Difference between revisions of "Islamic expansion and Islamicate music"

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* Outward flow from center: cultural diffusion, as Islam provides political/cultural/linguistic/religious "lingua franca"
 
* Outward flow from center: cultural diffusion, as Islam provides political/cultural/linguistic/religious "lingua franca"
 
* A common system of music theory (and presumably practice) prevailed into the 13th century in the Middle East (Egypt/Iraq/Iran).
 
* A common system of music theory (and presumably practice) prevailed into the 13th century in the Middle East (Egypt/Iraq/Iran).
* Fragmentation of Islamic empire starting with Umayyad Spain (Andalusian/North African styles), but especially after the 10th c (Seljuk invasion), Delhi Sultanate (13th century), and later with the rise of Ottoman/Safavid conflict and Mughal Empire, from the early 16th century. Corresponding fission in Islamicate forms ("Turkish", "Persian", "Hindustani", "Arab"), which nevertheless remained genealogically linked.
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* Fragmentation of Islamic empire starting with Umayyad Spain (Andalusian/North African styles), but especially after the 10th c (Seljuk invasion), Delhi Sultanate (13th century), and later with the rise of Ottoman/Safavid conflict and Mughal Empire, from the early 16th century, and the various Central Asian kingdoms. Corresponding fission in Islamicate forms ("Turkish", "Persian", "Hindustani", "Arab"), which nevertheless remained genealogically linked.

Latest revision as of 08:41, 30 January 2024

Islam as catalyst...

  • Rapid political expansion: powered by Islamic ideology, drive for wealth and control, and adaptability, absorbing local cultures, and enabled by weakness of and division among prevailing powers at the time (Sassanian and Byzantine)
  • Inward flow towards center: assimilation, cultural fusion via openness to learning and multiculturalism (especially Persian arts and sciences)
    • Accumulation of financial capital
      • Opulent courts (Madina, Damascus, Baghdad, Cordoba, Granada, Istanbul, Delhi, Isfahan...)
      • Development of leisure class
      • Patronage of music and singing
      • Professional class of musicians
    • Accumulation of intellectual/artistic capital
      • Bayt al-Hikma translation movement (Abbasids), including Greek treatises relating to music: Aristoxenus (fl. 335 BC), Aristotle (384-322 A.C.), Euclid (fl. 300 BC), Ptolemy (90-128 CE), and the Neo-Pythagorean Nikomachus of Gerasa (fl 100 CE)
      • Music theory as philosophy (music being counted as among the "mathematical sciences", forming the quadrivium, along with geometry, arithmetic, astronomy)
        • al-Kindi (801-873), first to use term "musiqi", music theory (tonal and rhythmic), and music therapy
        • al-Farabi (870-950), Kitab al-Musiqi al-Kabir (Great Book of Music), musician, writes on philosophy of music, mode, rhythm, instruments, influences on body and soul. Influenced by Aristotle and Plato.
        • Ibn Sina (980-1037), Kitab al-Shifa' (Book of Healing), Aristotelian
        • Safi al-Din al-Urmawi (1216-1294), systematized theory
        • All developed Greek theory to account for local Islamicate practice, for instance in the realm of tuning and scales.
      • Music theory as mysticism
        • Ikhwan al-Safa' (Brethren of Purity), 9th-10th century
        • Abu Hamid al-Ghazali, Ihya' 'Ulum al-Din (1058 - 1111)
      • Development of musical arts, instruments, forms, ensembles, especially as sponsored by courts
  • Outward flow from center: cultural diffusion, as Islam provides political/cultural/linguistic/religious "lingua franca"
  • A common system of music theory (and presumably practice) prevailed into the 13th century in the Middle East (Egypt/Iraq/Iran).
  • Fragmentation of Islamic empire starting with Umayyad Spain (Andalusian/North African styles), but especially after the 10th c (Seljuk invasion), Delhi Sultanate (13th century), and later with the rise of Ottoman/Safavid conflict and Mughal Empire, from the early 16th century, and the various Central Asian kingdoms. Corresponding fission in Islamicate forms ("Turkish", "Persian", "Hindustani", "Arab"), which nevertheless remained genealogically linked.