 
 
 
== ch. 3. Structural-Functional Approaches ==
 
 
 
    *  On the Concept of Function in Social Science
 
    * Author(s): A. R. Radcliffe-Brown
 
    * Source: American Anthropologist, New Series, Vol. 37, No. 3, Part 1 (Jul. - Sep., 1935), pp. 394-402
 
    * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/661962
 
 
 
 
 
    *  The Group and the Individual in Functional Analysis
 
    * Author(s): Bronislaw Malinowski
 
    * Source: The American Journal of Sociology, Vol. 44, No. 6 (May, 1939), pp. 938-964
 
    * Publisher: The University of Chicago Press
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2769422
 
 
 
 
 
Merriam, Anthropology of Music, Ch. XI
 
 
 
Daniel Neuman, The Life of Music in North India, ch. 4
 
 
 
    *  The Value of Music in Human Experience
 
    * Author(s): John Blacking
 
    * Source: Yearbook of the International Folk Music Council, Vol. 1, (1969), pp. 33-71
 
    * Publisher: International Council for Traditional Music
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634
 
 
 
== ch. 4. Linguistic Approaches ==
 
 
 
    *  'Are'are Classification of Musical Types and Instruments
 
    * Author(s): Hugo Zemp
 
    * Source: Ethnomusicology, Vol. 22, No. 1 (Jan., 1978), pp. 37-67
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851365
 
 
 
 
 
    * Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music
 
    * Author(s): Thomas Turino
 
    * Source: Ethnomusicology, Vol. 43, No. 2 (Spring - Summer, 1999), pp. 221-255
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734
 
 
 
    *  Processes of Musical Semiosis
 
    * Author(s): Charles L. Boiles
 
    * Source: Yearbook for Traditional Music, Vol. 14, (1982), pp. 24-44
 
    * Publisher: International Council for Traditional Music
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768069
 
 
 
    *  Linguistic Models in Ethnomusicology
 
    * Author(s): Steven Feld
 
    * Source: Ethnomusicology, Vol. 18, No. 2 (May, 1974), pp. 197-217
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850579
 
 
 
== ch. 5. Paradigmatic Structuralism ==
 
 
 
Levi-Strauss, Structural Anthropology, Vol. I, chapter VIII.
 
 
 
 
 
Levi-Strauss, Structural Anthropology, Vol. II, chapter X.
 
 
 
    *  The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure
 
    * Author(s): Pandora Hopkins
 
    * Source: Ethnomusicology, Vol. 21, No. 2 (May, 1977), pp. 247-261
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946
 
 
 
    *  What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil
 
    * Author(s): Anthony Seeger
 
    * Source: Ethnomusicology, Vol. 23, No. 3 (Sep., 1979), pp. 373-394
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850911
 
 
 
 
 
Feld, Sound and Sentiment, ch. 1
 
 
 
== ch. 6. Marxist Explanations ==
 
 
 
    *  From Ranchero to Jait?n: Ethnicity and Class in Texas-Mexican Music (Two Styles in the Form of a Pair)
 
    * Author(s): Manuel Pena
 
    * Source: Ethnomusicology, Vol. 29, No. 1 (Winter, 1985), pp. 29-55
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852323
 
 
 
 
 
    *  How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle
 
    * Author(s): Reebee Garofalo
 
    * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92
 
    * Publisher: Cambridge University Press
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167
 
 
 
== ch. 7.  Literary and Dramaturgical Theories ==
 
 
 
 
 
    *  'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory
 
    * Author(s): Steven Feld
 
    * Source: Yearbook for Traditional Music, Vol. 13, (1981), pp. 22-47
 
    * Publisher: International Council for Traditional Music
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768356
 
 
 
Feld, Steven.  1988.  Aesthetics as Iconicity of Style, or 'Lift-Up-Over Sounding':  Getting into the Kaluli Groove.  Yearbook for Traditional Music 20:74.
 
 
 
 
 
== ch. 8.  Cognition and Communication Theory ==
 
 
 
 
 
    *  Universals in Music: A Perspective from Cognitive Psychology
 
    * Author(s): Dane L. Harwood
 
    * Source: Ethnomusicology, Vol. 20, No. 3 (Sep., 1976), pp. 521-533
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047
 
 
 
 
 
==  ch. 9. Performance Theory (and emotion) in Ethnomusicology  ==
 
 
 
 
 
    *  Drama, Script, Theatre, and Performance
 
    * Author(s): Richard Schechner
 
    * Source: The Drama Review: TDR, Vol. 17, No. 3, Theatre and the Social Sciences (Sep., 1973), pp. 5-36
 
    * Publisher: The MIT Press
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1144841
 
 
 
    *  Verbal Art as Performance
 
    * Author(s): Richard Bauman
 
    * Source: American Anthropologist, New Series, Vol. 77, No. 2 (Jun., 1975), pp. 290-311
 
    * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/674535
 
 
 
Kapferer, Bruce.  1979.  Emotion and Feeling in Sinhalese Healing Rites.  Social Analysis 1:153-176.
 
----  February 1979.  Ritual Process and the Transformation of Context.  Social Analysis 1:3-19.
 
 
 
 
 
    *  Passion and Performance in Fiji Indian Vernacular Song
 
    * Author(s): Donald Brenneis
 
    * Source: Ethnomusicology, Vol. 29, No. 3 (Autumn, 1985), pp. 397-408
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851796
 
 
 
    *  Performing Passions: Aesthetics and Politics in an Occasionally Egalitarian Community
 
    * Author(s): Donald Brenneis
 
    * Source: American Ethnologist, Vol. 14, No. 2 (May, 1987), pp. 236-250
 
    * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/645372
 
 
 
    *  Head, Heart, Odor, and Shadow: The Structure of the Self, the Emotional World, and Ritual Performance among Senoi Temiar
 
    * Author(s): Marina Roseman
 
    * Source: Ethos, Vol. 18, No. 3 (Sep., 1990), pp. 227-250
 
    * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/640336
 
 
 
    *  "Pulling the Ancestors": Performance Practice and Praxis in Mapuche Ordering
 
    * Author(s): Carol E. Robertson
 
    * Source: Ethnomusicology, Vol. 23, No. 3 (Sep., 1979), pp. 395-416
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850912
 
 
 
 
 
 
 
Tambiah, S. J.  1979.  A Performative Approach to Ritual.  Proc. of the British Academy 65:113-70.
 
 
 
== ch. 10.  Gender, Ethnicity, and Identity Issues ==
 
 
 
 
 
    *  The Nightingale and the Partridge: Singing and Gender among Prespa Albanians
 
    * Author(s): Jane C. Sugarman
 
    * Source: Ethnomusicology, Vol. 33, No. 2 (Spring - Summer, 1989), pp. 191-215
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395
 
 
 
== ch. 11.  Phenomenology and Experiential Ethnomusicology ==
 
 
 
http://www.phenomenologyonline.com/
 
 
 
    *  "Tails out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making
 
    * Author(s): Thomas Porcello
 
    * Source: Ethnomusicology, Vol. 42, No. 3 (Autumn, 1998), pp. 485-510
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852851
 
 
 
== ch. 12. Historical Research ==
 
 
 
    *  The Survival of Some Aspects of Medieval Arabic Performance Practice
 
    * Author(s): George D. Sawa
 
    * Source: Ethnomusicology, Vol. 25, No. 1 (Jan., 1981), pp. 73-86
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850975
 
 
 
 
 
    *  "Min al-Mash?yikh": A View of Egyptian Musical Tradition
 
    * Author(s): Virginia Danielson
 
    * Source: Asian Music, Vol. 22, No. 1 (Autumn, 1990 - Winter, 1991), pp. 113-127
 
    * Publisher: University of Texas Press
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/834292
 
 
 
 
 
== ch. 13.  Postmodern, Postcolonial, and Global Issues ==
 
 
 
    *  How Beautiful Is Small? Music, Globalization and the Aesthetics of the Local
 
    * Author(s): Veit Erlmann
 
    * Source: Yearbook for Traditional Music, Vol. 30, (1998), pp. 12-21
 
    * Publisher: International Council for Traditional Music
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768551
 
 
 
 
 
 
 
    *  Riffs, Repetition, and Theories of Globalization
 
    * Author(s): Ingrid Monson
 
    * Source: Ethnomusicology, Vol. 43, No. 1 (Winter, 1999), pp. 31-65
 
    * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852693
 
 
 
    *  The Invention of "African Rhythm"
 
    * Author(s): Kofi Agawu
 
    * Source: Journal of the American Musicological Society, Vol. 48, No. 3, Music Anthropologies and Music Histories (Autumn, 1995), pp. 380-395
 
    * Publisher: University of California Press on behalf of the American Musicological Society
 
    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/3519832
 
 
 
== MF approach ==
 
 
 
Ritual theory: LP
 
 
 
SNA
 
 
 
Practice approach
 
 
 
Systems theory
 
 
 
 
 
 
 
http://www.insna.org/
 

Revision as of 13:26, 11 August 2008

[Theory for Ethnomusicology]