Difference between revisions of "Islamic expansion and Islamicate music"

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*** Professional class of musicians
 
*** Professional class of musicians
 
** Accumulation of intellectual/artistic capital
 
** Accumulation of intellectual/artistic capital
*** Bayt al-Hikma translation movement (Abbasids), including Greek treatises relating to music (Aristoxenus, others)
+
*** Bayt al-Hikma translation movement (Abbasids), including Greek treatises relating to music: Aristoxenus (fl. 335 BC), Aristotle (384-322 A.C.), Euclid (fl. 300 BC), Ptolemy (90-128 CE), and Nikomachos of Gerasa (Jordan, fl 100 CE)
*** Music theory as philosophy (music as among the "mathematical sciences", with geometry, arithmetic, astronomy)
+
*** Music theory as philosophy (music as among the "mathematical sciences", forming the quadrivium, along with geometry, arithmetic, astronomy)
 
*** Development of musical arts
 
*** Development of musical arts
 
* Outward flow from center: cultural diffusion, as Islam provides political/cultural/linguistic/religious "lingua franca"
 
* Outward flow from center: cultural diffusion, as Islam provides political/cultural/linguistic/religious "lingua franca"
 
* Fragmentation of Islamic empire in 10th c, corresponding fission in Islamicate forms, which nevertheless remained linked
 
* Fragmentation of Islamic empire in 10th c, corresponding fission in Islamicate forms, which nevertheless remained linked

Revision as of 08:11, 30 January 2024

Islam as catalyst...

  • Rapid expansion: powered by Islamic ideology, drive for wealth and control, and enabled by weakness of prevailing powers at the time (Sassanian and Byzantine)
  • Inward flow towards center: assimilation, cultural fusion via openness to learning and multiculturalism (especially Persian arts and sciences)
    • Accumulation of financial capital
      • Opulent courts (Madina, Damascus, Baghdad, Cordoba, Granada, Istanbul, Delhi, Isfahan...)
      • Development of leisure class
      • Patronage of music and singing
      • Professional class of musicians
    • Accumulation of intellectual/artistic capital
      • Bayt al-Hikma translation movement (Abbasids), including Greek treatises relating to music: Aristoxenus (fl. 335 BC), Aristotle (384-322 A.C.), Euclid (fl. 300 BC), Ptolemy (90-128 CE), and Nikomachos of Gerasa (Jordan, fl 100 CE)
      • Music theory as philosophy (music as among the "mathematical sciences", forming the quadrivium, along with geometry, arithmetic, astronomy)
      • Development of musical arts
  • Outward flow from center: cultural diffusion, as Islam provides political/cultural/linguistic/religious "lingua franca"
  • Fragmentation of Islamic empire in 10th c, corresponding fission in Islamicate forms, which nevertheless remained linked