Difference between revisions of "Issues in Ethnomusicology (Fall 2008)"

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     * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
     * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
 
     * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946
 
     * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946
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ch. 6.
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    *  How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle
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    * Author(s): Reebee Garofalo
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    * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92
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    * Publisher: Cambridge University Press
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    * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167

Revision as of 21:07, 8 August 2008

Links:

ch 1 http://www.des.emory.edu/mfp/Kuhnsnap.html

ch 2.

   *  The Ethnology of African Sound-Instruments. Comments on "Geist und Werden der Musikinstrumente" by C. Sachs
   * Author(s): E. M. Von Hornbostel
   * Source: Africa: Journal of the International African Institute, Vol. 6, No. 2 (Apr., 1933), pp. 129-157
   * Publisher: Edinburgh University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/1155180
   *  Indonesia and Africa: The Xylophone as a Culture-Indicator
   * Author(s): A. M. Jones
   * Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 89, No. 2 (Jul. - Dec., 1959), pp. 155-168
   * Publisher: Royal Anthropological Institute of Great Britain and Ireland
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/2844267

ch. 3.

   *  The Value of Music in Human Experience
   * Author(s): John Blacking
   * Source: Yearbook of the International Folk Music Council, Vol. 1, (1969), pp. 33-71
   * Publisher: International Council for Traditional Music
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/767634

ch. 4.

   *  Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music
   * Author(s): Thomas Turino
   * Source: Ethnomusicology, Vol. 43, No. 2 (Spring - Summer, 1999), pp. 221-255
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/852734

ch. 5.

   *  The Homology of Music and Myth: Views of Lévi-Strauss on Musical Structure
   * Author(s): Pandora Hopkins
   * Source: Ethnomusicology, Vol. 21, No. 2 (May, 1977), pp. 247-261
   * Publisher: University of Illinois Press on behalf of Society for Ethnomusicology
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/850946

ch. 6.

   *  How Autonomous Is Relative: Popular Music, the Social Formation and Cultural Struggle
   * Author(s): Reebee Garofalo
   * Source: Popular Music, Vol. 6, No. 1 (Jan., 1987), pp. 77-92
   * Publisher: Cambridge University Press
   * Stable URL: http://www.jstor.org.login.ezproxy.library.ualberta.ca/stable/853167