Difference between revisions of "Islamic content and Islamicate music"
| Line 8: | Line 8: | ||
**** Sufi practices (see below) | **** Sufi practices (see below) | ||
** Discourse | ** Discourse | ||
| − | *** Ethical conditions | + | *** Ethical conditions |
| − | **** Qur' | + | *** Discourse and controversy over music, music terms |
| − | **** Sunna (Hadith) | + | **** Qur'anic source |
| + | **** Sunna source (Hadith) | ||
| + | *** Suspicion of music | ||
| + | *** Forbidding musical instruments | ||
| + | *** Contrast with high profile of music in the courts! | ||
** Mystical currents (Sufism) in practice and discourse | ** Mystical currents (Sufism) in practice and discourse | ||
*** "tazkiyat al-nafs, tarqiyat al-ruh" (taming the self; raising the spirit or soul) | *** "tazkiyat al-nafs, tarqiyat al-ruh" (taming the self; raising the spirit or soul) | ||
Revision as of 12:41, 27 September 2007
- Islamic content
- Ritual practice
- Language-centrality
- Specific forms of "language performance"
- Qur'anic recitation (tilawa)
- Call to prayer (adhan)
- Mawlid
- Sufi practices (see below)
- Discourse
- Ethical conditions
- Discourse and controversy over music, music terms
- Qur'anic source
- Sunna source (Hadith)
- Suspicion of music
- Forbidding musical instruments
- Contrast with high profile of music in the courts!
- Mystical currents (Sufism) in practice and discourse
- "tazkiyat al-nafs, tarqiyat al-ruh" (taming the self; raising the spirit or soul)
- Batin > Zahir (Haqiqa > Sharia) (flexibility)
- Experiential relation to God
- Absorption of local traditions
- Aesthetic as means to spirituality, expression of spirituality
- Use of music/poetry to express/attain spiritual state (ecstasy, union, annihilation...)
- Ritual practice
