Difference between revisions of "Issues in Ethnomusicology (Fall 2008)"
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PARADIGMS for EM | PARADIGMS for EM | ||
Links: | Links: | ||
| − | ch 1 | + | |
| + | == ch 1 == | ||
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http://www.des.emory.edu/mfp/Kuhnsnap.html | http://www.des.emory.edu/mfp/Kuhnsnap.html | ||
| − | ch 2. | + | |
| + | == ch 2. == | ||
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* The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs | * The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs | ||
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* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267 | ||
| − | ch. 3. | + | |
| + | == ch. 3. == | ||
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* The Value of Music in Human Experience | * The Value of Music in Human Experience | ||
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* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634 | ||
| − | ch. 4. | + | |
| + | == ch. 4. == | ||
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* Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music | * Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music | ||
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| − | ch. 5. | + | |
| + | == ch. 5. == | ||
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* The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure | * The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure | ||
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* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946 | ||
| − | ch. 6. | + | |
| + | == ch. 6. == | ||
| + | |||
* How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle | * How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle | ||
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* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167 | ||
| − | ch. 7. Literary and Dramaturgical Theories | + | |
| + | == ch. 7. Literary and Dramaturgical Theories == | ||
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* 'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory | * 'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory | ||
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Feld, Steven. 1988. Aesthetics as Iconicity of Style, or 'Lift-Up-Over Sounding': Getting into the Kaluli Groove. Yearbook for Traditional Music 20:74. | Feld, Steven. 1988. Aesthetics as Iconicity of Style, or 'Lift-Up-Over Sounding': Getting into the Kaluli Groove. Yearbook for Traditional Music 20:74. | ||
| − | ch. 8. Cognition and Communication Theory | + | |
| + | == ch. 8. Cognition and Communication Theory == | ||
| + | |||
* Universals in Music: A Perspective from Cognitive Psychology | * Universals in Music: A Perspective from Cognitive Psychology | ||
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* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047 | ||
| − | ch. 9. Performance Theory (and emotion) | + | |
| + | == ch. 9. Performance Theory (and emotion) == | ||
| + | |||
* Drama, Script, Theatre, and Performance | * Drama, Script, Theatre, and Performance | ||
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Roseman, Marina. 1988. The Pragmatics of Aesthetics: The Performance of Healing Among Senoi Temiar. Soc. Sci. Med. 27(8):811-818. | Roseman, Marina. 1988. The Pragmatics of Aesthetics: The Performance of Healing Among Senoi Temiar. Soc. Sci. Med. 27(8):811-818. | ||
| + | |||
| + | * "Pulling the Ancestors": Performance Practice and Praxis in Mapuche Ordering | ||
| + | * Author(s): Carol E. Robertson | ||
| + | * Source: Ethnomusicology, Vol. 23, No. 3 (Sep., 1979), pp. 395-416 | ||
| + | * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology | ||
| + | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850912 | ||
| + | |||
Tambiah, S. J. 1979. A Performative Approach to Ritual. Proc. of the British Academy 65:113-70. | Tambiah, S. J. 1979. A Performative Approach to Ritual. Proc. of the British Academy 65:113-70. | ||
| − | ch. 10. Gender, Ethnicity, and Identity Issues | + | |
| + | == ch. 10. Gender, Ethnicity, and Identity Issues == | ||
| + | |||
* The Nightingale and the Partridge: Singing and Gender among Prespa Albanians | * The Nightingale and the Partridge: Singing and Gender among Prespa Albanians | ||
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* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395 | ||
| + | == ch. 11. Phenomenology and Experiential Ethnomusicology == | ||
| + | |||
| + | http://www.phenomenologyonline.com/ | ||
| + | |||
| + | * "Tails out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making | ||
| + | * Author(s): Thomas Porcello | ||
| + | * Source: Ethnomusicology, Vol. 42, No. 3 (Autumn, 1998), pp. 485-510 | ||
| + | * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology | ||
| + | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852851 | ||
Revision as of 18:48, 10 August 2008
PARADIGMS for EM
Links:
Contents
ch 1
http://www.des.emory.edu/mfp/Kuhnsnap.html
ch 2.
* The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs * Author(s): E. M. Von Hornbostel * Source: Africa: Journal of the International African Institute, Vol. 6, No. 2 (Apr., 1933), pp. 129-157 * Publisher: Edinburgh University Press * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1155180
* Indonesia and Africa: The Xylophone as a Culture-Indicator * Author(s): A. M. Jones * Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 89, No. 2 (Jul. - Dec., 1959), pp. 155-168 * Publisher: Royal Anthropological Institute of Great Britain and Ireland * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267
ch. 3.
* The Value of Music in Human Experience * Author(s): John Blacking * Source: Yearbook of the International Folk Music Council, Vol. 1, (1969), pp. 33-71 * Publisher: International Council for Traditional Music * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634
ch. 4.
* Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music * Author(s): Thomas Turino * Source: Ethnomusicology, Vol. 43, No. 2 (Spring - Summer, 1999), pp. 221-255 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734
* Processes of Musical Semiosis * Author(s): Charles L. Boiles * Source: Yearbook for Traditional Music, Vol. 14, (1982), pp. 24-44 * Publisher: International Council for Traditional Music * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768069
* Linguistic Models in Ethnomusicology * Author(s): Steven Feld * Source: Ethnomusicology, Vol. 18, No. 2 (May, 1974), pp. 197-217 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850579
ch. 5.
* The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure * Author(s): Pandora Hopkins * Source: Ethnomusicology, Vol. 21, No. 2 (May, 1977), pp. 247-261 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946
ch. 6.
* How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle * Author(s): Reebee Garofalo * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92 * Publisher: Cambridge University Press * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167
ch. 7. Literary and Dramaturgical Theories
* 'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory * Author(s): Steven Feld * Source: Yearbook for Traditional Music, Vol. 13, (1981), pp. 22-47 * Publisher: International Council for Traditional Music * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768356
Feld, Steven. 1988. Aesthetics as Iconicity of Style, or 'Lift-Up-Over Sounding': Getting into the Kaluli Groove. Yearbook for Traditional Music 20:74.
ch. 8. Cognition and Communication Theory
* Universals in Music: A Perspective from Cognitive Psychology * Author(s): Dane L. Harwood * Source: Ethnomusicology, Vol. 20, No. 3 (Sep., 1976), pp. 521-533 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047
ch. 9. Performance Theory (and emotion)
* Drama, Script, Theatre, and Performance * Author(s): Richard Schechner * Source: The Drama Review: TDR, Vol. 17, No. 3, Theatre and the Social Sciences (Sep., 1973), pp. 5-36 * Publisher: The MIT Press * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1144841
* Verbal Art as Performance * Author(s): Richard Bauman * Source: American Anthropologist, New Series, Vol. 77, No. 2 (Jun., 1975), pp. 290-311 * Publisher: Blackwell Publishing on behalf of the American Anthropological Association * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/674535
Kapferer, Bruce. 1979. Emotion and Feeling in Sinhalese Healing Rites. Social Analysis 1:153-176.
February 1979. Ritual Process and the Transformation of Context. Social Analysis 1:3-19.
Brenneis, Donald. 1985. Passion and Performance in Fiji Indian Vernacular Song. Ethnomusicology, 29(3):397-408.
1987. Performing passions: aesthetics and politics in an occasionally egalitarian community. American Ethnologist 14(2):236-249.
Roseman, Marina. 1988. The Pragmatics of Aesthetics: The Performance of Healing Among Senoi Temiar. Soc. Sci. Med. 27(8):811-818.
* "Pulling the Ancestors": Performance Practice and Praxis in Mapuche Ordering * Author(s): Carol E. Robertson * Source: Ethnomusicology, Vol. 23, No. 3 (Sep., 1979), pp. 395-416 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850912
Tambiah, S. J. 1979. A Performative Approach to Ritual. Proc. of the British Academy 65:113-70.
ch. 10. Gender, Ethnicity, and Identity Issues
* The Nightingale and the Partridge: Singing and Gender among Prespa Albanians * Author(s): Jane C. Sugarman * Source: Ethnomusicology, Vol. 33, No. 2 (Spring - Summer, 1989), pp. 191-215 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395
ch. 11. Phenomenology and Experiential Ethnomusicology
http://www.phenomenologyonline.com/
* "Tails out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making * Author(s): Thomas Porcello * Source: Ethnomusicology, Vol. 42, No. 3 (Autumn, 1998), pp. 485-510 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852851
SNA
