Issues in Ethnomusicology (Fall 2008)

Links:

ch 1 http://www.des.emory.edu/mfp/Kuhnsnap.html

ch 2.

   *  The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs
   * Author(s): E. M. Von Hornbostel
   * Source: Africa: Journal of the International African Institute, Vol. 6, No. 2 (Apr., 1933), pp. 129-157
   * Publisher: Edinburgh University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1155180

   *  Indonesia and Africa: The Xylophone as a Culture-Indicator
   * Author(s): A. M. Jones
   * Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 89, No. 2 (Jul. - Dec., 1959), pp. 155-168
   * Publisher: Royal Anthropological Institute of Great Britain and Ireland
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267

ch. 3.

   *  The Value of Music in Human Experience
   * Author(s): John Blacking
   * Source: Yearbook of the International Folk Music Council, Vol. 1, (1969), pp. 33-71
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634

ch. 4.

   * Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music
   * Author(s): Thomas Turino
   * Source: Ethnomusicology, Vol. 43, No. 2 (Spring - Summer, 1999), pp. 221-255
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734

   *  Processes of Musical Semiosis
   * Author(s): Charles L. Boiles
   * Source: Yearbook for Traditional Music, Vol. 14, (1982), pp. 24-44
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768069

   *  Linguistic Models in Ethnomusicology
   * Author(s): Steven Feld
   * Source: Ethnomusicology, Vol. 18, No. 2 (May, 1974), pp. 197-217
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850579

ch. 5.

   *  The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure
   * Author(s): Pandora Hopkins
   * Source: Ethnomusicology, Vol. 21, No. 2 (May, 1977), pp. 247-261
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946

ch. 6.

   *  How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle
   * Author(s): Reebee Garofalo
   * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92
   * Publisher: Cambridge University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167

ch. 7. Literary and Dramaturgical Theories

   *  'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory
   * Author(s): Steven Feld
   * Source: Yearbook for Traditional Music, Vol. 13, (1981), pp. 22-47
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768356

Feld, Steven. 1988. Aesthetics as Iconicity of Style, or 'Lift-Up-Over Sounding': Getting into the Kaluli Groove. Yearbook for Traditional Music 20:74.

ch. 8. Cognition and Communication Theory

   *  Universals in Music: A Perspective from Cognitive Psychology
   * Author(s): Dane L. Harwood
   * Source: Ethnomusicology, Vol. 20, No. 3 (Sep., 1976), pp. 521-533
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047

ch. 9. Performance Theory (and emotion)

   *  Drama, Script, Theatre, and Performance
   * Author(s): Richard Schechner
   * Source: The Drama Review: TDR, Vol. 17, No. 3, Theatre and the Social Sciences (Sep., 1973), pp. 5-36
   * Publisher: The MIT Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1144841

   *  Verbal Art as Performance
   * Author(s): Richard Bauman
   * Source: American Anthropologist, New Series, Vol. 77, No. 2 (Jun., 1975), pp. 290-311
   * Publisher: Blackwell Publishing on behalf of the American Anthropological Association
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/674535

Kapferer, Bruce. 1979. Emotion and Feeling in Sinhalese Healing Rites. Social Analysis 1:153-176.

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February 1979. Ritual Process and the Transformation of Context. Social Analysis 1:3-19.

Brenneis, Donald. 1985. Passion and Performance in Fiji Indian Vernacular Song. Ethnomusicology, 29(3):397-408.

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1987. Performing passions: aesthetics and politics in an occasionally egalitarian community. American Ethnologist 14(2):236-249.

Roseman, Marina. 1988. The Pragmatics of Aesthetics: The Performance of Healing Among Senoi Temiar. Soc. Sci. Med. 27(8):811-818.

Tambiah, S. J. 1979. A Performative Approach to Ritual. Proc. of the British Academy 65:113-70.

ch. 10. Gender, Ethnicity, and Identity Issues

   *  The Nightingale and the Partridge: Singing and Gender among Prespa Albanians
   * Author(s): Jane C. Sugarman
   * Source: Ethnomusicology, Vol. 33, No. 2 (Spring - Summer, 1989), pp. 191-215
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395