Difference between revisions of "Issues in Ethnomusicology (Fall 2008)"
Line 33: | Line 33: | ||
* Publisher: University of Illinois Press on behalf of Society for Ethnomusicology | * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology | ||
* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734 | ||
+ | |||
+ | * Processes of Musical Semiosis | ||
+ | * Author(s): Charles L. Boiles | ||
+ | * Source: Yearbook for Traditional Music, Vol. 14, (1982), pp. 24-44 | ||
+ | * Publisher: International Council for Traditional Music | ||
+ | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768069 | ||
+ | |||
* Linguistic Models in Ethnomusicology | * Linguistic Models in Ethnomusicology | ||
Line 56: | Line 63: | ||
* Publisher: Cambridge University Press | * Publisher: Cambridge University Press | ||
* Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167 | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167 | ||
+ | |||
+ | ch. 7. Literary and Dramaturgical Theories | ||
+ | |||
+ | * 'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory | ||
+ | * Author(s): Steven Feld | ||
+ | * Source: Yearbook for Traditional Music, Vol. 13, (1981), pp. 22-47 | ||
+ | * Publisher: International Council for Traditional Music | ||
+ | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768356 | ||
+ | |||
+ | ch. 8. Cognition and Communication Theory | ||
+ | |||
+ | * Universals in Music: A Perspective from Cognitive Psychology | ||
+ | * Author(s): Dane L. Harwood | ||
+ | * Source: Ethnomusicology, Vol. 20, No. 3 (Sep., 1976), pp. 521-533 | ||
+ | * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology | ||
+ | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047 | ||
+ | |||
+ | ch. 9. Performance Theory | ||
+ | |||
+ | * Drama, Script, Theatre, and Performance | ||
+ | * Author(s): Richard Schechner | ||
+ | * Source: The Drama Review: TDR, Vol. 17, No. 3, Theatre and the Social Sciences (Sep., 1973), pp. 5-36 | ||
+ | * Publisher: The MIT Press | ||
+ | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1144841 | ||
+ | |||
+ | * Verbal Art as Performance | ||
+ | * Author(s): Richard Bauman | ||
+ | * Source: American Anthropologist, New Series, Vol. 77, No. 2 (Jun., 1975), pp. 290-311 | ||
+ | * Publisher: Blackwell Publishing on behalf of the American Anthropological Association | ||
+ | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/674535 | ||
+ | |||
+ | ch. 10. Gender, Ethnicity, and Identity Issues | ||
+ | |||
+ | * The Nightingale and the Partridge: Singing and Gender among Prespa Albanians | ||
+ | * Author(s): Jane C. Sugarman | ||
+ | * Source: Ethnomusicology, Vol. 33, No. 2 (Spring - Summer, 1989), pp. 191-215 | ||
+ | * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology | ||
+ | * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395 |
Revision as of 21:31, 8 August 2008
Links:
ch 1 http://www.des.emory.edu/mfp/Kuhnsnap.html
ch 2.
* The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs * Author(s): E. M. Von Hornbostel * Source: Africa: Journal of the International African Institute, Vol. 6, No. 2 (Apr., 1933), pp. 129-157 * Publisher: Edinburgh University Press * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1155180
* Indonesia and Africa: The Xylophone as a Culture-Indicator * Author(s): A. M. Jones * Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 89, No. 2 (Jul. - Dec., 1959), pp. 155-168 * Publisher: Royal Anthropological Institute of Great Britain and Ireland * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267
ch. 3.
* The Value of Music in Human Experience * Author(s): John Blacking * Source: Yearbook of the International Folk Music Council, Vol. 1, (1969), pp. 33-71 * Publisher: International Council for Traditional Music * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634
ch. 4.
* Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music * Author(s): Thomas Turino * Source: Ethnomusicology, Vol. 43, No. 2 (Spring - Summer, 1999), pp. 221-255 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734
* Processes of Musical Semiosis * Author(s): Charles L. Boiles * Source: Yearbook for Traditional Music, Vol. 14, (1982), pp. 24-44 * Publisher: International Council for Traditional Music * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768069
* Linguistic Models in Ethnomusicology * Author(s): Steven Feld * Source: Ethnomusicology, Vol. 18, No. 2 (May, 1974), pp. 197-217 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850579
ch. 5.
* The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure * Author(s): Pandora Hopkins * Source: Ethnomusicology, Vol. 21, No. 2 (May, 1977), pp. 247-261 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946
ch. 6.
* How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle * Author(s): Reebee Garofalo * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92 * Publisher: Cambridge University Press * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167
ch. 7. Literary and Dramaturgical Theories
* 'Flow like a Waterfall': The Metaphors of Kaluli Musical Theory * Author(s): Steven Feld * Source: Yearbook for Traditional Music, Vol. 13, (1981), pp. 22-47 * Publisher: International Council for Traditional Music * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/768356
ch. 8. Cognition and Communication Theory
* Universals in Music: A Perspective from Cognitive Psychology * Author(s): Dane L. Harwood * Source: Ethnomusicology, Vol. 20, No. 3 (Sep., 1976), pp. 521-533 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/851047
ch. 9. Performance Theory
* Drama, Script, Theatre, and Performance * Author(s): Richard Schechner * Source: The Drama Review: TDR, Vol. 17, No. 3, Theatre and the Social Sciences (Sep., 1973), pp. 5-36 * Publisher: The MIT Press * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1144841
* Verbal Art as Performance * Author(s): Richard Bauman * Source: American Anthropologist, New Series, Vol. 77, No. 2 (Jun., 1975), pp. 290-311 * Publisher: Blackwell Publishing on behalf of the American Anthropological Association * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/674535
ch. 10. Gender, Ethnicity, and Identity Issues
* The Nightingale and the Partridge: Singing and Gender among Prespa Albanians * Author(s): Jane C. Sugarman * Source: Ethnomusicology, Vol. 33, No. 2 (Spring - Summer, 1989), pp. 191-215 * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/924395